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Author: Walter Scott Publisher: ISBN: Category : Chivalry Languages : en Pages : 426
Book Description
Originally issued as v 6 of Sir Walter Scott's Prose works, Edinburgh, 1834 Includes bibliographical references Essay on chivalry -- Essay on romance -- Essay on the drama.
Author: Walter Scott Publisher: ISBN: Category : Languages : en Pages : 403
Book Description
Originally issued as v 6 of Sir Walter Scott's Prose works, Edinburgh, 1834 Includes bibliographical references Essay on chivalry -- Essay on romance -- Essay on the drama.
Author: Walter Scott Publisher: ISBN: 9781332825318 Category : Literary Collections Languages : en Pages : 414
Book Description
Excerpt from Essays on Chivalry, Romance, and the Drama The general practice of assigning some precise period when youths should be admitted into the society of the manhood of their tribe, and considered as entitled to use the privileges of that more mature class is common to many primitive nations. The custom, also, of marking the transition from the one state to the other, by some peculiar for mality and personal ceremonial, seems so very natural, that it is quite unnecessary to multiply instances, or crowd our pages with the bar barous names of the nations by whom it has been adapted. In the general and abstract definition of Chivalry, whether as comprising a body of men whose military service was on horseback, and who were invested with peculiar honours and privileges, or with reference to the mode and period in which these distinctions and privileges were con ferred, there is nothing either original or exclusively proper to our Gothic ancestors. It was in the singular tenets of Chivalry, - in the exalted, enthusiastic, and almost sanctimonious, ideas connected with its duties, - in the singular balance which its institutions offered against the evils of the rude ages in which it arose, that we are to seek those peculiarities which render it so worthy of our attention. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Keir Elam Publisher: Routledge ISBN: 1351871188 Category : Literary Criticism Languages : en Pages : 409
Book Description
As theatre and drama of the Romantic Period undergo a critical reassessment among scholars internationally, the contributions of women as playwrights, actresses, and managers are also being revalued. This volume, which brings together leading British, North American, and Italian critics, is a crucial step towards reclaiming the importance of women's dramatic and theatrical activities during the period. Writing for the theatre implied assuming a public role, a hazardous undertaking for women who, especially after the French Revolution, were assigned to the private, primarily domestic, sphere. As the contributors examine the covert strategies women used to become full participants in the public theatre, they shed light on the issue of women's agency, expressed both through the writing of highly politicized or ethicized drama, as in the case of Elizabeth Inchbald or Joanna Baillie, and through women's professional practice as theatre managers and stage producers, as in the case of Elizabeth Vestris and Jane Scott. Among the topics considered are women's history plays, domesticity, ethics and sexuality in women's closet drama, the politics of drama and performance, and the role of women as managers and producers. Specialists in performance studies, Romantic Period drama, and women's writing will find the essays both challenging and inspiring.
Author: Donald Roy Publisher: Cambridge University Press ISBN: 9780521250801 Category : Drama Languages : en Pages : 592
Book Description
Taking as notional parameters the upheaval of the French Revolution and the events leading up to the Unification of Italy, this volume charts a period of political and social turbulence in Europe and its reflection in theatrical life. Apart from considering external factors like censorship and legal sanctions on theatrical activity, the volume examines the effects of prevailing operational conditions on the internal organization of companies, their repertoire, acting, stage presentation, playhouse architecture and the relationship with audiences. Also covered are technical advances in stage machinery, scenography and lighting, the changing position of the playwright and the continuing importance of various street entertainments, particularly in Italy, where dramatic theatre remained the poor relation of the operatic, and itinerant acting troupes still constituted the norm. The 460 documents, many of them illustrated, have been drawn from sources in Britain, France and Italy and have been annotated, and translated where appropriate.
Author: Walter Scott
Author: Walter Scott
Author: Walter Scott
Author: Walter Scott
Author: Walter Scott
Author: Sir Walter Scott
Author: Walter Scott
Author: Walter Scott
Author: Keir Elam
Author: Catherine Burroughs
Author: Donald Roy