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Author: Maria CHENG, TANG Wai Hung, Eric CHOY Publisher: City University of HK Press ISBN: 962937188X Category : Art Languages : en Pages : 448
Book Description
Essential Terms of Chinese Painting provides a comprehensive coverage of the broad spectrum of Chinese painting. Through an array of some 900 terms, it exhibits the history of Chinese culture, as interpreted by artists and portrayed in their work. In masterful detail, it describes not only the artistic implements and drawing styles, but also how these are influenced by changing cultural considerations over time such as religion, philosophy, intellectual ideas, and political developments. From the broad view of how the change of dynasties affected painting trends in both format and subject, to the smallest detail of the methods used to paint different styles of tree branches, this is a full compendium of the scope and depth of artwork from China. This volume features twelve chapters which • explore all major areas of art including techniques, implements and materials, inscriptions and seals, painting and mounting formats for all categories including landscape, bird-and-flower, figure and auspicious paintings; • provide a helpful resource for readers to enjoy Chinese art with over 500 full-colour illustrations and pictures to further elaborate the terms discussed; • serve as an introduction to begin a true understanding of traditional Chinese painting.
Author: Maria CHENG, TANG Wai Hung, Eric CHOY Publisher: City University of HK Press ISBN: 962937188X Category : Art Languages : en Pages : 448
Book Description
Essential Terms of Chinese Painting provides a comprehensive coverage of the broad spectrum of Chinese painting. Through an array of some 900 terms, it exhibits the history of Chinese culture, as interpreted by artists and portrayed in their work. In masterful detail, it describes not only the artistic implements and drawing styles, but also how these are influenced by changing cultural considerations over time such as religion, philosophy, intellectual ideas, and political developments. From the broad view of how the change of dynasties affected painting trends in both format and subject, to the smallest detail of the methods used to paint different styles of tree branches, this is a full compendium of the scope and depth of artwork from China. This volume features twelve chapters which • explore all major areas of art including techniques, implements and materials, inscriptions and seals, painting and mounting formats for all categories including landscape, bird-and-flower, figure and auspicious paintings; • provide a helpful resource for readers to enjoy Chinese art with over 500 full-colour illustrations and pictures to further elaborate the terms discussed; • serve as an introduction to begin a true understanding of traditional Chinese painting.
Author: Richard M. Barnhart Publisher: Yale University Press ISBN: 0300094477 Category : Art Languages : en Pages : 422
Book Description
Written by a team of eminent international scholars, this book is the first to recount the history of Chinese painting over a span of some 3000 years.
Author: Jerome Silbergeld Publisher: ISBN: 9780295959214 Category : Art Languages : en Pages : 68
Book Description
Westerners seeking to appreciate and understand Chinese art have long felt the need of a fundamental book that explains both the technical means used by Chinese artists and the traditional stylistic modes of artistic expression. In Chinese Painting Style Jerome Silbergeld addresses this need, beginning with a discussion of basic materials and methods and continuing with in-depth studies of the complex paintings created by these methods. No other work so thoroughly or systematically describes the Chinese artistic processes, ranging from the distinctively Chinese manner of handling the brush to the blending of brushlines, wash, color, and texture into a painted composition. The final chapters examine Chinese composition in terms of naturalistic representation and of abstract expression. Throughout the book, artistic problems are set against a background of Chinese history, ideas, and geography. The illustrations include drawings that reveal the principles of Chinese brushwork, together with a broad range of Chinese paintings and calligraphy. A unique feature is the precise coding of text and illustrations, by which the reader is invited to inspect the specific turn of the brush or adjustment of composition by which the artist achieves his effects. Chinese Painting Style provides a penetrating look into the formal basis of this age-old art, and one that will be useful and engaging both to the general reader and to the serious student.
Author: T. C. Lai Publisher: ISBN: Category : Art Languages : en Pages : 96
Book Description
Critics have been too quick to dismiss the relevance of Chinese painting to modern art. This guide redresses the balance by assessing the history of Chinese art in terms of Oriental, not Western, aesthetic principles. T.C. Lai examines the brush-and-ink techniques at the heart of traditional painting, its close relationship to calligraphy, and the fascinating tension between type-form and inspiration, symbol, and likeness that has characterized the development of Chinese art. Copiously illustrated with full-color plates, this book is a fascinating, sumptuous introduction to an important and vital art tradition.
Author: François Cheng Publisher: Shambhala Publications ISBN: Category : Art Languages : en Pages : 204
Book Description
Chinese painting might be called "philosophy in action", for it is one of the highest expressions of Chinese spirituality. Both a medium for contemplation leading to self-transcendence and a microcosm embodying universal principles and primal forces, it is a means for making manifest the Chinese worldview. At the heart of this worldview is the notion of emptiness, the dynamic principle of transformation. Only through emptiness can things attain their full measure and human beings approach the universe at the level of totality. Focusing on the principle of emptiness, Francois Cheng uses semiotic analysis and textual explication to reveal the key themes and structures of Chinese aesthetics in the practice of pictorial art. Among the many Chinese writers, poets, and artists whose writings are quoted, he gives special emphasis to a great Ch'ing dynasty theoretician and painter, Shih-t'ao. Twenty-seven reproductions of the words of Shih-t'ao and other masters illustrate the interpretive commentary.
Author: Sophia Suk Law Publisher: Shanghai Press ISBN: 1632880326 Category : Art Languages : en Pages : 313
Book Description
Applying a comparative approach to Chinese and Western art, this book examines the characteristics of traditional Chinese art and analyses the distinction between figure painting and portraiture. It examines the scenery in Chinese landscape painting and the sense of poetry within the paintings of flowers and birds so that the reader comes to understand the unique essence of Chinese art and is gradually led towards the ethereal world of spiritual abstraction displayed in Chinese painting. The author relates the development of Chinese painting to the pursuit of the conceptual sense (yijing) found in Chinese philosophy and classical literature. She describes how Confucianism determined the content of the development of painting while Daoism guided the concept of aestheticism within it. Professor Law also examines the way in which differences of method and media profoundly influenced the artistic outcome producing the western skills in the handling of color and light and shade, and in China the imaginative use of ink on paper. All this is reflected in numerous illustrations ranging from Van Gogh to the great Chinese painters of all the different dynasties from the early Jin dynasty to the Ming and Qing dynasties.After reading this book, readers will follow the author' s rich experience in Chinese painting to understand the characteristics of the different genres of Chinese painting and be able to deeply appreciate the inner meaning of Chinese painting.
Author: Susan Bush Publisher: Hong Kong University Press ISBN: 9888139738 Category : Art Languages : en Pages : 415
Book Description
For students of Chinese art and culture this anthology has proven invaluable since its initial publication in 1985. It collects important Chinese writings about painting, from the earliest examples through the fourteenth century, allowing readers to see how the art of this rich era was seen and understood in the artists’ own times. Some of the texts in this treasury fall into the broad category of aesthetic theory; some describe specific techniques; some discuss the work of individual artists. The texts are presented in accurate and readable translations, and prefaced with artistic and historical background information to the formative periods of Chinese theory and criticism. A glossary of terms and an appendix containing brief biographies of 270 artists and critics add to the usefulness of this volume.
Author: Maria CHENG, TANG Wai Hung, Eric CHOY
Author: Maria CHENG, TANG Wai Hung, Eric CHOY
Author: Richard M. Barnhart
Author: Benjamin March
Author: Jerome Silbergeld
Author: T. C. Lai
Author: François Cheng
Author: Sophia Suk Law
Author: Peter C. Swann
Author: Susan Bush
Author: Osvald Sirén