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Publisher: TheBookEdition
ISBN:
Category :
Languages : en
Pages : 123

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Author: Jean-Louis Ducamp
Publisher:
ISBN:
Category :
Languages : fr
Pages : 169

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Author: Ayotte (P. V.) & cie
Publisher: Trois-Rivières [Québec] : P.V. Ayotte
ISBN:
Category :
Languages : en
Pages : 598

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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1078

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Author: Fabio Maltagliati
Publisher: Lulu.com
ISBN: 0244838968
Category :
Languages : en
Pages : 186

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Author: Anne-Marie Mac Donald Courtemanche
Publisher: FriesenPress
ISBN: 103918183X
Category : Biography & Autobiography
Languages : en
Pages : 271

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L’abus sexuel, la violence domestique, la prison, l’alcoolisme – Anne-Marie Courtemanche les a tous vécu et la plupart avant l'âge de quinze ans. Dans Maman, où es-tu ? elle partage son cheminement tissant ensemble une histoire de perte, de douleur, de courage et transformation. Ce livre contient des thèmes pour adultes au sujet de la négligence, d’abus sexuels, de violence domestique, de traumatismes, de la grossesse chez les adolescentes, des cruautés de l’adoption, de tromperie et de la manipulation. Elle partage comment ces expériences ont affectés sa vie. Ce livre partage tous les détails de son enfance traumatisante. Une mémoire émotionnelle et bouleversante d’amour et de survie. Les souvenirs déchirants d’une fille secouée par la brutalité et la réalité d’une innocence volée un cercle familial brisé. Ce livre démontre que la vie n’est pas définie par les frontières placées autour de nous par les agresseurs et les manipulateurs, mais par la profondeur de l’amour dans son cœur. Très difficile à croire, mais c’est une histoire vrai qui jaillit du Canada.

Author: Richard Arsenty
Publisher: Cambridge Scholars Publishing
ISBN: 1443846864
Category : Music
Languages : en
Pages : 333

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Giacomo Meyerbeer, one of the most important and influential opera composers of the nineteenth century, enjoyed a fame during his lifetime hardly rivalled by any of his contemporaries. This ten volume set provides in one collection all the operatic texts set by Meyerbeer in his career. The texts offer the most complete versions available. Each libretto is translated into modern English by Richard Arsenty; and each work is introduced by Robert Letellier. In this comprehensive edition of Meyerbeer's libretti, the original text and its translation are placed on facing pages for ease of use. The eleventh volume presents the fourth of Meyerbeer’s grands opéras, and his final work. By 1860 long-imposed labor had started to tell upon the composer’s health: he knew that he must concentrate on the “navigator project” which he had started twenty years earlier if he intended to finish it. Meyerbeer died on 2 May 1864, the day after the completion of the copying of the full score of this his last opera, Vasco da Gama. Minna Meyerbeer and César-Victor Perrin, the director of the Opéra, entrusted the editing of a performing edition to the famous Belgian musicologist François-Joseph Fétis, while the libretto was revised by Mélesville. The original title of L’Africaine was restored out of deference to public expectation. Much of the music and action was suppressed, in spite of the strain this inflicted on the internal logic of the story. While L'Africaine is not lacking in the grandeur of statement and stirring climaxes for which the composer was so famous, there is a new intimacy, a new intensity of melancholic lyricism. Like its famous predecessors, it is basically an historical work, derived from the period of sixteenth-century Renaissance. The account of Vasco da Gama's voyage of discovery around the Cape of Good Hope and conquest of Calicut (1497-98) is subjected to a fictional treatment that raises many interesting issues. The framework is historical, but most of the characters and course of action are not; in fact the end of the opera, in the suicide of the heroine, suddenly leaves the terra firma of reality, and transports us into the mystical realms of the spirit. It is this mixture of modes that is central to the dramaturgy of L'Africaine, a confusion of history and fairytale, ancient certainties and challenging discoveries, in the creation of a new mythology. There is also originality in formal developments, with the great tenor scene in act 4 providing a new malleability in handling the constraints of shape and genre: recitative, arioso and cabaletta have a fluent integration in trying to explore the text more pointedly. L’Africaine was produced on 28 April 1865, a great posthumous tribute to its famous creators. The Ship Scene, the exotic Indian act, and the Scene of the Manchineel Tree exerted a fascination on audiences, and elicited new praise. The work full of melodic beauty and rapturous lyricism, began a triumphal progress through the world, beginning with the big stages of London and Berlin.

Author: John Jacob Thomas
Publisher:
ISBN:
Category : Creole dialects
Languages : en
Pages : 156

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Introduction to the grammar and writing system of West Indian Creole

Author: Victor Hugo
Publisher: OUP Oxford
ISBN: 0191623261
Category : Literary Collections
Languages : en
Pages : 576

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'To the English, I am "shocking"...What's more, French, which is disgusting; republican, which is abominable; exiled, which is repulsive; defeated, which is infamous. To top it all off, a poet...' Victor Hugo dominated literary life in France for over half a century, pouring forth novels, poems, plays, and other writings with unflagging zest and vitality. Here, for the first time in English, all aspects of his work are represented within a single volume. Famous scenes from the novels Notre-Dame, Les Misérables, and The Toilers of the Sea are included, as well as excerpts from his intimate diaries, poems of love and loss, and scathing denunciations of the political establishment. All the chosen passages are self-contained and can be enjoyed without any previous knowledge of Hugo's work. Much of the material is appearing in English for the first time, and most of it has never before been annotated thoroughly in any language.

Author: Luc Mathieu
Publisher: Lulu.com
ISBN: 1291454748
Category :
Languages : en
Pages : 232

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