Author: Diala, Isidore
Publisher: Kraft Books
ISBN: 9789181132
Category : Literary Criticism
Languages : en
Pages : 299
Book Description
Esiaba Irobi (1960-2010) was one of Africa's most innovative and productive younger playwrights. Deeply rooted in the indigenous performance traditions of his Igbo ethnic group, Irobi's drama, in the tradition of Wole Soyinka, is a hybrid production involving an iconoclastic reconceptualisation of the heritage he appropriates, its fascinating conflation with other performance traditions, and their projection onto the arena of contemporary Nigerian politics. This study by Isidore Diala is the first book-length examination of Irobi's work. It portrays a highly creative individual who was literally driven by the creative urge. The five chapters of this study illuminate different aspects of Irobi's oeuvre and include a vivid portrayal of Irobi the actor in his dream role of Elesin Oba, the eponymous King's Horseman in Wole Soyinka's drama. Diala highlight's Irobi's fascination for African festivals, which feature prominently in the earlier plays.He also demonstrates that although he is rooted in his Igbo culture, Irobi draws on different ethnic groups, pointing to conceptions of pan-Africanism that include the African diaspora.
Esiaba Irobi's Drama and the Postcolony
Author: Diala, Isidore
Publisher: Kraft Books
ISBN: 9789181132
Category : Literary Criticism
Languages : en
Pages : 299
Book Description
Esiaba Irobi (1960-2010) was one of Africa's most innovative and productive younger playwrights. Deeply rooted in the indigenous performance traditions of his Igbo ethnic group, Irobi's drama, in the tradition of Wole Soyinka, is a hybrid production involving an iconoclastic reconceptualisation of the heritage he appropriates, its fascinating conflation with other performance traditions, and their projection onto the arena of contemporary Nigerian politics. This study by Isidore Diala is the first book-length examination of Irobi's work. It portrays a highly creative individual who was literally driven by the creative urge. The five chapters of this study illuminate different aspects of Irobi's oeuvre and include a vivid portrayal of Irobi the actor in his dream role of Elesin Oba, the eponymous King's Horseman in Wole Soyinka's drama. Diala highlight's Irobi's fascination for African festivals, which feature prominently in the earlier plays.He also demonstrates that although he is rooted in his Igbo culture, Irobi draws on different ethnic groups, pointing to conceptions of pan-Africanism that include the African diaspora.
Publisher: Kraft Books
ISBN: 9789181132
Category : Literary Criticism
Languages : en
Pages : 299
Book Description
Esiaba Irobi (1960-2010) was one of Africa's most innovative and productive younger playwrights. Deeply rooted in the indigenous performance traditions of his Igbo ethnic group, Irobi's drama, in the tradition of Wole Soyinka, is a hybrid production involving an iconoclastic reconceptualisation of the heritage he appropriates, its fascinating conflation with other performance traditions, and their projection onto the arena of contemporary Nigerian politics. This study by Isidore Diala is the first book-length examination of Irobi's work. It portrays a highly creative individual who was literally driven by the creative urge. The five chapters of this study illuminate different aspects of Irobi's oeuvre and include a vivid portrayal of Irobi the actor in his dream role of Elesin Oba, the eponymous King's Horseman in Wole Soyinka's drama. Diala highlight's Irobi's fascination for African festivals, which feature prominently in the earlier plays.He also demonstrates that although he is rooted in his Igbo culture, Irobi draws on different ethnic groups, pointing to conceptions of pan-Africanism that include the African diaspora.
Syncretic Arenas
Author: Isidore Diala
Publisher: Rodopi
ISBN: 9401211809
Category : Literary Criticism
Languages : en
Pages : 397
Book Description
This collection in part examines the legacy of the consummate Nigerian stage artist and scholar, Esiaba Irobi (1960–2010). Poems, tributes, and studies celebrate Irobi’s significance as actor, playwright, director, poet, and theatre theorist. Irobi’s life, temper, times, and career are inextricably linked to the history, development, concerns, and uses of drama and theatre in Africa. The contributions highlight the evolution of autochthonous theatrical practices: the interaction between Western and indigenous African performance traditions; colonial/postcolonial government policies and the mutations of drama and theatre (and critical commentary); the tensions inherent in postcolonial conceptions of history, identity, nationhood, and articulations of alternative aesthetics, pedagogies, and epistemologies for postcolonial African theatre; staging African plays in the West; and the constituencies of the contemporary African playwright and director. The strength of these studies derives primarily from nuanced examinations of the concerns and careers of particular African playwrights; the history, offerings, and fortunes of particular theatrical arenas, and close explorations of specific performances and texts. The foregrounding of correspondences in the dramaturgies and intellectual ferment of the continent critically accentuates equally privileged regional, historical, and other crucial specificities. Situated in time and place while underscoring the political and intellectual intersections of a shared history of colonialism, the contributions to Syncretic Arenas, individually and collectively, reveal the transformations and growing strengths of postcolonialism as an analytical strategy.
