Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages :
Book Description
Estampes, Dessins, Aquarelles Et Tableaux Du XIX Siecle Ou Modernes
Estampes, dessins, aquarelles et tableaux du XIXe siècle ou modernes
Dessins et aquarelles des XVIe, XVIIe, XVIIIe et XIXe siècles, tableaux..., estampes du XVIIIe siècle..., estampes anciennes et modernes..., objets d'art d'Extrême-Orient...
Dessins, aquarelles du XIXe siècle; dessins, tableaux anciens; estampes, dessins, tableaux modernes
Dessins - aquarelles du XIXe siècle; dessins - tableaux anciens; estampes - dessins - tableaux modernes, objets de vitrine, bijoux, orfèvrerie ancienne et moderne, étains - dinanderie - terre vernissée, objets d'arts & d'ameublement des XVIIIe et XIXe siècles, tapis d'Orient
Dessins, aquarelles du XIXe siècle..., dessins, tableaux anciens..., estampes, dessins, tableaux modernes..., objets de vitrine, bijoux, orfèvrerie ancienne et moderne..., objets d'art et d'ameublement...
Catalog of the Library of the Museum of Modern Art: Han
Author: Museum of Modern Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 708
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 708
Book Description
Art Nouveau in Fin-de-Siecle France
Author: Debora L. Silverman
Publisher: Univ of California Press
ISBN: 0520913280
Category : History
Languages : en
Pages : 446
Book Description
Winner, 1990 Berkshire Conference Book Award Art Nouveau in Fin-de-Siecle France: Politics, Psychology, and Style explores the shift in the locus of modernity from technological monument to private interior. It examines the political, economic, social, intellectual and artistic factors, specific to late 19th century France, that interacted in the development of art nouveau.
Publisher: Univ of California Press
ISBN: 0520913280
Category : History
Languages : en
Pages : 446
Book Description
Winner, 1990 Berkshire Conference Book Award Art Nouveau in Fin-de-Siecle France: Politics, Psychology, and Style explores the shift in the locus of modernity from technological monument to private interior. It examines the political, economic, social, intellectual and artistic factors, specific to late 19th century France, that interacted in the development of art nouveau.
Nineteenth- and Twentieth-century Paintings
Author: Richard R. Brettell
Publisher: Metropolitan Museum of Art
ISBN: 1588393496
Category : Painting, Modern
Languages : en
Pages : 482
Book Description
Robert Lehman (1891-1969), one of the foremost art collectors of his generation, embraced the work of both traditional and modern masters. This volume catalogues 130 nineteenth- and twentieth-century paintings that are now part of the Robert Lehman Collection at The Metropolitan Museum of Art. The majority of the works are by artists based in France, but there are also examples from the United States, Latin America, and India, reflecting Lehman's global interests. The catalogue opens with outstanding paintings by Ingres, Théodore Rousseau, and Corot, among other early nineteenth-century artists. They are joined by an exemplary selection of Impressionist and Post-Impressionist works by Degas, Renoir, Sisley, Pissarro, Seurat, Signac, Van Gogh, Cézanne, and Gauguin. Twentieth-century masters represented here include Bonnard, Matisse, Rouault, Dalí, and Balthus. There are also newly researched modern works by Vicente do Rego Monteiro, Kees van Dongen, Dietz Edzard, and D.G. Kulkarni (dizi). Robert Lehman's cultivated taste for nineteenth-century French academic practitioners and his intuitive eye for emerging young artists of his own time are documented and discussed. Three hundred comparative illustrations supplement the catalogue entries, as do extensively researched provenance information, exhibition histories, and references. The volume also includes a bibliography and indexes.
Publisher: Metropolitan Museum of Art
ISBN: 1588393496
Category : Painting, Modern
Languages : en
Pages : 482
Book Description
Robert Lehman (1891-1969), one of the foremost art collectors of his generation, embraced the work of both traditional and modern masters. This volume catalogues 130 nineteenth- and twentieth-century paintings that are now part of the Robert Lehman Collection at The Metropolitan Museum of Art. The majority of the works are by artists based in France, but there are also examples from the United States, Latin America, and India, reflecting Lehman's global interests. The catalogue opens with outstanding paintings by Ingres, Théodore Rousseau, and Corot, among other early nineteenth-century artists. They are joined by an exemplary selection of Impressionist and Post-Impressionist works by Degas, Renoir, Sisley, Pissarro, Seurat, Signac, Van Gogh, Cézanne, and Gauguin. Twentieth-century masters represented here include Bonnard, Matisse, Rouault, Dalí, and Balthus. There are also newly researched modern works by Vicente do Rego Monteiro, Kees van Dongen, Dietz Edzard, and D.G. Kulkarni (dizi). Robert Lehman's cultivated taste for nineteenth-century French academic practitioners and his intuitive eye for emerging young artists of his own time are documented and discussed. Three hundred comparative illustrations supplement the catalogue entries, as do extensively researched provenance information, exhibition histories, and references. The volume also includes a bibliography and indexes.