Author: Henri ZernerPublisher:
ISBN:
Category : Engraving
Languages : de
Pages : 127
Book Description
Estampe et la diffusion des images et des styles
Author: Henri ZernerPublisher:
ISBN:
Category : Engraving
Languages : de
Pages : 127
Book Description
Acts
Author: Atti del XXIV Congresso internazionale di storia dell'arte: Saloni, gallerie, musei e loro influenza sullo sviluppo dell'arte dei secoli XIX e XX
Author: Atti del XXIV Congresso internazionale di storia dell'arte: Le stampe e la diffusione delle immagini e degli stili
Author: Atti del XXIV Congresso internazionale di storia dell'arte: Il Medio Oriente e l'Occidente nell'arte del XIII secolo
Author: Atti del XXIV Congresso internazionale di storia dell'arte: La pittura nel XIV e XV secolo
Author: La Scultura nel XIX secolo
Author: Horst Woldemar JansonPublisher:
ISBN:
Category : Art
Languages : en
Pages : 374
Book Description
Religious reform and the arts during the Carolingian era
Author: Alfred A. SchmidPublisher:
ISBN:
Category : Religion
Languages : en
Pages : 236
Book Description
The Poster
Author: Ruth E. IskinPublisher: Dartmouth College Press
ISBN: 1611686164
Category : Art
Languages : en
Pages : 465
Book Description
The Poster: Art, Advertising, Design, and Collecting, 1860sÐ1900s is a cultural history that situates the poster at the crossroads of art, design, advertising, and collecting. Though international in scope, the book focuses especially on France and England. Ruth E. Iskin argues that the avant-garde poster and the original art print played an important role in the development of a modernist language of art in the 1890s, as well as in the adaptation of art to an era of mass media. She moreover contends that this new form of visual communication fundamentally redefined relations between word and image: poster designers embedded words within the graphic, rather than using images to illustrate a text. Posters had to function as effective advertising in the hectic environment of the urban street. Even though initially commissioned as advertisements, they were soon coveted by collectors. Iskin introduces readers to the late nineteenth-century ÒiconophileÓÑa new type of collector/curator/archivist who discovered in poster collecting an ephemeral archaeology of modernity. Bridging the separation between the fields of art, design, advertising, and collecting, IskinÕs insightful study proposes that the poster played a constitutive role in the modern culture of spectacle. This stunningly illustrated book will appeal to art historians and students of visual culture, as well as social and cultural history, media, design, and advertising.
Author: