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Author: George Moore Publisher: ISBN: Category : Languages : en Pages : 472
Book Description
"Esther Waters is a novel by George Moore first published in 1894.Set in England from the early 1870s onward, the novel is about a young, pious woman from a poor working-class family who, while working as a kitchen maid, is seduced by another employee, becomes pregnant, is deserted by her lover, and against all odds decides to raise her child as a single mother. Esther Waters is one of a group of Victorian novels that depict the life of a ""fallen woman"".Written in a Zola-like naturalistic style, the novel stands out among Moore's publications as the book whose immediate success, including Gladstone's approval of the novel in the Westminster Gazette,[1] brought him financial security. Moore's fellow late nineteenth century novelist' George Gissing, wrote there was ""some pathos and power in latter part, but miserable writing. The dialogue often grotesquely phrased"".[2] Continuously revised by Moore (1899, 1917, 1920, 1931), it is often regarded as his best novel."
Author: George Moore Publisher: ISBN: Category : Languages : en Pages : 472
Book Description
"Esther Waters is a novel by George Moore first published in 1894.Set in England from the early 1870s onward, the novel is about a young, pious woman from a poor working-class family who, while working as a kitchen maid, is seduced by another employee, becomes pregnant, is deserted by her lover, and against all odds decides to raise her child as a single mother. Esther Waters is one of a group of Victorian novels that depict the life of a ""fallen woman"".Written in a Zola-like naturalistic style, the novel stands out among Moore's publications as the book whose immediate success, including Gladstone's approval of the novel in the Westminster Gazette,[1] brought him financial security. Moore's fellow late nineteenth century novelist' George Gissing, wrote there was ""some pathos and power in latter part, but miserable writing. The dialogue often grotesquely phrased"".[2] Continuously revised by Moore (1899, 1917, 1920, 1931), it is often regarded as his best novel."
Author: Gina M. Dorré Publisher: Routledge ISBN: 1351875892 Category : Literary Criticism Languages : en Pages : 292
Book Description
The horse was essential to the workings of Victorian society, and its representations, which are vast, ranging, and often contradictory, comprise a vibrant cult of the horse. Examining the representational, emblematic, and rhetorical uses of horses in a diversity of nineteenth-century texts, Gina M. Dorré shows how discourses about horses reveal and negotiate anxieties related to industrialism and technology, constructions of gender and sexuality, ruptures in the social fabric caused by class conflict and mobility, and changes occasioned by national "progress" and imperial expansion. She argues that as a cultural object, the horse functions as a repository of desire and despair in a society rocked by astonishing social, economic, and technological shifts. While representations of horses abound in Victorian fiction, Gina M. Dorré's study focuses on those novels by Charles Dickens, Elizabeth Braddon, Anna Sewell, and George Moore that engage with the most impassioned controversies concerning horses and horse-care, such as the introduction of the steam engine, popular new methods of horse-taming, debates over the tight-reining of horses, and the moral furor surrounding gambling at the race track. Her book establishes the centrality of the horse as a Victorian cultural icon and explores how through it, dominant ideologies of gender and class are created, promoted, and disrupted.
Author: Elizabeth Grubgeld Publisher: Syracuse University Press ISBN: 9780815626152 Category : Language Arts & Disciplines Languages : en Pages : 314
Book Description
Moore's work exhibits a profound recognition of the forces of heredity, gender, culture, and history while simultaneously declaring his belief in an autogenous self. In early novels like A Drama in Muslin and Esther Waters, there is a notable conflict between his postulation of the pure, instinctive individual and the emphasis upon the shaping power of heredity and economics inherent in the traditions of social realism that he adopts. In The Untilled Field, The Lake, and later works, Moore perfects a narrative technique that in highlighting the power of subjective memory, allows his characters to work out a new relation with the forces of history.
Author: Jules David Law Publisher: Cornell University Press ISBN: 080146238X Category : Literary Criticism Languages : en Pages : 218
Book Description
British Victorians were obsessed with fluids—with their scarcity and with their omnipresence. By the mid-nineteenth century, hundreds of thousands of citizens regularly petitioned the government to provide running water and adequate sewerage, while scientists and journalists fretted over the circulation of bodily fluids. In The Social Life of Fluids Jules Law traces the fantasies of power and anxieties of identity precipitated by these developments as they found their way into the plotting and rhetoric of the Victorian novel. Analyzing the expression of scientific understanding and the technological manipulation of fluids—blood, breast milk, and water—in six Victorian novels (by Charles Dickens, George Eliot, George Moore, and Bram Stoker), Law traces the growing anxiety about fluids in Victorian culture from the beginning of the sanitarian movement in the 1830s through the 1890s. Fluids, he finds, came to be regarded as the most alienable aspect of an otherwise inalienable human body, and, paradoxically, as the least rational element of an increasingly rationalized environment. Drawing on literary and feminist theory, social history, and the history of science and medicine, Law shows how fluids came to be represented as prosthetic extensions of identity, exposing them to contested claims of kinship and community and linking them inextricably to public spaces and public debates.
Author: George Moore Publisher: Penguin Group ISBN: 9780143122524 Category : Dublin (Ireland) Languages : en Pages : 0
Book Description
Long out of print, George Moore's classic novella returns just in time for the major motion picture starring Glenn Close as a woman disguised as a man in nineteenth-century Ireland. Set in a posh hotel in nineteenth-century Dublin, Albert Nobbs is the story of an unassuming waiter hiding a shocking secret. Forced one night to share his bed with an out-of-town laborer, Albert Nobbs' carefully constructed facade nearly implodes when the stranger disovers his true identity-that he's actually a woman. Forced by this revelation to look himself in the mirror, Albert sets off in a desperate pursuit of companionship and love, a search he's unwilling to abandon so long as he's able to preserve his fragile persona at the same time. A tale of longing and romance, Albert Nobbs is a moving and startlingly frank gender-bending tale about the risks of being true to oneself. With a foreword by Glenn Close.
Author: George Moore Publisher: ISBN: Category : Languages : en Pages : 230
Book Description
Confessions of a Young Man is a memoir by Irish novelist George Moore who spent about 15 years in his teens and 20s in Paris and later London as a struggling artist. The book is notable as being one of the first English writings which named important emerging French Impressionists; for its literary criticism; and depictions of bohemian life in Paris during the 1870s and 1880s.
Author: George Watt Publisher: Routledge ISBN: 1317200802 Category : Literary Criticism Languages : en Pages : 242
Book Description
A sympathetic view of the fallen women in Victorian England begins in the novel. First published in 1984, this book shows that the fallen woman in the nineteenth-century novel is, amongst other things, a direct response to the new society. Through the examination of Dickens, Gaskell, Collins, Moore, Trollope, Gissing and Hardy, it demonstrates that the fallen woman is the first in a long line of sympathetic creations which clash with many prevailing social attitudes, and especially with the supposedly accepted dichotomy of the ‘two women’. This book will be of interest to students of nineteenth-century literature and women in literature.
Author: George Moore
Author: George Moore
Author: George Moore
Author: George Moore
Author: Gina M. Dorré
Author: George Moore
Author: Elizabeth Grubgeld
Author: Jules David Law
Author: George Moore
Author: George Moore
Author: George Watt