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Author: James R. Anthony Publisher: Cambridge University Press ISBN: 9780521352635 Category : Biography & Autobiography Languages : en Pages : 360
Book Description
This volume of essays on Jean-Baptiste Lully and his musical legacy honours the distinguished French baroque scholar James R. Anthony. Jean-Baptiste Lully, court composer to Louis XIV, served as the principal architect of what would become known as the French style of music in the baroque era. The style he created strongly influenced the great musical figures in England (Purcell and Handel) and Germany (Bach and Telemann), but Lully's music itself has received little attention. Recently, through the efforts of scholars and musicians concerned with the performance practices of Lully's time, Lully's own music has begun to come alive in performance and recording. These essays, all by important baroque specialists, cover significant aspects of Lully's life and works and the French tradition he influenced. They constitute the first post-war collection of studies centred on Lully and form a fitting tribute to Professor Anthony whose own French baroque music provided a stimulus for the work of an emerging generation of scholars.
Author: James R. Anthony Publisher: Cambridge University Press ISBN: 9780521352635 Category : Biography & Autobiography Languages : en Pages : 360
Book Description
This volume of essays on Jean-Baptiste Lully and his musical legacy honours the distinguished French baroque scholar James R. Anthony. Jean-Baptiste Lully, court composer to Louis XIV, served as the principal architect of what would become known as the French style of music in the baroque era. The style he created strongly influenced the great musical figures in England (Purcell and Handel) and Germany (Bach and Telemann), but Lully's music itself has received little attention. Recently, through the efforts of scholars and musicians concerned with the performance practices of Lully's time, Lully's own music has begun to come alive in performance and recording. These essays, all by important baroque specialists, cover significant aspects of Lully's life and works and the French tradition he influenced. They constitute the first post-war collection of studies centred on Lully and form a fitting tribute to Professor Anthony whose own French baroque music provided a stimulus for the work of an emerging generation of scholars.
Author: David Whitwell Publisher: ISBN: 9781936512843 Category : Languages : en Pages : 260
Book Description
With the exception of the new form, Opera, the previous two centuries of musicology have tended to present the Baroque Period, 1600-1750, as a period of functional, even mechanical, music.The contemporary discussion in this volume will help the reader understand that nothing could be further from the truth.The great interest of most musicians living in the Baroque Period was the role of emotion in music both in composition and in performance.The role of all idioms of performance, including especially improvisation, were directly associated with the goal of increased communication of emotion.We believe these pages will suggest to the reader that no player of the Baroque Period ever just played what he saw on paper, and we don't believe anyone should do so today."
Author: Mary Cyr Publisher: Taylor & Francis ISBN: 104023187X Category : Music Languages : en Pages : 345
Book Description
In this collection of essays Mary Cyr explores some of the written and unwritten performance conventions that applied to French and English music of the 17th and early 18th centuries. Using composers' own notations, marks added by 18th-century performers, historical treatises, and pictorial evidence, she investigates both vocal and instrumental genres, including opera, cantatas, instrumental chamber music, and solo music for the viol and violin. Some of the performance conventions remain controversial, such as the use of gesture by the French opera chorus, and others are still little-known, such as the use of the double bass for rhythmic and harmonic support in early 18th-century French opera. As many of these essays demonstrate, French Baroque music allowed performers a wider latitude of nuance and expression than is often assumed today. The essays in this volume will be of particular interest to scholars and performers who are interested in adopting a historically-informed approach to performing music by Henry Purcell, Élisabeth-Claude Jacquet de La Guerre, Jean-Philippe Rameau, and their contemporaries. Several studies also deal with attributions, sources, and the discovery of a cantata by Rameau.
Author: Mary Cyr Publisher: Routledge ISBN: Category : History Languages : en Pages : 352
Book Description
Using composers' own notations, marks added by 18th-century performers, historical treatises, and pictorial evidence, this work investigates both vocal and instrumental genres, including opera, cantatas, instrumental chamber music, and solo music for the viol and violin. It also deals with the discovery of a cantata by Rameau.
Author: David Whitwell Publisher: ISBN: 9781936512836 Category : Languages : en Pages : 240
Book Description
With the exception of the new form, Opera, the previous two centuries of musicology have tended to present the Baroque Period, 1600-1750, as a period of functional, even mechanical, music.The contemporary discussion in this volume will help the reader understand that nothing could be further from the truth.The great interest of most musicians living in the Baroque Period was the role of emotion in music both in composition and in performance.The role of all idioms of performance, including especially improvisation, were directly associated with the goal of increased communication of emotion.We believe these pages will suggest to the reader that no player of the Baroque Period ever just played what he saw on paper, and we don't believe anyone should do so today."
Author: David Whitwell Publisher: ISBN: 9781936512829 Category : Languages : en Pages : 142
Book Description
With the exception of the new form, Opera, the previous two centuries of musicology have tended to present the Baroque Period, 1600-1750, as a period of functional, even mechanical, music. The contemporary discussion in this volume will help the reader understand that nothing could be further from the truth. The great interest of most musicians living in the Baroque Period was the role of emotion in music both in composition and in performance. The role of all idioms of performance, including especially improvisation, were directly associated with the goal of increased communication of emotion. We believe these pages will suggest to the reader that no player of the Baroque Period ever just played what he saw on paper, and we don't believe anyone should do so today.
Author: James R. Anthony Publisher: Hal Leonard Corporation ISBN: 9781574670219 Category : Music Languages : en Pages : 604
Book Description
First published in 1974, this landmark work quickly established itself as the definitive study of French music from 1581 to 1733, a period that included masters such as Marin Marais, Lully, Couperin, and Rameau. This expanded edition includes a bibliography of more than 1,300 works.
Author: James R. Anthony
Author: James R. Anthony
Author: David Whitwell
Author: John Hajdu Heyer
Author: John Hajdu Heyer
Author: Mary Cyr
Author: Frederick Neumann
Author: Mary Cyr
Author: David Whitwell
Author: David Whitwell
Author: James R. Anthony