Author: Mathis SzykowskiPublisher:
ISBN:
Category :
Languages : en
Pages : 378
Book Description
Espagnolisme in Stendhal's Works
Author: Mathis SzykowskiStendhal's Parallel Lives
Author: Francesco ManziniPublisher: Peter Lang
ISBN: 9783039101481
Category : Fiction
Languages : en
Pages : 500
Book Description
This book deals with the important and hitherto neglected relationship between the works of Stendhal and Plutarch's Parallel Lives. Stendhal's readings of Plutarch are shown to inform his literary representations of Revolution and Empire, Restoration and Orleanism, as well as his theorizations of Romanticism. In particular, the Plutarchan concept of Parallel Lives is used to analyse one of the major themes of Stendhal's writing: the self-construction of individual identity, whether (auto)biographical or fictional, by means of the emulation (as distinct from the imitation) of heroic exemplars. As a consequence, the balance between irony and idealism often identified by critics in Stendhal's work is shown rather to be an imbalance, weighted in favour of an idealism derived from Plutarchan conceptions of heroism, particularly as they are represented in the Lives of Julius Caesar and Marcus Brutus.
Color Symbolism in the Works of Stendhal
Author: Cheryl M. HansenPublisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
This study shows an apparent distinctive pattern of color symbolism in Stendhal's works, while serving to unify the characters and events in Stendahal's fiction. The analysis of his non-fiction writings reveals his sensitivity to colors; notably, his autobiography serves as a touchstone to the elaboration of his color symbolism. An examination of his fiction works that include Armance, Le Rouge et le Noir, Lucien Leuwen, La Chartreuse de Parme, and Lamiel, all show various representations of Stendhal's distinctive color palette.
Stendhal: The Red and the Black
Author: Stirling HaigPublisher: Cambridge University Press
ISBN: 9780521349826
Category : Literary Collections
Languages : en
Pages : 122
Book Description
Stendhal's great novel The Red and the Black, published in 1830, is seen as one of the most distinguished monuments of literary realism. In this introductory study, Stirling Haig shows how this realism derives from the incorporation of both history and legal reportage into the novel, and how it combines autobiography with mimesis. Professor Haig locates the novel in the context of Stendhal's own experiences as a Commissariat officer in the Napoleonic army, journalist, opera-lover, salon dandy and traveller in Italy and Restoration France, and highlights the constant inter-penetration of personal, documentary, and fictional elements in Stendhal's writings.
Reactionary Cosmopolitanism
Author: Roxana Flavia PopReading and Writing in Stendhal
Author: Janice Lynn St. MartinPublisher:
ISBN:
Category :
Languages : en
Pages : 506
Book Description
Understanding Foucault, Understanding Modernism
Author: David ScottPublisher: Bloomsbury Publishing USA
ISBN: 1628927720
Category : Literary Criticism
Languages : en
Pages : 281
Book Description
Michel Foucault continues to be regarded as one of the most essential thinkers of the twentieth century. A brilliantly evocative writer and conceptual creator, his influence is clearly discernible today across nearly every discipline-philosophy and history, certainly, as well as literary and critical theory, religious and social studies, and the arts. This volume exploits Foucault's insistent blurring of the self-imposed limits formed by the disciplines, with each author in this volume discovering in Foucault's work a model useful for challenging not only these divisions but developing a more fundamental interrogation of modernism. Foucault himself saw the calling into question of modernism to be the permanent task of his life's work, thereby opening a path for rethinking the social. Understanding Foucault, Understanding Modernism shows, on the one hand, that literature and the arts play a fundamental structural role in Foucault's works, while, on the other hand, it shifts to the foreground what it presumes to be motivating Foucault: the interrogation of the problem of modernism. To that end, even his most explicitly historical or strictly epistemological and methodological enquiries directly engage the problem of modernism through the works of writers and artists from de Sade, Mallarmé, Baudelaire to Artaud, Manet, Borges, Roussel, and Bataille. This volume, therefore, adopts a transdisciplinary approach, as a way to establish connections between Foucault's thought and the aesthetic problems that emerge out of those specific literary and artistic works, methods, and styles designated “modern.” The aim of this volume is to provide a resource for students and scholars not only in the fields of literature and philosophy, but as well those interested in the intersections of art and intellectual history, religious studies, and critical theory.
