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Author: Charles Segal Publisher: Duke University Press ISBN: 9780822313601 Category : Drama Languages : en Pages : 340
Book Description
Where is the pleasure in tragedy? This question, how suffering and sorrow become the stuff of aesthetic delight, is at the center of Charles Segal's new book, which collects and expands his recent explorations of Euripides' art. Alcestis, Hippolytus, and Hecuba, the three early plays interpreted here, are linked by common themes of violence, death, lamentation and mourning, and by their implicit definitions of male and female roles. Segal shows how these plays draw on ancient traditions of poetic and ritual commemoration, particularly epic song, and at the same time refashion these traditions into new forms. In place of the epic muse of martial glory, Euripides, Segal argues, evokes a muse of sorrows who transforms the suffering of individuals into a "common grief for all the citizens," a community of shared feeling in the theater. Like his predecessors in tragedy, Euripides believes death, more than any other event, exposes the deepest truth of human nature. Segal examines the revealing final moments in Alcestis, Hippolytus, and Hecuba, and discusses the playwright's use of these deaths--especially those of women--to question traditional values and the familiar definitions of male heroism. Focusing on gender, the affective dimension of tragedy, and ritual mourning and commemoration, Segal develops and extends his earlier work on Greek drama. The result deepens our understanding of Euripides' art and of tragedy itself.
Author: Charles Segal Publisher: Duke University Press ISBN: 9780822313601 Category : Drama Languages : en Pages : 340
Book Description
Where is the pleasure in tragedy? This question, how suffering and sorrow become the stuff of aesthetic delight, is at the center of Charles Segal's new book, which collects and expands his recent explorations of Euripides' art. Alcestis, Hippolytus, and Hecuba, the three early plays interpreted here, are linked by common themes of violence, death, lamentation and mourning, and by their implicit definitions of male and female roles. Segal shows how these plays draw on ancient traditions of poetic and ritual commemoration, particularly epic song, and at the same time refashion these traditions into new forms. In place of the epic muse of martial glory, Euripides, Segal argues, evokes a muse of sorrows who transforms the suffering of individuals into a "common grief for all the citizens," a community of shared feeling in the theater. Like his predecessors in tragedy, Euripides believes death, more than any other event, exposes the deepest truth of human nature. Segal examines the revealing final moments in Alcestis, Hippolytus, and Hecuba, and discusses the playwright's use of these deaths--especially those of women--to question traditional values and the familiar definitions of male heroism. Focusing on gender, the affective dimension of tragedy, and ritual mourning and commemoration, Segal develops and extends his earlier work on Greek drama. The result deepens our understanding of Euripides' art and of tragedy itself.
Author: Gary S. Meltzer Publisher: Cambridge University Press ISBN: 1139458590 Category : History Languages : en Pages : 191
Book Description
Branded by critics from Aristophanes to Nietzsche as sophistic, iconoclastic, and sensationalistic, Euripides has long been held responsible for the demise of Greek tragedy. Despite this reputation, his drama has a fundamentally conservative character. It conveys nostalgia for an idealized age that still respected the gods and traditional codes of conduct. Using deconstructionist and feminist theory, this book investigates the theme of the lost voice of truth and justice in four Euripidean tragedies. The plays' unstable mix of longing for a transcendent voice of truth and skeptical analysis not only epitomizes the discursive practice of Euripides' era but also speaks to our postmodern condition. The book sheds light on the source of the playwright's tragic power and enduring appeal, revealing the surprising relevance of his works for our own day.
Author: Katharine Mawford Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110728923 Category : Literary Criticism Languages : en Pages : 363
Book Description
Although the recent ‘memory boom’ has led to increasing interdisciplinary interest, there is a significant gap relating to the examination of this topic in Classics. In particular, there is need for a systematic exploration of ancient memory and its use as a critical and methodological tool for delving into ancient literature. The present volume provides just such an approach, theorising the use and role of memory in Graeco-Roman thought and literature, and building on the background of memory studies. The volume’s contributors apply theoretical models such as memoryscapes, civic and cultural memory, and memory loss to a range of authors, from Homeric epic to Senecan drama, and from historiography to Cicero’s recollections of performances. The chapters are divided into four sections according to the main perspective taken. These are: 1) the Mechanics of Memory, 2) Collective memory, 3) Female Memory, and 4) Oblivion. This modern approach to ancient memory will be useful for scholars working across the range of Greek and Roman literature, as well as for students, and a broader interdisciplinary audience interested in the intersection of memory studies and Classics.
Author: Justina Gregory Publisher: John Wiley & Sons ISBN: 1405152052 Category : Literary Criticism Languages : en Pages : 576
Book Description
The Blackwell Companion to Greek Tragedy provides readers with a fundamental grounding in Greek tragedy, and also introduces them to the various methodologies and the lively critical dialogue that characterize the study of Greek tragedy today. Comprises 31 original essays by an international cast of contributors, including up-and-coming as well as distinguished senior scholars Pays attention to socio-political, textual, and performance aspects of Greek tragedy All ancient Greek is transliterated and translated, and technical terms are explained as they appear Includes suggestions for further reading at the end of each chapter, and a generous and informative combined bibliography
Author: William Allan Publisher: Clarendon Press ISBN: 0191541567 Category : Literary Criticism Languages : en Pages : 325
Book Description
The Andromache has long been disparaged despite being a brilliant piece of theatre. In this book Dr Allan draws attention to the neglected artistry of this very impressive and intriguing text. Through careful analysis the Andromache emerges as a play that poses fundamental questions, especially about the polarity of Greek and barbarian, and the morality of the gods. Dr Allan shows how the play also challenges revenge as a motive for action, and explores the role of women as wives, mothers, and victims of war, be they Greek or Trojan, victorious or defeated. These are among the central concerns that make the Andromache a moving and thought-provoking tragedy, full of suffering, suspense, and moral interest. This book contributes both to an appreciation of the Andromache in its own right, and to a wider understanding of the variety and quality of Euripides' uvre.