Publisher: Rodopi
ISBN: 9401211809
Category : Literary Criticism
Languages : en
Pages : 397
Book Description
This collection in part examines the legacy of the consummate Nigerian stage artist and scholar, Esiaba Irobi (1960–2010). Poems, tributes, and studies celebrate Irobi’s significance as actor, playwright, director, poet, and theatre theorist. Irobi’s life, temper, times, and career are inextricably linked to the history, development, concerns, and uses of drama and theatre in Africa. The contributions highlight the evolution of autochthonous theatrical practices: the interaction between Western and indigenous African performance traditions; colonial/postcolonial government policies and the mutations of drama and theatre (and critical commentary); the tensions inherent in postcolonial conceptions of history, identity, nationhood, and articulations of alternative aesthetics, pedagogies, and epistemologies for postcolonial African theatre; staging African plays in the West; and the constituencies of the contemporary African playwright and director. The strength of these studies derives primarily from nuanced examinations of the concerns and careers of particular African playwrights; the history, offerings, and fortunes of particular theatrical arenas, and close explorations of specific performances and texts. The foregrounding of correspondences in the dramaturgies and intellectual ferment of the continent critically accentuates equally privileged regional, historical, and other crucial specificities. Situated in time and place while underscoring the political and intellectual intersections of a shared history of colonialism, the contributions to Syncretic Arenas, individually and collectively, reveal the transformations and growing strengths of postcolonialism as an analytical strategy.
Voyages in Postcolonial African Theatre Practice
Author: Charles Nwadigwe
Publisher: Cambridge Scholars Publishing
ISBN: 1527567850
Category : Performing Arts
Languages : en
Pages : 285
Book Description
Voyages in Postcolonial African Theatre Practice goes beyond the predictable academic discursive trips on postcolonial drama and theatre practice. In 14 unique but interrelated essays, this volume dissects the critical issues that envelop the practice of theatre in postcolonial Africa and the African Diaspora, and how practitioners engage with the trends which arise. The volume departs from the conventional theoretical constructs of humanistic studies and focuses on concrete realities that interface and interfere with the professional practice of African theatre, a creative industry confined by the historical and dialectical motifs of the colonial experience. Topics such as secondary adaptations, theatre training and pedagogy, censorship and performance politics, applied theatre, cultural policy and tourism, scenography, festivals and oral tradition, dance internationalisation, popular music, text and the African film reflect the broad coverage and diversity of this volume on African postcolonial theatre practices, from text to performance, planning to production.
Publisher: Cambridge Scholars Publishing
ISBN: 1527567850
Category : Performing Arts
Languages : en
Pages : 285
Book Description
Voyages in Postcolonial African Theatre Practice goes beyond the predictable academic discursive trips on postcolonial drama and theatre practice. In 14 unique but interrelated essays, this volume dissects the critical issues that envelop the practice of theatre in postcolonial Africa and the African Diaspora, and how practitioners engage with the trends which arise. The volume departs from the conventional theoretical constructs of humanistic studies and focuses on concrete realities that interface and interfere with the professional practice of African theatre, a creative industry confined by the historical and dialectical motifs of the colonial experience. Topics such as secondary adaptations, theatre training and pedagogy, censorship and performance politics, applied theatre, cultural policy and tourism, scenography, festivals and oral tradition, dance internationalisation, popular music, text and the African film reflect the broad coverage and diversity of this volume on African postcolonial theatre practices, from text to performance, planning to production.
