Essays on the Philosophy and History of Art: The history of ancient art (vols. III, IV) PDF Download

Author: Johann Joachim Winckelmann
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 576

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Author: R. G. Collingwood
Publisher: Read Books Ltd
ISBN: 1528766849
Category : Philosophy
Languages : en
Pages : 218

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Published posthumously in 1964, this volume contains a fantastic collection of essays by R. G. Collingwood on the subject of art and it's relationship with philosophy. Robin George Collingwood, FBA (1889 – 1943) was an English historian, philosopher, and archaeologist most famous for his philosophical works including “The Principles of Art” (1938) and the posthumously-published “The Idea of History” (1946). This fascinating volume will appeal to those with an interest in Collingwood's seminal work, and is not to be missed by students of philosophy and art. Contents include: “Ruskin not a Philosophical Writer”, “Ruskin's Attitude towards Philosophy”, “On the Philosophy of Non-Philosophers”, “Logicism and Historicism”, “Ruskin as Historicist”, “The Anti-Historicism of Ruskin's Contemporaries”, “The Unity of the Spirit: Corollaries and Illustrations”, “Ruskin and Browning”, etc. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume today in an affordable, modern edition complete with a specially-commissioned new biography of the author.

Author: Johann Joachim Winckelmann
Publisher: Thoemmes
ISBN:
Category : Art
Languages : en
Pages : 352

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Johann Joachim Winckelmann (1717-68), German classical archaeologist and art historian, is considered the founder of neoclassicism and of systematic art history. His masterpiece, Geschichte der Kunst des Altertums (1764) surveys the history of Greek Art and sets forth his theories on its fundamental aesthetic principles. This work was expanded in a second edition of 1776 and the work made Winckelmann a European celebrity. This classic text gave birth to late eighteenth-century neoclassicism, and its influence on writers and philosophers, such as Lessing, Herder and Goethe, was enormous. The only complete English version of this work is G. Henry Lodge's translation of 1880 which is reprinted here and includes a life of Winckelmann. The majority of other essays by Winckelmann likely to be of interest to English-speaking audiences are included in the first volume reprinted here. Six of these essays were originally translated by Henry Fuseli, the Swiss critic and painter. Curtis Bowman, as well as writing a new introduction that contextualizes Winckelmann's importance for the modern reader, has added two new translations of Winckelmann's art critical essays, neither of which have been fully available to English readers before. This set will be of interest to Western art historians, German studies and aesthetics scholars by providing English-speaking readers with all of Winckelmann's most important writings on art.

Author: Johann Joachim Winckelmann
Publisher: Thoemmes
ISBN:
Category : Art
Languages : en
Pages : 348

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Author: Arthur C. Danto
Publisher: Univ of California Press
ISBN: 9780520229068
Category : Art
Languages : en
Pages : 296

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An eclectic collection of essays centering on the intersection of art and philosophy, especially in the late 20th century.

Author: Noël Carroll
Publisher: BRILL
ISBN: 9004468366
Category : Philosophy
Languages : en
Pages : 236

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From the nineteen-eighties on, Arthur Danto was the most significant art critic and philosopher of art in world. This book provides a comprehensive, systematic view of his philosophy and criticism including his views in relation to not only painting and sculpture but to cinema and dance.

Author: Sonia Sedivy
Publisher: Routledge
ISBN: 1000396207
Category : Philosophy
Languages : en
Pages : 376

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This is the first collection of essays focused on the many-faceted work of Kendall L. Walton. Walton has shaped debate about the arts for the last 50 years. He provides a comprehensive framework for understanding arts in terms of the human capacity of make-believe that shows how different arts – visual, photographic, musical, literary, or poetic – can be explained in terms of complex structures of pretense, perception, imagining, empathy, and emotion. His groundbreaking work has been taken beyond aesthetics to address foundational issues concerning linguistic and scientific representations – for example, about the nature of scientific modelling or to explain how much of what we say is quite different from the literal meanings of our words. Contributions from a diverse group of philosophers probe Walton’s detailed proposals and the themes for research they open. The essays provide an overview of important debates that have Walton’s work at their core. This book will be of interest to scholars and graduate students working on aesthetics across the humanities, as well as those interested in the topic of representation and its intersection with perception, language, science, and metaphysics.

Author: Wilfrid Sellars
Publisher: Springer Science & Business Media
ISBN: 9401022917
Category : Science
Languages : en
Pages : 468

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In pulling these essays together for inclusion in one volume I do not believe that I have done them violence. Since they originally appeared at different times and places they constitute a scattered object. Never theless, to the author's eye they have unities of theme and development which, if they fail to give them the true identity of the book, may (to adapt a metaphor from Hume) generate those smooth and easy transi tions of the imagination which arouse dispositions appropriate to sur veying such identical objects. For the juxtaposition of historical and systematic studies I make no apology. It has been suggested, with a friendly touch of malice, that if Science and Metaphysics consists, as its subtitle proclaims, of Variations on Kantian Themes, it would be no less accurate to sub-title my historical essays 'variations on Sellars ian themes'. But this is as it should be. Phi losophy is a continuing dialogue with one's contemporaries, living and dead, and if one fails to see oneself in one's respondent and one's re spondent in oneself, there is confrontation but no dialogue. The historian, as Collingwood points out, becomes Caesar's contemporary by learning to think Caesar's thoughts. And it is because Plato thought so many of our thoughts that he is our contemporary and companion.

Author: Albert Hofstadter
Publisher: University of Chicago Press
ISBN: 0226348113
Category : Philosophy
Languages : en
Pages : 730

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Book Description
This anthology is remarkable not only for the selections themselves, among which the Schelling and the Heidegger essays were translated especially for this volume, but also for the editors' general introduction and the introductory essays for each selection, which make this volume an invaluable aid to the study of the powerful, recurrent ideas concerning art, beauty, critical method, and the nature of representation. Because this collection makes clear the ways in which the philosophy of art relates to and is part of general philosophical positions, it will be an essential sourcebook to students of philosophy, art history, and literary criticism.

Author: Jerrold Levinson
Publisher: Oxford University Press
ISBN: 0199596638
Category : Art
Languages : en
Pages : 440

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Previous ed.: Ithaca, N.Y.: Cornell University Press, 1990.