Stendhal
Author: Victor BrombertPublisher: University of Chicago Press
ISBN: 022651935X
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
Victor Brombert is a lion in the study of French literature, and in this classic of literary criticism, he turns his clear and perspicacious gaze on the works of one of its greatest authors—Stendhal. Best remembered for his novels The Red and the Black and The Charterhouse of Parma, Stendhal is a writer of extraordinary insight into psychology and the many shades of individual and political liberty. Brombert has spent a lifetime reading and teaching Stendhal and here, by focusing on the seemingly contradictory themes of inner freedom and outer constraint within Stendhal’s writings, he offers a revealing analysis of both his work and his life. For Brombert, Stendhal’s work is deeply personal; elsewhere, he has written about the myriad connections between Stendhal’s ironic inquiries into identity and his own boyhood in France on the brink of World War II. Proceeding via careful and nuanced readings of passages from Stendhal’s fiction and autobiography, Brombert pays particular attention to style, tone, and meaning. Paradoxically, Stendhal’s heroes often feel most free when in prison, and in a statement of stunning relevance for our contemporary world, Brombert contends that Stendhal is far clearer than any writer before him on the “crisis and contradictions of modern humanism that . . . render political freedom illusory.” Featuring a new introduction in which Brombert explores his earliest encounters with Stendhal—the beginnings of his “affair” during a year spent as a Fulbright scholar in Rome—Stendhal remains a spirited, elegant, and resonant account.
Desperate Storytelling
Author: Roger B. SalomonPublisher: University of Georgia Press
ISBN: 0820332623
Category : Literary Criticism
Languages : en
Pages : 318
Book Description
Desperate Storytelling demonstrates how writers from Byron to Saul Bellow have embraced Cervantes's vision of the artist as creative exile, born to tell tales of valor and nobility yet doomed to recognize the world's banal reality. Forced to portray adventure in a reductive voice, these writers have immersed heroism in madness and narrative in mockery. Their fictions reflect an awareness of life's absurdities, yet a refusal to forsake the ideal. Reassessing the post-Romantic literary consciousness, Roger B. Salomon explores the many permutations of the mock-heroic mode, the complex aesthetic instrument brought into being by Cervantes, one by which a writer takes on a dual role as both nostalgic creator and ironic critic. The mock hero is almost by definition an outdated one, aligning his deepest emotional attachments to dead mythologies and forgotten codes of ethics; he is an alienated figure in a landscape hostile to the possibility of any kind of attainment. Just as Don Quixote's noble madness in an ignoble age invites both sympathy and derision, so later incarnations of the mock hero immerse the reader in a dialogue between the real and a faded ideal, between the sensible and the admirable. Describing a literary mode that joins heroic endeavor with its deflating results, Desperate Storytelling traces the adventures of literature's misplaced heroes from Nabokov's Berlin to Saul Bellow's Chicago, from James Joyce's Dublin to Mark Twain's Mississippi.
Forms of Life
Author: Martin PricePublisher: Yale University Press
ISBN: 9780300028676
Category : Literary Criticism
Languages : en
Pages : 400
Book Description
The novel contains imagined lives that achieve a kind of meaning and intensity our own lives do not. Out of the novelist's moral imagination--the breadth and depth of his awareness of human motivations, tensions, and complexities--emerge fictional persons through whom we learn to read ourselves. This eloquent book, exploring fictional lives in crucial moments of choice and change, stresses both their difference from and their deep connections with life. Martin Price writes here about ways in which character has been conceived and presented in the novels of the nineteenth and early twentieth centuries. Beginning with chapters that cogently argue the artistic value of character, Price then deals with the different forms character has taken in individual novels. His first discussions center on authors--Jane Austen, Stendhal, Charles Dickens, George Eliot, and Leo Tolstoy--who define individuals by their adherence or opposition to social norms. The next chapters deal with novelists for whom the moral world is largely internalized. The characters of Henry James, Joseph Conrad, D.H. Lawrence, and E.M. Forster live in society and act upon it, but the authors are particularly concerned with the confusions, terrors, and heroism that lie within consciousness. The last chapter uses novels about the artist by James Joyce, Virginia Woolf, and Thomas Mann in order to apprehend the process by which experience is transformed into art. Avoiding both formalistic and moralistic extremes, this new book by a distinguished critic helps us recover a fuller sense of literary form and the forms of life from which it emerges.