Soyinka
Hangmen Also Die
Author: Esiaba Irobi
Publisher:
ISBN:
Category : Nigeria
Languages : en
Pages : 108
Book Description
Publisher:
ISBN:
Category : Nigeria
Languages : en
Pages : 108
Book Description
Syncretic Arenas
Author: Isidore Diala
Publisher: Rodopi
ISBN: 9401211809
Category : History
Languages : en
Pages : 381
Book Description
This collection in part examines the legacy of the consummate Nigerian stage artist and scholar, Esiaba Irobi (1960–2010). Poems, tributes, and studies cele¬brate Irobi’s significance as actor, play¬wright, director, poet, and theatre theorist. Irobi’s life, temper, times, and career are inextricably linked to the history, devel¬opment, concerns, and uses of drama and theatre in Africa. The contributions high¬light the evolution of autochthonous thea¬trical practices: the interaction between Western and indigenous African perfor¬mance traditions; colonial/postcolonial government policies and the mutations of drama and theatre (and critical commen¬tary); the tensions inherent in postcolonial conceptions of history, identity, nation¬hood, and articulations of alternative aes¬thetics, pedagogies, and epistemologies for postcolonial African theatre; staging African plays in the West; and the con-stituencies of the contemporary African playwright and director. The strength of these studies derives primarily from nuanced examinations of the concerns and careers of particular African playwrights; the history, offerings, and fortunes of particular theatrical arenas, and close explorations of specific performances and texts. The foregrounding of correspon¬dences in the dramaturgies and intellec¬tual ferment of the continent critically accentuates equally privileged regional, historical, and other crucial specificities. Situated in time and place while under¬scoring the political and intellectual inter¬sections of a shared history of colonial-ism, the contributions to Syncretic Arenas, individually and collectively, reveal the transformations and growing strengths of postcolonialism as an analytical strategy. Isidore Diala is Professor of African literature in the Department of English and Literary Studies at Abia State University, Uturu, and author of Esiaba Irobi’s Drama and the Postcolony: Theory and Practice of Postcolonial Performance (2013).
Publisher: Rodopi
ISBN: 9401211809
Category : History
Languages : en
Pages : 381
Book Description
This collection in part examines the legacy of the consummate Nigerian stage artist and scholar, Esiaba Irobi (1960–2010). Poems, tributes, and studies cele¬brate Irobi’s significance as actor, play¬wright, director, poet, and theatre theorist. Irobi’s life, temper, times, and career are inextricably linked to the history, devel¬opment, concerns, and uses of drama and theatre in Africa. The contributions high¬light the evolution of autochthonous thea¬trical practices: the interaction between Western and indigenous African perfor¬mance traditions; colonial/postcolonial government policies and the mutations of drama and theatre (and critical commen¬tary); the tensions inherent in postcolonial conceptions of history, identity, nation¬hood, and articulations of alternative aes¬thetics, pedagogies, and epistemologies for postcolonial African theatre; staging African plays in the West; and the con-stituencies of the contemporary African playwright and director. The strength of these studies derives primarily from nuanced examinations of the concerns and careers of particular African playwrights; the history, offerings, and fortunes of particular theatrical arenas, and close explorations of specific performances and texts. The foregrounding of correspon¬dences in the dramaturgies and intellec¬tual ferment of the continent critically accentuates equally privileged regional, historical, and other crucial specificities. Situated in time and place while under¬scoring the political and intellectual inter¬sections of a shared history of colonial-ism, the contributions to Syncretic Arenas, individually and collectively, reveal the transformations and growing strengths of postcolonialism as an analytical strategy. Isidore Diala is Professor of African literature in the Department of English and Literary Studies at Abia State University, Uturu, and author of Esiaba Irobi’s Drama and the Postcolony: Theory and Practice of Postcolonial Performance (2013).
Vision of Change in African Drama
Author: Sola Adeyemi
Publisher: Cambridge Scholars Publishing
ISBN: 152753796X
Category : Performing Arts
Languages : en
Pages : 244
Book Description
Fémi Òsófisan is a major dramatist from Nigeria who experiments with forms and theatrical traditions. This book focuses on his development as a dramatist and his contribution to world drama as a postcolonial African writer whose major preoccupation has been to question the colonial and postcolonial issues of identity in theatre, literature and performance. The volume explores how Òsófisan exploits his Yorùbá heritage in his drama and the performances of his plays by reading new meanings into popular mythology, and by re-writing history to comment on contemporary social and political issues. Òsófisan has often introduced new motifs and narratives to energise dramatic performances in Nigeria and globally, and this text discusses developments in his theatre practices in the context of changing cultural trends.
