Author: John Martin Fischer
Publisher: Oxford University Press
ISBN: 0199705305
Category : Philosophy
Languages : en
Pages : 193
Book Description
In this collection of essays on the metaphysical issues pertaining to death, the meaning of life, and freedom of the will, John Martin Fischer argues (against the Epicureans) that death can be a bad thing for the individual who dies. He defends the claim that something can be a bad thing--a misfortune--for an individual, even if he never experiences it as bad (and even if he does not any longer exist). Fischer also defends the commonsense asymmetry in our attitudes toward death and prenatal nonexistence: we are indifferent to the time before we are born, but we regret that we do not live longer. Further, Fischer argues (against the immortality curmudgeons, such as Heidegger and Bernard Williams), that immortal life could be desirable, and shows how the defense of the (possible) badness of death and the (possible) goodness of immortality exhibit a similar structure; on Fischer's view, the badness of death and the goodness of life can be represented on spectra that display certain continuities. Building on Fischer's previous book, My Way a major aim of this volume is to show important connections between issues relating to life and death and issues relating to free will. More specifically, Fischer argues that we endow our lives with a certain distinctive kind of meaning--an irreducible narrative dimension of value--by exhibiting free will. Thus, in acting freely, we transform our lives so that our stories matter.
Our Stories
Author: John Martin Fischer
Publisher: Oxford University Press
ISBN: 0199705305
Category : Philosophy
Languages : en
Pages : 193
Book Description
In this collection of essays on the metaphysical issues pertaining to death, the meaning of life, and freedom of the will, John Martin Fischer argues (against the Epicureans) that death can be a bad thing for the individual who dies. He defends the claim that something can be a bad thing--a misfortune--for an individual, even if he never experiences it as bad (and even if he does not any longer exist). Fischer also defends the commonsense asymmetry in our attitudes toward death and prenatal nonexistence: we are indifferent to the time before we are born, but we regret that we do not live longer. Further, Fischer argues (against the immortality curmudgeons, such as Heidegger and Bernard Williams), that immortal life could be desirable, and shows how the defense of the (possible) badness of death and the (possible) goodness of immortality exhibit a similar structure; on Fischer's view, the badness of death and the goodness of life can be represented on spectra that display certain continuities. Building on Fischer's previous book, My Way a major aim of this volume is to show important connections between issues relating to life and death and issues relating to free will. More specifically, Fischer argues that we endow our lives with a certain distinctive kind of meaning--an irreducible narrative dimension of value--by exhibiting free will. Thus, in acting freely, we transform our lives so that our stories matter.
Publisher: Oxford University Press
ISBN: 0199705305
Category : Philosophy
Languages : en
Pages : 193
Book Description
In this collection of essays on the metaphysical issues pertaining to death, the meaning of life, and freedom of the will, John Martin Fischer argues (against the Epicureans) that death can be a bad thing for the individual who dies. He defends the claim that something can be a bad thing--a misfortune--for an individual, even if he never experiences it as bad (and even if he does not any longer exist). Fischer also defends the commonsense asymmetry in our attitudes toward death and prenatal nonexistence: we are indifferent to the time before we are born, but we regret that we do not live longer. Further, Fischer argues (against the immortality curmudgeons, such as Heidegger and Bernard Williams), that immortal life could be desirable, and shows how the defense of the (possible) badness of death and the (possible) goodness of immortality exhibit a similar structure; on Fischer's view, the badness of death and the goodness of life can be represented on spectra that display certain continuities. Building on Fischer's previous book, My Way a major aim of this volume is to show important connections between issues relating to life and death and issues relating to free will. More specifically, Fischer argues that we endow our lives with a certain distinctive kind of meaning--an irreducible narrative dimension of value--by exhibiting free will. Thus, in acting freely, we transform our lives so that our stories matter.
Essays on the Pleasures of Death
Author: Ellie Ragland
Publisher: Routledge
ISBN: 113664797X
Category : Philosophy
Languages : en
Pages : 219
Book Description
In Essays on the Pleasure of Death, Ellie Ragland discusses the interconnection of Freud and Lacan's theories, while maintaining that crucial differences between them still exist. Ragland argues, however, that Lacan's "return to Freud" gave coherence to concepts which Freud could never explain: psychosis, narcissism, the body and the death drive. Drawing upon Lacan's untranslated seminars through 1981, Ragland analyzes his theories of the death drive and the concept of jouissance, the driving force behind language and libido. Along with her examination of Lacanian theories about the body, meaning systems, and how they shape reality, Ragland also discusses the ethical problems of psychoanalysis and the ways in which Lacan's work points to the inadequacies of terms like "sexuality" and "gender."
Publisher: Routledge
ISBN: 113664797X
Category : Philosophy
Languages : en
Pages : 219
Book Description
In Essays on the Pleasure of Death, Ellie Ragland discusses the interconnection of Freud and Lacan's theories, while maintaining that crucial differences between them still exist. Ragland argues, however, that Lacan's "return to Freud" gave coherence to concepts which Freud could never explain: psychosis, narcissism, the body and the death drive. Drawing upon Lacan's untranslated seminars through 1981, Ragland analyzes his theories of the death drive and the concept of jouissance, the driving force behind language and libido. Along with her examination of Lacanian theories about the body, meaning systems, and how they shape reality, Ragland also discusses the ethical problems of psychoanalysis and the ways in which Lacan's work points to the inadequacies of terms like "sexuality" and "gender."
