Eugène Labiche and Georges Feydeau PDF Download

Author: Leonard Cabell Pronko
Publisher: New York : Grove Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 204

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Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 274

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Author: Georges Feydeau
Publisher: Hal Leonard Corporation
ISBN: 9781557834638
Category : Drama
Languages : en
Pages : 322

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(Applause Books). Feydeau was the greatest of a great age of French farceurs and the first to enter the modern repertory. Of the more than 40 plays Feydeau wrote, over a third were one-acts. In this volume, Shapiro has selected and translated eight of these one-act plays, among them Feydeau's first and last works. Includes: Ladies' Man * Wooed and Viewed * Romance in A Flat * Fit to Be Tried, or, Stepbrothers in Crime * Mixed Doubles * The Boor Hug * Caught with His Trance Down * Tooth and Consequences, or, Hortense Said: "No Skin Off My Ass!"

Author: Aidan Cruttenden
Publisher: Evans Brothers
ISBN: 9780237522568
Category : Juvenile Nonfiction
Languages : en
Pages : 104

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A discussion of the Victorians and their literature. It sets out the political, social and economic framework of the period, and then goes on to study the various influences on the novel, addresses the forms and styles of poetry and, finally, provides an overview of Victorian drama. Each chapter features a further reading list and there is a comparative time-line, a biographical glossary and a list of websites. The volume is part of a series which sets writers and literary works of different types and periods in their historical, social and cultural context and provides an introduction to various genres.

Author: Sarah Kay
Publisher:
ISBN: 0198159315
Category : Literary Criticism
Languages : en
Pages : 357

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This book traces the history of French literature from its beginnings to the present. Within its remarkably brief compass, it offers a wide-ranging, personal, and detailed--though selective--account of major writers and movements. Developments in French literature are presented in an innovative way, not as an even sequence of literary events but as a series of stories told at varying pace and with different kinds of focus. Readers can thus take in the broad sweep of historical change, grasp the main characteristics of major periods, or enjoy a close appraisal of individual works and their contexts. The book is written in an accessible and non-technical style that will make it attractive both to students of French and to non-specialist readers.

Author: Norman R. Shapiro
Publisher: Hal Leonard Corporation
ISBN: 9781557831651
Category : Drama
Languages : en
Pages : 484

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(Applause Books). Ten French farces as translated by Norman R. Shapiro, including the title play by Feydeau and: The Poor Beggar and the Fairy Godmother (Allais) * Boubouroche, or She Dupes to Conquer (Courteline) * It's All Relative (Labiche) * Mardis Gras (Meilhac and Halevy) * and more.

Author: Georges Feydeau
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Drama
Languages : en
Pages : 304

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Georges Feydeau (1862-1921) is considered second only to Molière as a great writer of French comedy and yet his reputation, at least in English-speaking countries, rests largely on a half dozen plays. This book features new translations of five of his lesser known works as seen from the perspective of a stage director: Brothers In Crime (Gibier de potence), The Dressmaker (Tailleur pour dames), All My Husbands (Le mariage de Barillon), That's My Girl! (Occupe-toi d'Amélie), and Nothing But The Tooth (Hortense a dit: «Je m'en fous»). The Introduction provides biographical information, traces the most significant influences in Feydeau's output, and discusses farce as a dramatic genre.

Author: Edward Forman
Publisher: Scarecrow Press
ISBN: 0810874512
Category : Performing Arts
Languages : en
Pages : 337

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Book Description
The term "French theater" evokes most immediately the glories of the classical period and the peculiarities of the Theater of the Absurd. It has given us the works of Corneille, Racine, and Moliere. In the Romantic era there was Alexander Dumas and surrealist works of Alfred Jarry, and then the Theater of the Absurd erupted in rationalistic France with Samuel Beckett, Eugene Ionesco, and Jean-Paul Sartre. The Historical Dictionary of French Theater relates the history of the French theater through a chronology, introduction, bibliography, and over 400 cross-referenced dictionary entries on authors, trends, genres, concepts, and literary and historical developments that played a central role in the evolution of French theater.

Author: Oscar Wilde
Publisher: Bloomsbury Publishing
ISBN: 135014195X
Category : Drama
Languages : en
Pages : 129

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After all, who has the right to cast a stone against one who has suffered? Cannot repentance wipe out an act of folly? Why should there be one law for me and another for women? Wilde's 'trivial play for serious people', a sparkling comedy of manners, is the epitome of wit and style. This brilliantly constructed satire with its celebrated characters and much-quoted dialogue turns accepted ideas inside out and is generally regarded as Wilde's masterpiece. This Methuen Drama Student Edition of the play includes commentary and notes by Lucie Sutherland, Assistant Professor in Drama at the University of Nottingham, UK, which investigate the play through a contemporary lens, bringing in the contributions from queer scholarship and discussions of recent productions of the play.

Author: Jeff Barda
Publisher: Springer Nature
ISBN: 3030152936
Category : Literary Criticism
Languages : en
Pages : 332

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Book Description
Experimentation and the Lyric in Contemporary French Poetry offers a new theoretical approach and historical perspective on the remarkable upsurge in creative poetic practices in France that have challenged traditional definitions of poetry and of the lyric. Focusing on the work of Pierre Alferi, Olivier Cadiot, Emmanuel Hocquard, Franck Leibovici, Anne Portugal and Denis Roche, this book provides an analysis of the most influential poets in French poetry of the last few decades. It contextualizes the theoretical models that inform their investigations, analyzing them alongside the history of the avant-garde and the heated theoretical debates that have taken place over whether to continue or bring an end to the lyric. Systematically addressing the various strategies employed by these poets and drawing on reception theory and cognitive studies, Jeff Barda argues that French radical poetics re-evaluates the lyric in cognitive terms beyond the personal. This book is essential reading for anyone interested in twenty-first-century forms of experimental writing and the connections between literature and the arts today.