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Author: Theresa Braunschneider Publisher: University of Virginia Press ISBN: 0813928141 Category : Literary Criticism Languages : en Pages : 203
Book Description
Before 1660, English readers and theatergoers had never heard of a "coquette"; by the early 1700s, they could hardly watch a play, read a poem, or peruse a newspaper without encountering one. Why does British literature of this period pay so much attention to vain and flirtatious young women? Our Coquettes examines the ubiquity of the coquette in the eighteenth century to show how this figure enables authors to comment upon a series of significant social and economic developments—including the growth of consumer culture, widespread new wealth, increased travel and global trade, and changes in the perception and practice of marriage. The book surveys stage comedies, periodical essays, satirical poems, popular songs, and didactic novels to show that the early coquette is a figure of capacious desire: she finds pleasure in a wide range of choices, refusing to narrow any field of possibilities (admirers, luxury goods, friends, pets, public gatherings) down to a single option. Whereas scholars of the period have generally read the coquette as a simple and self-evident type, Our Coquettes emphasizes what is strange and surprising about this figure, revealing the coquette to be a touchstone in developing discourses about sexuality, consumerism, empire, and modernity itself. Winner of the Walker Cowen Memorial Prize for an outstanding work of scholarship in eighteenth-century studies
Author: Theresa Braunschneider Publisher: University of Virginia Press ISBN: 0813928141 Category : Literary Criticism Languages : en Pages : 203
Book Description
Before 1660, English readers and theatergoers had never heard of a "coquette"; by the early 1700s, they could hardly watch a play, read a poem, or peruse a newspaper without encountering one. Why does British literature of this period pay so much attention to vain and flirtatious young women? Our Coquettes examines the ubiquity of the coquette in the eighteenth century to show how this figure enables authors to comment upon a series of significant social and economic developments—including the growth of consumer culture, widespread new wealth, increased travel and global trade, and changes in the perception and practice of marriage. The book surveys stage comedies, periodical essays, satirical poems, popular songs, and didactic novels to show that the early coquette is a figure of capacious desire: she finds pleasure in a wide range of choices, refusing to narrow any field of possibilities (admirers, luxury goods, friends, pets, public gatherings) down to a single option. Whereas scholars of the period have generally read the coquette as a simple and self-evident type, Our Coquettes emphasizes what is strange and surprising about this figure, revealing the coquette to be a touchstone in developing discourses about sexuality, consumerism, empire, and modernity itself. Winner of the Walker Cowen Memorial Prize for an outstanding work of scholarship in eighteenth-century studies
Author: Kenneth R. Richards Publisher: Routledge ISBN: 1000030865 Category : Literary Criticism Languages : en Pages : 240
Book Description
The eighteenth century produced more inventive actors than fine dramatists, and it displayed its actors to increasing advantage as theatre management became more expert, and stage design more ambitious. First published in 1972, the eleven papers collected in The Eighteenth-Century English Stage, originally read at a Manchester University Symposium in July 1971, follow this historical emphasis. Two papers are centred on dramatists, four on actors, three on managers, and two on designers. Malcolm Kelsall analyses Steele’s debt to Terence, using his classical scholarship as illuminatingly as Edgar Roberts uses his musical scholarship in writing about the songs in Fielding’s plays. George Taylor compares and evaluates a number of theories of acting, and speculates on the likely relevance of the best-known books on rhetoric, whilst Kathleen Barker, Arnold Hare, and David Rostron consider the work of individual actors – Powell, Cooke, and John Kemble. Theatre managers are represented by John Rich in Paul Sawyer’s sympathetic account, Thomas Harris, who is given new life in the recent researches of Cecil Price, and Stephen Kemble, fixed by Kenneth Robinson in canny control of the Newcastle theatre circuit. Finally, Graham Barlow reaches some controversial conclusions about the dimensions of the Theatre Royal, Drury Lane, by subjecting Thornhill’s sketches to a practising designer’s statistical examination, and Sybil Rosenfeld carries a stage further her pioneering work on eighteenth-century scene-painting and design. The two last are attractively illustrated by 8 pages of plates. This book’s particular value lies in its bringing together several simply presented but deeply informed explorations of often neglected aspects of the eighteenth-century theatre. The papers, with their general sense of enthusiasm and concern for their subject, will interest all students of the eighteenth century, and theatre enthusiasts in particular.
Author: Raymond Hickey Publisher: Cambridge University Press ISBN: 1139489593 Category : Language Arts & Disciplines Languages : en Pages :
Book Description
The eighteenth century was a key period in the development of the English language, in which the modern standard emerged and many dictionaries and grammars first appeared. This book is divided into thematic sections which deal with issues central to English in the eighteenth century. These include linguistic ideology and the grammatical tradition, the contribution of women to the writing of grammars, the interactions of writers at this time and how politeness was encoded in language, including that on a regional level. The contributions also discuss how language was seen and discussed in public and how grammarians, lexicographers, journalists, pamphleteers and publishers judged on-going change. The novel insights offered in this book extend our knowledge of the English language at the onset of the modern period.
Author: Glen McGillivray Publisher: Springer Nature ISBN: 3031228995 Category : History Languages : en Pages : 231
Book Description
This book offers an innovative account of how audiences and actors emotionally interacted in the English theatre during the middle decades of the eighteenth century, a period bookended by two of its stars: David Garrick and Sarah Siddons. Drawing upon recent scholarship on the history of emotions, it uses practice theory to challenge the view that emotional interactions between actors and audiences were governed by empathy. It carefully works through how actors communicated emotions through their voices, faces and gestures, how audiences appraised these performances, and mobilised and regulated their own emotional responses. Crucially, this book reveals how theatre spaces mediated the emotional practices of audiences and actors alike. It examines how their public and frequently political interactions were enabled by these spaces.
Author: Theresa Braunschneider
Author: Theresa Braunschneider
Author: Kenneth R. Richards
Author: Kenneth Richards
Author: Fiona Ritchie
Author: Raymond Hickey
Author: Willard Higley Durham
Author: University of Manchester. Department of Drama
Author: Glen McGillivray
Author: Horace Walpole
Author: James Edward Tobin