Seven Pleasures
Author: Willard Spiegelman
Publisher: Farrar, Straus and Giroux
ISBN: 1429958707
Category : Literary Collections
Languages : en
Pages : 148
Book Description
What does it mean to be happy? Americans have had an obsession with "the pursuit of happiness" ever since the Founding Fathers enshrined it—along with life and liberty—as our national birthright. Whether it means the accumulation of wealth or a more vaguely understood notion of self-fulfillment or self-actualization, happiness has been an inevitable, though elusive, goal. But it is hard to separate "real" happiness from the banal self-help version that embraces mindless positive thinking. And though we have two booming "happiness industries"—religion, with its promise of salvation, and psychopharmacology, with its promise of better living through chemistry—each comes with its own problems and complications. In Seven Pleasures, Willard Spiegelman takes a look at the possibilities for achieving ordinary secular happiness without recourse to either religion or drugs. In this erudite and frequently hilarious book of essays, he discusses seven activities that lead naturally and easily to a sense of well-being. One of these—dancing—requires a partner, and therefore provides a lesson in civility, or good citizenship, as one of its benefits. The other six—reading, walking, looking, listening, swimming, and writing—are things one performs alone. Seven Pleasures is a marvelously engaging guide to the pursuit of happiness, and all its accompanying delights.
Publisher: Farrar, Straus and Giroux
ISBN: 1429958707
Category : Literary Collections
Languages : en
Pages : 148
Book Description
What does it mean to be happy? Americans have had an obsession with "the pursuit of happiness" ever since the Founding Fathers enshrined it—along with life and liberty—as our national birthright. Whether it means the accumulation of wealth or a more vaguely understood notion of self-fulfillment or self-actualization, happiness has been an inevitable, though elusive, goal. But it is hard to separate "real" happiness from the banal self-help version that embraces mindless positive thinking. And though we have two booming "happiness industries"—religion, with its promise of salvation, and psychopharmacology, with its promise of better living through chemistry—each comes with its own problems and complications. In Seven Pleasures, Willard Spiegelman takes a look at the possibilities for achieving ordinary secular happiness without recourse to either religion or drugs. In this erudite and frequently hilarious book of essays, he discusses seven activities that lead naturally and easily to a sense of well-being. One of these—dancing—requires a partner, and therefore provides a lesson in civility, or good citizenship, as one of its benefits. The other six—reading, walking, looking, listening, swimming, and writing—are things one performs alone. Seven Pleasures is a marvelously engaging guide to the pursuit of happiness, and all its accompanying delights.
An Intimate Affair
Author: Jill Fields
Publisher: Univ of California Press
ISBN: 9780520223691
Category : Business & Economics
Languages : en
Pages : 396
Book Description
Presents the history of twentieth-century lingerie. This book examines the ways cultural meanings are orchestrated by the 'fashion-industrial complex, ' and the ways in which individuals and groups embrace, reject, or derive meaning from these everyday, yet significant, intimate articles of clothing.
Publisher: Univ of California Press
ISBN: 9780520223691
Category : Business & Economics
Languages : en
Pages : 396
Book Description
Presents the history of twentieth-century lingerie. This book examines the ways cultural meanings are orchestrated by the 'fashion-industrial complex, ' and the ways in which individuals and groups embrace, reject, or derive meaning from these everyday, yet significant, intimate articles of clothing.
Out of Nowhere Into Nothing
Author: Caryl Pagel
Publisher: Fiction Collective 2
ISBN: 1573661864
Category : Literary Collections
Languages : en
Pages : 165
Book Description
Essays on the apparitional, the incomprehensible, and the paranormal in conversation with art, travel, and storytelling The ghosts—literal and figurative—that drive our deepest impulses, disturb our most precious memories, and haunt the passages of our daily lives are present in this collection of sublime meditations on the unbelievable, the coincidental, and the apparitional. Often containing reflections on the art of storytelling, Caryl Pagel’s essays blend memoir, research, and reflection, and are driven by a desire to observe connections between the visual and the invisible. The narrator of Pagel’s essays explores each enigma or encounter (a football coach’s faked death, the faces of women walking, historical accounts of hallucinations, a city’s public celebration gone wrong) as an intellectual detective ascending a labyrinthine tower of clues in pursuit of a solution to an unreachable problem: always curious, and with a sense of profound wonder. Out of Nowhere Into Nothing is a sprawling, highly associative consideration of the ways in which the observed material world recalls us to larger narrative and aesthetic truths. Interspersed with documentary-style photographs, Pagel’s first collection of prose is a radiant, obsessive investigation into the mysteries at the center of our seemingly mundane lives.