Author: Mark Ringer Publisher: Univ of North Carolina Press ISBN: 0807864137 Category : Literary Criticism Languages : en Pages : 268
Book Description
Metatheater, or "theater within theater," is a critical approach often used in studies of Shakespearian or modern drama. Breaking new ground in the study of ancient Greek tragedy, Mark Ringer applies the concept of metatheatricality to the work of Sophocles. His innovative analysis sheds light on Sophocles' technical ingenuity and reveals previously unrecognized facets of fifth-century performative irony. Ringer analyzes the layers of theatrical self-awareness in all seven Sophoclean tragedies, giving special attention to Electra, the playwright's most metatheatrical work. He focuses on plays within plays, characters who appear to be in rivalry with their playwright in "scripting" their dramas, and the various roles that characters assume in their attempts to deceive other characters or even themselves. Ringer also examines instances of literal role playing, exploring the implications of the Greek convention of sharing multiple roles among only three actors. Sophocles has long been praised as one of the masters of dramatic irony. Awareness of Sophoclean metatheater, Ringer shows, deepens our appreciation of that irony and reveals the playwright's keen awareness of his art. Originally published in 1998. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: Frank Northen Magill Publisher: Taylor & Francis ISBN: 1579580408 Category : Biography Languages : en Pages : 1354
Book Description
Containing 250 entries, each volume of theDictionary of World Biographycontains examines the lives of the individuals who shaped their times and left their mark on world history. Much more than a 'Who's Who', each entry provides an in-depth essay on the life and career of the individual concerned. Essays commence with a quick reference section that provides basic facts on the individual's life and achievements, and conclude with a fully annotated bibliography. The extended biography places the life and works of the individual within an historical context, and the summary at the end of each essay provides a synopsis of the individual's place in history. Any student in the field will want to have one of these as a handy reference companion.
Author: Colleen Chaston Publisher: BRILL ISBN: 9004177388 Category : Psychology Languages : en Pages : 292
Book Description
By applying aspects of cognitive psychology to a study of three key tragic props, this book examines the importance of visual imagery in ancient Greek tragedy. The shield, the urn and the mask are props which serve as controls for investigating the connection between visual imagery and the spectators' intellectual experience of tragic drama. As vehicles for conceptual change the props point to a function of imagery in problem solving. Connections between the visual and the cognitive in tragedy, particularly through image shape and its potential for various meanings, add a new perspective to scholarship on the role of the visual in ancient performance. These connections also add weight to the importance of imagery in contemporary problem solving and creative thought.
Author: Victoria Wohl Publisher: University of Texas Press ISBN: 0292774052 Category : Literary Criticism Languages : en Pages : 333
Book Description
Exchanges of women between men occur regularly in Greek tragedy—and almost always with catastrophic results. Instead of cementing bonds between men, such exchanges rend them. They allow women, who should be silent objects, to become monstrous subjects, while men often end up as lifeless corpses. But why do the tragedies always represent the transferal of women as disastrous? Victoria Wohl offers an illuminating analysis of the exchange of women in Sophocles' Trachiniae, Aeschylus' Agamemnon, and Euripides' Alcestis. She shows how the attempts of women in these plays to become active subjects rather than passive objects of exchange inevitably fail. While these failures seem to validate male hegemony, the women's actions, however futile, blur the distinction between male subject and female object, calling into question the very nature of the tragic self. What the tragedies thus present, Wohl asserts, is not only an affirmation of Athens' reigning ideologies (including its gender hierarchy) but also the possibility of resistance to them and the imagination of alternatives.
Author: Jennifer K. Berenson Maclean Publisher: BRILL ISBN: 9004130942 Category : Religion Languages : en Pages : 443
Book Description
This multidimensional collection of essays explores the interrelation of religion, cultural identity, politics, literature, myth, and memory during the Roman Empire by focusing on the cultural dynamics embedded in and surrounding Philostratus s Heroikos, an early third-century C.E. dialogue about Homer and the heroes of the Trojan War. The essays focus on ritual and literary dimensions of hero cult; cultural and community identity reflected in the Heroikos and in early Christianity; and the cultural, literary, and political turn toward heroes in the negotiation of difference, particularly with those outside the Roman Empire. Contributors to this volume include classicists, archaeologists, ancient historians, and scholars of early Christianity: Ellen Bradshaw Aitken, Susan E. Alcock, Hans Dieter Betz, Alain Blomart, Walter Burkert, Casey Dué, Simone Follet, Sidney H. Griffith, Jackson P. Hershbell, Christopher Jones, Jennifer K. Berenson Maclean, Francesca Mestre, Gregory Nagy, Corinne Ondine Pache, Jeffrey Rusten, M. Rahim Shayegan, James C. Skedros, and Tim Whitmarsh.Paperback edition is available from the Society of Biblical Literature (www.sbl-site.org).
Author: Charles Segal
Author: Charles Segal
Author: Gary S. Meltzer
Author: Katharine Mawford
Author: Justina Gregory
Author: William Allan
Author: Mark Ringer
Author: Frank Northen Magill
Author: Colleen Chaston
Author: Victoria Wohl
Author: Jennifer K. Berenson Maclean