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Author: Platt Peter G. Platt Publisher: Edinburgh University Press ISBN: 1474463436 Category : Drama Languages : en Pages : 245
Book Description
Argues that the Essais of Montaigne were a crucial factor in the composition of later Shakespearean dramaA new way of accounting for the different sorts of plays that Shakespeare wrote later in his careerA detailed history of the literary-critical interest in the Montaigne-Shakespeare connection, from the eighteenth century to the present dayCase studies that, through sustained close-readings of Montaigne's essays and Shakespeare's plays, shows the shared concerns of the authorsA new approach that differs from the more typical method of looking merely for verbal echoes, resulting in a deeper, richer sense of the way that Shakespeare's reading of Montaigne shaped his writingIn this revisionist study, Peter G. Platt provides a detailed history of the literary-critical interest in the Montaigne-Shakespeare connection from the eighteenth century to the present day. Through sustained close-readings of Montaigne's essays and Shakespeare's plays, Platt explores both authors' approaches to self, knowledge and form that stress fractures, interruptions and alternatives. While the change in monarchy, the revived interest in judicial rhetoric and the alterations in Shakespeare's acting company helped shape plays such as Measure for Measure, King Lear and The Tempest, this book contends that Shakespeare's reading of Montaigne is an under-recognised driving force in these later plays.
Author: Platt Peter G. Platt Publisher: Edinburgh University Press ISBN: 1474463436 Category : Drama Languages : en Pages : 245
Book Description
Argues that the Essais of Montaigne were a crucial factor in the composition of later Shakespearean dramaA new way of accounting for the different sorts of plays that Shakespeare wrote later in his careerA detailed history of the literary-critical interest in the Montaigne-Shakespeare connection, from the eighteenth century to the present dayCase studies that, through sustained close-readings of Montaigne's essays and Shakespeare's plays, shows the shared concerns of the authorsA new approach that differs from the more typical method of looking merely for verbal echoes, resulting in a deeper, richer sense of the way that Shakespeare's reading of Montaigne shaped his writingIn this revisionist study, Peter G. Platt provides a detailed history of the literary-critical interest in the Montaigne-Shakespeare connection from the eighteenth century to the present day. Through sustained close-readings of Montaigne's essays and Shakespeare's plays, Platt explores both authors' approaches to self, knowledge and form that stress fractures, interruptions and alternatives. While the change in monarchy, the revived interest in judicial rhetoric and the alterations in Shakespeare's acting company helped shape plays such as Measure for Measure, King Lear and The Tempest, this book contends that Shakespeare's reading of Montaigne is an under-recognised driving force in these later plays.
Author: Stephen Booth Publisher: Rowman & Littlefield ISBN: 161147891X Category : Literary Criticism Languages : en Pages : 201
Book Description
Dealing mainly with the works of William Shakespeare, the essays in Close Readings without Readings reflect Stephen Booth’s lifelong interest in uncovering the ways great literature works upon readers. As the book’s title suggests, the author does not aim to create new or novel interpretations or to uncover the political agendas of literary works, but to notice language patterns—repetitions, analogies, correspondences, echoes, overtones—and other ways in which the choice and the arrangement of words affect readers. For Booth, close reading is a practice of attentiveness. He notices how, why, and in what ways Shakespeare’s works affect his readers. Whether readers agree with the premises of a literary work or not, they subject themselves, knowingly or not, to its effects. For Booth, what we value in literature is the experience. He has devoted his own work to recognizing the nature, process, and functions of reading literature, and to teaching others to do the same. Recent years have seen Booth’s efforts recognized by volumes dedicated both to close reading and to his achievements as editor, scholar, critic, and teacher.
Author: Spenser St. John Publisher: ISBN: 9781330803660 Category : History Languages : en Pages : 324
Book Description
Excerpt from Essays on Shakespeare and His Works: From the Mss; And Notes of a Deceased Relative The Essays contained in this volume I am editing are almost entirely founded on the Mss. and notes of a deceased relative. They are the work of an author of culture, of high classical attainments, a traveller and a man of the world. They do not profess to be more than their name implies: a criticism of Shakespeare and his works, and not of the drama of the Elizabethan era; nordo they endeavour to compete with the writings of the learned and able men who in these days have devoted themselves to the study of our greatest poet. Before the Public Service took me away to the wildest of foreign lands, I was myself an ardent student of Shakespeare, and therefore I was indeed deeply interested when I read these Essays, which in general accorded so completely with my views, though in minor points I occasionally hesitated to accept them. They came into my hands in a very disordered state, and I fear that although I have taken great pains in arranging them they are still not as presentable as I had hoped. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Richard Meek Publisher: Manchester University Press ISBN: 152618396X Category : Literary Criticism Languages : en Pages : 284
Book Description
This collection of essays is part of a new phase in Shakespeare studies. The traditional view of Shakespeare is that he was a man of the theatre who showed no interest in the printing of his plays, producing works that are only fully realised in performance. This view has recently been challenged by critics arguing that Shakespeare was a literary ‘poet-playwright’, concerned with his readers as well as his audiences. Shakespeare’s Book offers a vital contribution to this critical debate, and examines its wider implications for how we conceive of Shakespeare and his works. Bringing together an impressive group of international Shakespeare scholars, the volume explores both Shakespeare’s relationship with actual printers, patrons, and readers, and the representation of writing, reading, and print within his works themselves.
Author: Stephen W. Smith Publisher: Lexington Books ISBN: 9780739103616 Category : Literary Criticism Languages : en Pages : 264
Book Description
What were Shakespeare's final thoughts on history, tragedy, and comedy? Shakespeare's Last Plays focuses much needed scholarly attention on Shakespeare's "Late Romances." The work--a collection of newly commissioned essays by leading scholars of classical political philosophy and literature--offers careful textual analysis of Pericles, Prince of Tyre, Cymbeline, The Winter's Tale, The Tempest, All is True, and The Two Noble Kinsmen. The essays reveal how Shakespeare's thought in these final works compliments, challenges, fulfills, or transforms previously held conceptions of the playwright and his political-philosophical views.
Author: Julia Reinhard Lupton Publisher: University of Chicago Press ISBN: 0226496716 Category : Drama Languages : en Pages : 313
Book Description
"What is a person? What company do people keep with animals, plants, and things? What are their rights? To whom are they obligated? Such questions - bearing fundamentally on the shared meaning of politics and life - animate Shakespearean drama, yet their urgency has been obscured by historicist approaches to literature.
Author: Platt Peter G. Platt
Author: Sir Spenser St. John
Author: Platt Peter G. Platt
Author: Stephen Booth
Author: Spenser St. John
Author: William Shakespeare
Author: Morton Luce
Author: Richard Meek
Author: William Shakespeare
Author: Stephen W. Smith
Author: Julia Reinhard Lupton