Publisher: Fiction Collective 2
ISBN: 1573661864
Category : Literary Collections
Languages : en
Pages : 165
Book Description
Essays on the apparitional, the incomprehensible, and the paranormal in conversation with art, travel, and storytelling The ghosts—literal and figurative—that drive our deepest impulses, disturb our most precious memories, and haunt the passages of our daily lives are present in this collection of sublime meditations on the unbelievable, the coincidental, and the apparitional. Often containing reflections on the art of storytelling, Caryl Pagel’s essays blend memoir, research, and reflection, and are driven by a desire to observe connections between the visual and the invisible. The narrator of Pagel’s essays explores each enigma or encounter (a football coach’s faked death, the faces of women walking, historical accounts of hallucinations, a city’s public celebration gone wrong) as an intellectual detective ascending a labyrinthine tower of clues in pursuit of a solution to an unreachable problem: always curious, and with a sense of profound wonder. Out of Nowhere Into Nothing is a sprawling, highly associative consideration of the ways in which the observed material world recalls us to larger narrative and aesthetic truths. Interspersed with documentary-style photographs, Pagel’s first collection of prose is a radiant, obsessive investigation into the mysteries at the center of our seemingly mundane lives.
On the Pleasure of Hating
Author: William Hazlitt
Publisher: Penguin
ISBN: 1101651172
Category : Philosophy
Languages : en
Pages : 89
Book Description
William Hazlitt's tough, combative writings on subjects ranging from slavery to the imagination, boxing matches to the monarchy, established him as one of the greatest radicals of his age and have inspired journalists and political satirists ever since.
Publisher: Penguin
ISBN: 1101651172
Category : Philosophy
Languages : en
Pages : 89
Book Description
William Hazlitt's tough, combative writings on subjects ranging from slavery to the imagination, boxing matches to the monarchy, established him as one of the greatest radicals of his age and have inspired journalists and political satirists ever since.
Exploring Site-specific Art
Author: Judith Rugg
Publisher: Bloomsbury Publishing
ISBN: 0857712497
Category : Art
Languages : en
Pages : 216
Book Description
Over recent years, a greater diversity of spaces has opened up worldwide for the making and display of art beyond the gallery. A new 'space consciousness' has developed, with an emphasis on the significance of the spatial. Judith Rugg takes up a range of site-specific artworks internationally located in countries ranging from China to France, Italy and the UK, Argentina and Canada to Australia, Poland and the Netherlands to explore the relationships between site-specific art and space set within its globalising contexts. Through close inspection of works such artists as Doris Salcedo, Langlands and Bell, Phyllida Barlow and Vong Phaophanit, Rugg considers how an interdisciplinary spatial theory can inform many elements of contemporary art. In clear, illustrated chapters, she engages with very contemporary spatial issues, including those of the environment, cultural identity and belonging, as well as experiences of displacement, migration and marginalisation and the effects of urbanization and tourism. For students and practitioners of fine arts, art theory and history, as well as those who are fascinated by site-specific art, this is an original and challenging exploration.
Publisher: Bloomsbury Publishing
ISBN: 0857712497
Category : Art
Languages : en
Pages : 216
Book Description
Over recent years, a greater diversity of spaces has opened up worldwide for the making and display of art beyond the gallery. A new 'space consciousness' has developed, with an emphasis on the significance of the spatial. Judith Rugg takes up a range of site-specific artworks internationally located in countries ranging from China to France, Italy and the UK, Argentina and Canada to Australia, Poland and the Netherlands to explore the relationships between site-specific art and space set within its globalising contexts. Through close inspection of works such artists as Doris Salcedo, Langlands and Bell, Phyllida Barlow and Vong Phaophanit, Rugg considers how an interdisciplinary spatial theory can inform many elements of contemporary art. In clear, illustrated chapters, she engages with very contemporary spatial issues, including those of the environment, cultural identity and belonging, as well as experiences of displacement, migration and marginalisation and the effects of urbanization and tourism. For students and practitioners of fine arts, art theory and history, as well as those who are fascinated by site-specific art, this is an original and challenging exploration.
Essays on Taste, and the Pleasures of the Imagination ... From the Spectator
Erotikon
Author: Shadi Bartsch
Publisher: University of Chicago Press
ISBN: 0226038394
Category : Literary Criticism
Languages : en
Pages : 346
Book Description
'Erotikon' brings together leading contemporary intellectuals from a variety of fields for an expansive debate on the full meaning of eros. Restricted neither by historical period nor by genre, these contributions explore manifestations or eros throughout Western culture.
Publisher: University of Chicago Press
ISBN: 0226038394
Category : Literary Criticism
Languages : en
Pages : 346
Book Description
'Erotikon' brings together leading contemporary intellectuals from a variety of fields for an expansive debate on the full meaning of eros. Restricted neither by historical period nor by genre, these contributions explore manifestations or eros throughout Western culture.
Why I Write
Author: George Orwell
Publisher: Renard Press Ltd
ISBN: 1913724263
Category : Literary Collections
Languages : en
Pages : 15
Book Description
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
Publisher: Renard Press Ltd
ISBN: 1913724263
Category : Literary Collections
Languages : en
Pages : 15
Book Description
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times