Author: John Lincoln StewartPublisher: Univ of California Press
ISBN: 9780520070141
Category : Biography & Autobiography
Languages : en
Pages : 488
Book Description
Biografie van de Amerikaanse componist van Oostenrijkse afkomst (geb. 1900)
Ernst Krenek
Author: John Lincoln StewartPublisher: Univ of California Press
ISBN: 9780520070141
Category : Biography & Autobiography
Languages : en
Pages : 488
Book Description
Biografie van de Amerikaanse componist van Oostenrijkse afkomst (geb. 1900)
Ernst Krenek
Author: John L. StewartPublisher: Univ of California Press
ISBN: 0520311094
Category :
Languages : en
Pages : 1175
Book Description
When Ernst Krenek's opera Jonny spielt auf (Jonny plays on) opened in Leipzig in 1927, it became an instant and spectacular success. Performed in over a hundred cities and translated into a dozen languages, it became the most popular opera of this century. And Austrian-born Krenek, easily one of this century's most prolific major composers, became a wealthy man. Ten years later, however, he found himself a destitute refugee, fleeing to the United States as Hitler's troops invaded Austria. His work, always avant-garde, had become increasingly political; Hitler banned it and labeled Krenek a "cultural Bolshevist." The composer endured long periods of hardship and neglect before his music, which was much admired by such colleagues as Stravinsky and Alban Berg but strange to American ears, was rediscovered by Europeans after the war. Eventually it brought him financial security and many honors, including the Gold Medal of Vienna and the Cross of Austria, and it has been celebrated by festivals in Vienna, Salzburg, Berlin, and other cities. Krenek, who in 1945 became an American citizen, has been as experimental and broad-ranging in his compositions as he has been prolific. His 240 musical works illustrate brilliantly the principal musical trends of the century: Neoromantic tonality, Neoclassicism, free atonality, the twelve-tone technique, integral serialism, and electronic music. In addition, Krenek has also been an accomplished teacher and writer. He has taught some of America's leading composers and has several collections of essays in both German and English to his credit. In this first major biography of Krenek, Stewart chronicles both the personal and the professional events of this brilliant, resilient composer's life. He not only explains Krenek's music in terms that enable us to comprehend and appreciate its character but vividly illustrates how Krenek's imagination has been affected by his experiences, his associates, and the massive social and artistic changes of the twentieth century. Many of the most important music figures cross the landscape of this life—Franz Schreker, Artur Schnabel, T. W. Adorno, Alban Berg, Anton Webern, Igor Stravinsky, Arnold Schoenberg, Dimitri Mitropoulos, and Dietrich Fischer-Dieskau—confirming Krenek's position as one of the world's foremost composers. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1991.
Ernst Krenek and the Politics of Musical Style
Author: Peter TregearPublisher: Scarecrow Press
ISBN: 0810882639
Category : Biography & Autobiography
Languages : en
Pages : 195
Book Description
Ernst Krenek has been described as a “one-man history of twentieth-century music.” His vast compositional output encompasses many of its extremes and expresses many of its contradictions. Few have attempted, however, to contextualize Krenek’s compositional output because our understanding of classical music in the first half of the twentieth century still largely remains focused on the music of a few canonical figures. Responding to renewed interest from performers in Krenek’s work, particularly his operas, Peter Tregear’s Ernst Krenek and the Politics of Musical Style addresses this gap in the scholarly literature and makes an important contribution to our comprehension of the ways in which his music reflected and informed broader social and political debates in Austria and Germany at the time. Focusing on Krenek’s compositional path from the eclectic musical language of Jonny spielt auf to the austere twelve-tone technique of Karl V, Tregear provides an historical and critical context to this most historically significant period of Krenek’s creative life. His study also enriches our understanding of many of Krenek’s contemporaries, such as Alban Berg and Arnold Schoenberg. This book should interest students, scholars and practitioners with an interest in modern opera, and contemporary classical music as well as early-20th-century German history more generally.
Studies in Counterpoint
Author: Ernst KrenekPublisher: New York : G. Schirmer
ISBN:
Category : Counterpoint
Languages : en
Pages : 56
Book Description
Gustav Mahler
Author: Bruno WalterPublisher: Courier Corporation
ISBN: 0486492176
Category : Music
Languages : en
Pages : 260
Book Description
Recollections of Mahler written in 1936 by the composer's assistant conductor in Hamburg and at the Vienna Opera, plus Ernst Krenek's biographical sketch of Mahler and a new Introduction.
Forbidden Music
Author: Michael HaasPublisher: Yale University Press
ISBN: 0300154313
Category : Music
Languages : en
Pages : 505
Book Description
DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div
Horizons Circled
Author: Ernst KrenekPublisher: Univ of California Press
ISBN: 9780520023383
Category : Biography & Autobiography
Languages : en
Pages : 198
Book Description
Supplies interesting facts about the building and history of America's cities.
The Influence of Ernst Krenek on the Musical Culture of the Twin Cities
Author: Olive Jean BaileyErnst Krenek's "Dream Sequence", Opus 224 for Concert Band
Author: William Keith WakefieldPublisher:
ISBN:
Category :
Languages : en
Pages : 198
Book Description
"The Artist-Operas of Pfitzner, Krenek and Hindemith "
Author: Claire Taylor-JayPublisher: Routledge
ISBN: 1351546309
Category : Music
Languages : en
Pages : 189
Book Description
This is the first book-length study of the genre of 'artist-opera', in which the work's central character is an artist who is uncomfortable with his place in the world. It investigates how three such operas (Pfitzner's Palestrina (1915), Krenek's Jonny spielt auf (1926) and Hindemith's Mathis der Maler (1935)) contributed to the debate in early twentieth-century Germany about the place of art and the artist in modern society, and examines how far the artist-character may be taken as functioning as a persona for the real composer of the work. Because of their concern with the place of art within society, the works are also engaged with inherently political questions, and each opera is read in the light of the political context of its time: conservatism circa World War I, Americanism and democracy, and the rise of National Socialism.