Index of Art Sales Catalogs, 1981-1985: Main index, January 5, 1981-October 6, 1984 PDF Download

Author:
Publisher: Macmillan Reference USA
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 632

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Author: Théo van Rysselberghe
Publisher: Exhibitions International
ISBN:
Category : Art
Languages : en
Pages : 272

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Book Description
The Belgian painter Théo Van Rysselberghe (1862-1926) is one of the most emblematic figures of the neo-Impressionist movement, together with Georges Seurat and Paul Signac. With his delicate touch, refined chromatic sense and great elegance--above all in his portraits--he produced some of the finest works of Divisionism. Yet Van Rysselberghe's oeuvre is not limited to his best-known works of his neo-Impressionist period (1888-96). Distancing himself from the strict division of colors, he subsequently moved towards a more fluid style that nevertheless retained his signature luminosity. His portraits and female nudes, the landscapes he brought back from his numerous trips to Morocco, France, Italy, Spain and the Netherlands, all reveal an insatiable curiosity and an immense talent, coupled with a rare sensibility. This generous new catalogue presents many works that have never been published before.

Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1038

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Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1038

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Author: Raymond Nacenta
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1526

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Author: François Villon
Publisher:
ISBN:
Category :
Languages : en
Pages : 80

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Author: James David Draper
Publisher: Metropolitan Museum of Art
ISBN: 1588390993
Category : Modeling
Languages : fr
Pages : 342

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Book Description
European sculptors of the Neoclassical period often modelled their works in clay before producing finished pieces in marble. This book offers a comprehensive overview of Neoclassical terracotta models by European artists, featuring the works of0. Pajou, Houdon, and Canova, among many others.

Author: David Albert De Witt
Publisher:
ISBN: 9781553394013
Category : Painting
Languages : en
Pages : 0

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Book Description
For many decades the Agnes Etherington Art Centre has received European paintings from the Bader Collection from a wide range of periods and schools, from the German Renaissance to the Italian Rococo. This book features the centre's substantial group of over 50 remarkable paintings from European schools, notably Italy, Germany, France and England.

Author: The J. Paul Getty Museum
Publisher: Getty Publications
ISBN: 0892361573
Category : Art
Languages : en
Pages : 173

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Book Description
The J. Paul Getty Museum Journal 17 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, decorative arts, drawings, and photographs. This volume includes a supplement introduced by John Walsh with a fully illustrated checklist of the Getty’s recent acquisitions. Volume 17 includes articles written by Elisabeth Doumeyrou, Gerhard Gruitrooy, Lee Hendrix, Clark Hulse, David Jaffé, Jean-Nérée Ronfort, and Belinda Rathbone.

Author: Ting Chang
Publisher: Routledge
ISBN: 1351538454
Category : Art
Languages : en
Pages : 210

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Book Description
Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris examines a history of contact between modern Europe and East Asia through three collectors: Henri Cernuschi, Emile Guimet, and Edmond de Goncourt. Drawing on a wealth of material including European travelogues of the East and Asian reports of the West, Ting Chang explores the politics of mobility and cross-cultural encounter in the nineteenth century. This book takes a new approach to museum studies and institutional critique by highlighting what is missing from the existing scholarship -- the foreign labors, social relations, and somatic experiences of travel that are constitutive of museums yet left out of their histories. The author explores how global trade and monetary theory shaped Cernuschi's collection of archaic Chinese bronze. Exchange systems, both material and immaterial, determined Guimet's museum of religious objects and Goncourt's private collection of Asian art. Bronze, porcelain, and prints articulated the shifting relations and frameworks of understanding between France, Japan, and China in a time of profound transformation. Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris thus looks at what Asian art was imagined to do for Europe. This book will be of interest to scholars and students interested in art history, travel imagery, museum studies, cross-cultural encounters, and modern transnational histories.