Author: Monica Preti
Publisher: Routledge
ISBN: 1351569929
Category : Art
Languages : en
Pages : 211
Book Description
The history of collecting is a topic of central importance to many academic disciplines, and shows no sign of abating in popularity. As such, scholars will welcome this collection of essays by internationally recognised experts that gathers together for the first time varied and stimulating perspectives on the nineteenth-century collector and art market for French eighteenth-century art, and ultimately the formation of collections that form part of such august institutions as the Louvre and the National Gallery in London. The book is the culmination of a successful conference organised jointly between the Wallace Collection and the Louvre, on the occasion of the acclaimed exhibition Masterpieces from the Louvre: The Collection of Louis La Caze. Exploring themes relating to collectors, critics, markets and museums from France, England and Germany, the volume will appeal to academics and students alike, and become essential reading on any course that deals with the history of collecting, the history of taste and the nineteenth-century craze for the perceived douceur de vivre of eighteenth-century France. It also provides valuable insight into the history of the art markets and the formation of museums.
Delicious Decadence ?The Rediscovery of French Eighteenth-Century Painting in the Nineteenth Century
Author: Monica Preti
Publisher: Routledge
ISBN: 1351569929
Category : Art
Languages : en
Pages : 211
Book Description
The history of collecting is a topic of central importance to many academic disciplines, and shows no sign of abating in popularity. As such, scholars will welcome this collection of essays by internationally recognised experts that gathers together for the first time varied and stimulating perspectives on the nineteenth-century collector and art market for French eighteenth-century art, and ultimately the formation of collections that form part of such august institutions as the Louvre and the National Gallery in London. The book is the culmination of a successful conference organised jointly between the Wallace Collection and the Louvre, on the occasion of the acclaimed exhibition Masterpieces from the Louvre: The Collection of Louis La Caze. Exploring themes relating to collectors, critics, markets and museums from France, England and Germany, the volume will appeal to academics and students alike, and become essential reading on any course that deals with the history of collecting, the history of taste and the nineteenth-century craze for the perceived douceur de vivre of eighteenth-century France. It also provides valuable insight into the history of the art markets and the formation of museums.
Publisher: Routledge
ISBN: 1351569929
Category : Art
Languages : en
Pages : 211
Book Description
The history of collecting is a topic of central importance to many academic disciplines, and shows no sign of abating in popularity. As such, scholars will welcome this collection of essays by internationally recognised experts that gathers together for the first time varied and stimulating perspectives on the nineteenth-century collector and art market for French eighteenth-century art, and ultimately the formation of collections that form part of such august institutions as the Louvre and the National Gallery in London. The book is the culmination of a successful conference organised jointly between the Wallace Collection and the Louvre, on the occasion of the acclaimed exhibition Masterpieces from the Louvre: The Collection of Louis La Caze. Exploring themes relating to collectors, critics, markets and museums from France, England and Germany, the volume will appeal to academics and students alike, and become essential reading on any course that deals with the history of collecting, the history of taste and the nineteenth-century craze for the perceived douceur de vivre of eighteenth-century France. It also provides valuable insight into the history of the art markets and the formation of museums.
Catalogue of the Harvard University Fine Arts Library, The Fogg Art Museum
Author: Harvard University. Fine Arts Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 642
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 642
Book Description
Catalogue of the Library of Robert Hoe of New York
Author: Anderson Galleries, Inc
Publisher:
ISBN:
Category : America
Languages : en
Pages : 626
Book Description
Publisher:
ISBN:
Category : America
Languages : en
Pages : 626
Book Description
Library Catalog of the Metropolitan Museum of Art, New York
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1060
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1060
Book Description
Fragonard
Author: Pierre Rosenberg
Publisher: Metropolitan Museum of Art
ISBN: 0870995162
Category : Art
Languages : en
Pages : 637
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0870995162
Category : Art
Languages : en
Pages : 637
Book Description
Portraits by Ingres
Author: Jean-Auguste-Dominique Ingres
Publisher: Metropolitan Museum of Art
ISBN: 0870998919
Category : Drawing, French
Languages : en
Pages : 610
Book Description
Om portrætter af den franske maler Jean Auguste Dominique Ingres (1780-1867)
Publisher: Metropolitan Museum of Art
ISBN: 0870998919
Category : Drawing, French
Languages : en
Pages : 610
Book Description
Om portrætter af den franske maler Jean Auguste Dominique Ingres (1780-1867)
Rubens
Author: Joost vander Auwera
Publisher: Lannoo Uitgeverij
ISBN: 9789020972429
Category : Art
Languages : en
Pages : 308
Book Description
Over the past four years the Royal Fine Arts Museums of Belgium have undertaken a huge research
Publisher: Lannoo Uitgeverij
ISBN: 9789020972429
Category : Art
Languages : en
Pages : 308
Book Description
Over the past four years the Royal Fine Arts Museums of Belgium have undertaken a huge research
Manuel de L'amateur D'estampes
Author: François Etienne Joubert
Publisher:
ISBN:
Category : Engravers
Languages : en
Pages : 470
Book Description
Publisher:
ISBN:
Category : Engravers
Languages : en
Pages : 470
Book Description
The National Union Catalog, Pre-1956 Imprints
Jews in an Illusion of Paradise
Author: Norman Simms
Publisher: Cambridge Scholars Publishing
ISBN: 1527507432
Category : Religion
Languages : en
Pages : 553
Book Description
These further six chapters of Jews in an Illusion of Paradise now focus on individual exemplary figures and clusters of poets, dramatists, critics, journalists, art historians—Jews whose achievements were once celebrated, but now are almost all but forgotten, not because of changes in aesthetic taste or style but because of social, political and other ideological issues. The book continues to examine the clash between their conscious and unconscious self-presentation as Jews in a culture that wilfully or inadvertently misunderstood or rejected this aspect of “otherness” the men and women represented from the mid-nineteenth to the mid-twentieth centuries. Whereas the first volume concentrated on the themes, images and rhetorical motifs of this awkward status of Jewish intellectuals and artists, here the ambiguous personalities and repressed anxieties of the exemplary figures are stressed. For millennia, Jews were considered outside of normal history, passive victims of persecution; then suddenly, with Emancipation, they fell into history and out of their mythical place in the scheme of things. Everything seemed to crumble into dust and ashes.
Publisher: Cambridge Scholars Publishing
ISBN: 1527507432
Category : Religion
Languages : en
Pages : 553
Book Description
These further six chapters of Jews in an Illusion of Paradise now focus on individual exemplary figures and clusters of poets, dramatists, critics, journalists, art historians—Jews whose achievements were once celebrated, but now are almost all but forgotten, not because of changes in aesthetic taste or style but because of social, political and other ideological issues. The book continues to examine the clash between their conscious and unconscious self-presentation as Jews in a culture that wilfully or inadvertently misunderstood or rejected this aspect of “otherness” the men and women represented from the mid-nineteenth to the mid-twentieth centuries. Whereas the first volume concentrated on the themes, images and rhetorical motifs of this awkward status of Jewish intellectuals and artists, here the ambiguous personalities and repressed anxieties of the exemplary figures are stressed. For millennia, Jews were considered outside of normal history, passive victims of persecution; then suddenly, with Emancipation, they fell into history and out of their mythical place in the scheme of things. Everything seemed to crumble into dust and ashes.