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Author: David Whitwell Publisher: ISBN: 9781936512836 Category : Languages : en Pages : 240
Book Description
With the exception of the new form, Opera, the previous two centuries of musicology have tended to present the Baroque Period, 1600-1750, as a period of functional, even mechanical, music.The contemporary discussion in this volume will help the reader understand that nothing could be further from the truth.The great interest of most musicians living in the Baroque Period was the role of emotion in music both in composition and in performance.The role of all idioms of performance, including especially improvisation, were directly associated with the goal of increased communication of emotion.We believe these pages will suggest to the reader that no player of the Baroque Period ever just played what he saw on paper, and we don't believe anyone should do so today."
Author: David Whitwell Publisher: ISBN: 9781936512836 Category : Languages : en Pages : 240
Book Description
With the exception of the new form, Opera, the previous two centuries of musicology have tended to present the Baroque Period, 1600-1750, as a period of functional, even mechanical, music.The contemporary discussion in this volume will help the reader understand that nothing could be further from the truth.The great interest of most musicians living in the Baroque Period was the role of emotion in music both in composition and in performance.The role of all idioms of performance, including especially improvisation, were directly associated with the goal of increased communication of emotion.We believe these pages will suggest to the reader that no player of the Baroque Period ever just played what he saw on paper, and we don't believe anyone should do so today."
Author: Robert Lewis Marshall Publisher: ISBN: 1580469620 Category : MUSIC Languages : en Pages : 356
Book Description
Interpretive and biographical essays by a major authority on Bach and Mozart probe for clues to the driving forces and experiences that shaped the character and the extraordinary artistic achievements of these iconic composers.
Author: John Butt Publisher: Cambridge University Press ISBN: 9780521034784 Category : Music Languages : en Pages : 0
Book Description
In considering the role of practical music in education this book explores the art of performance in Germany during the Baroque period. The author examines the large number of surviving treatises and instruction manuals used in the Lutheran schools during the period 1530-1800 and builds up a picture of the function and status of music in both school and church. This understanding of music as a functional art--musica practica--in turn gives us insight into contemporary performance of the sacred work of Praetorius, SchÜtz, Buxtehude or Bach.
Author: Blake Lee Spahr Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften ISBN: Category : Literary Criticism Languages : de Pages : 302
Book Description
The 18 investigations collected in this volume, 4 of which are published for the first time, represent a cross section of the research in German baroque literature by the American scholar, Blake Lee Spahr. Individual issues of «German Baroque Literature» are discussed from a broad perspective, while specific problems are dealt with via a neopositivistic approach which highlights the limitations as well as the possibilities of American research in German literature.
Author: Lorraine Byrne Bodley Publisher: Hollitzer Wissenschaftsverlag ISBN: 399012403X Category : Music Languages : en Pages : 920
Book Description
The contributions to this Festschrift, honouring the distinguished Irish musicologist Harry White on his sixtieth birthday, have wide repercussions and span a broad timeframe. But for all its variety, this volume is built around two axes: on the one hand, attention is focussed on the history of music and literature in Ireland and the British Isles, and on the other, topics of the German and Austrian musical past. In both cases it reflects the particular interest of a scholar, whose playful, sometimes unconventional way of approaching his subject is so refreshing and time and again leads to innovative, surprising insights. It also reflects a scholar, who – for all the broadening of his perspectives that has taken place over the years – has always adhered to the strands of his scholarly preoccupations that have become dear to him: the music of the 'Austro-Italian Baroque', and Irish musical culture first and foremost. An international cast of authors announces the sustaining influence of Harry White's wide-ranging research. Professor Dr Thomas Hochradner Chair of the Department of Musicology University of Music and Dramatic Arts Mozarteum Salzburg
Author: Julia Dokter Publisher: Boydell & Brewer ISBN: 1648250181 Category : Music Languages : en Pages : 546
Book Description
Guides modern performers and scholars through the intricacies of German Baroque metric theory, via analyses of treatises and organ music by J.S. Bach and other leading composers, such as Buxtehude, Bruhns, and Weckman.
Author: Peter Walls Publisher: Routledge ISBN: 135157471X Category : Music Languages : en Pages : 688
Book Description
Research in the 20th and 21st centuries into historical performance practice has changed not just the way performers approach music of the 17th and 18th centuries but, eventually, the way audiences listen to it. This volume, beginning with a 1915 Saint-Sa? lecture on the performance of old music, sets out to capture musicological discussion that has actually changed the way Baroque music can sound. The articles deal with historical instruments, pitch, tuning, temperament, the nexus between technique and style, vibrato, the performance implications of musical scores, and some of the vexed questions relating to rhythmic alteration. It closes with a section on the musicological challenges to the ideology of the early music movement mounted (principally) in the 1990s. Leading writers on historical performance practice are represented. Recognizing that significant developments in historically-inspired performance have been led by instrument makers and performers, the volume also contains representative essays by key practitioners.
Author: Kimberly Wylie Publisher: GRIN Verlag ISBN: 3638512665 Category : Music Languages : en Pages : 14
Book Description
Essay from the year 2003 in the subject Musicology - Miscellaneous, University of Phoenix, language: English, abstract: At first glance, the Baroque music period and Classical music periods seem to be very much alike. They do, in fact, have many similarities, for instance, the same basic orchestral and chamber ensembles. However, by carefully analyzing each period, distinct differences can be found. The word ‘Baroque’ comes from the Italian word barocco, which literally translates to bizarre, however some feel that when dealing with the arts, exuberant is closer to the aim of the translation, and exuberant is a word that perfectly fits this style of music. Although Baroque was first used to describe ornately decorated buildings in Austria and Germany, it quickly became used to describe a similarly ornate period of music.
Author: Isabella van Elferen Publisher: Scarecrow Press ISBN: 0810861364 Category : Literary Criticism Languages : en Pages : 384
Book Description
Mystical Love in the German Baroque: Theology, Poetry, Music identifies the cultural and devotional conventions underlying expressions of mystical love in poetry and music of the German baroque. It sheds new light on the seemingly erotic overtones in settings of the Song of Songs and dialogues between Christ and the faithful soul in late 17th- and early 18th-century cantatas by Heinrich Sch tz, Dieterich Buxtehude, and Johann Sebastian Bach. While these compositions have been interpreted solely as a secularizing tendency within devotional music of the baroque period, Isabella van Elferen demonstrates that they need to be viewed instead as intensifications of the sacred. Based on a wide selection of previously unedited or translated 17th- and 18th-century sources, van Elferen describes the history and development of baroque poetic and musical love discourses, from Sch tz's early works through Buxtehude's cantatas and Bach's cantatas and Passions. This long and multilayered discursive history of these compositions considers the love poetry of Petrarch, European reception of petrarchan imagery and traditions, its effect on the madrigal in Germany, and the role of Catholic medieval mystics in baroque Lutheranism. Van Elferen shows that Bach's compositional technique, based on the emotional characteristics of text and music rather than on the depiction of single words, allows the musical expression of mystical love to correspond closely to contemporary literary and theological conceptions of this affect.
Author: David Whitwell
Author: David Whitwell
Author: Frederick Neumann
Author: Robert Lewis Marshall
Author: John Butt
Author: Blake Lee Spahr
Author: Lorraine Byrne Bodley
Author: Julia Dokter
Author: Peter Walls
Author: Kimberly Wylie
Author: Isabella van Elferen