Publisher: Cambridge Scholars Publishing
ISBN: 152753796X
Category : Performing Arts
Languages : en
Pages : 244
Book Description
Fémi Òsófisan is a major dramatist from Nigeria who experiments with forms and theatrical traditions. This book focuses on his development as a dramatist and his contribution to world drama as a postcolonial African writer whose major preoccupation has been to question the colonial and postcolonial issues of identity in theatre, literature and performance. The volume explores how Òsófisan exploits his Yorùbá heritage in his drama and the performances of his plays by reading new meanings into popular mythology, and by re-writing history to comment on contemporary social and political issues. Òsófisan has often introduced new motifs and narratives to energise dramatic performances in Nigeria and globally, and this text discusses developments in his theatre practices in the context of changing cultural trends.
Caliban's Reason
Author: Paget Henry
Publisher: Psychology Press
ISBN: 9780415926461
Category : Philosophy
Languages : en
Pages : 322
Book Description
First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Psychology Press
ISBN: 9780415926461
Category : Philosophy
Languages : en
Pages : 322
Book Description
First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
The Icarus Girl
Author: Helen Oyeyemi
Publisher: Anchor
ISBN: 0307428737
Category : Fiction
Languages : en
Pages : 354
Book Description
The audacious first novel from the award-winning and bestselling author of Boy, Snow, Bird and What Is Not Yours Is Not Yours • “Oyeyemi brilliantly conjures up the raw emotions and playground banter of childhood. . . . A masterly first novel.”–The New York Times Book Review "Remarkable. . . . As original as it is unsettling, The Icarus Girl runs straight at the heart of what it means to belong."– O, The Oprah Magazine Jessamy “Jess” Harrison, age eight, is the child of an English father and a Nigerian mother. Possessed of an extraordinary imagination, she has a hard time fitting in at school. It is only when she visits Nigeria for the first time that she makes a friend who understands her: a ragged little girl named TillyTilly. But soon TillyTilly’s visits become more disturbing, until Jess realizes she doesn’t actually know who her friend is at all. Drawing on Nigerian mythology, Helen Oyeyemi presents a striking variation on the classic literary theme of doubles — both real and spiritual — in this lyrical and bold debut.
Publisher: Anchor
ISBN: 0307428737
Category : Fiction
Languages : en
Pages : 354
Book Description
The audacious first novel from the award-winning and bestselling author of Boy, Snow, Bird and What Is Not Yours Is Not Yours • “Oyeyemi brilliantly conjures up the raw emotions and playground banter of childhood. . . . A masterly first novel.”–The New York Times Book Review "Remarkable. . . . As original as it is unsettling, The Icarus Girl runs straight at the heart of what it means to belong."– O, The Oprah Magazine Jessamy “Jess” Harrison, age eight, is the child of an English father and a Nigerian mother. Possessed of an extraordinary imagination, she has a hard time fitting in at school. It is only when she visits Nigeria for the first time that she makes a friend who understands her: a ragged little girl named TillyTilly. But soon TillyTilly’s visits become more disturbing, until Jess realizes she doesn’t actually know who her friend is at all. Drawing on Nigerian mythology, Helen Oyeyemi presents a striking variation on the classic literary theme of doubles — both real and spiritual — in this lyrical and bold debut.
Africa in the World & the World in Africa
Author: Abiola Irele
Publisher: Africa Research and Publications
ISBN: 9781592218288
Category : Africa
Languages : en
Pages : 321
Book Description
A collection of essays by some of the most prominent and influential scholars, writers and critics of the African arts and humanities, including Abiola Irele, Wole Soyinka, Tim Crib, Femi Osofisan and more. Though literary critics and theorists constitute about half of the contributors to the volume, there is a special focus on interdisciplinary and cross-disciplinary perspectives. This is particularly pertinent to the wide and complex theme of the collection: Africa in the world and the world in Africa.
Publisher: Africa Research and Publications
ISBN: 9781592218288
Category : Africa
Languages : en
Pages : 321
Book Description
A collection of essays by some of the most prominent and influential scholars, writers and critics of the African arts and humanities, including Abiola Irele, Wole Soyinka, Tim Crib, Femi Osofisan and more. Though literary critics and theorists constitute about half of the contributors to the volume, there is a special focus on interdisciplinary and cross-disciplinary perspectives. This is particularly pertinent to the wide and complex theme of the collection: Africa in the world and the world in Africa.