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Author: Haidar Kareem Al-Aabedi Publisher: Logos Verlag Berlin GmbH ISBN: 3832534636 Category : Language Arts & Disciplines Languages : en Pages : 280
Book Description
This book is the first attempt made to analyse the equivocal language of the Absurd Theatre via pure linguistic models carefully employed and illustrated by a wide range of significant examples, questions, and discussions. It provides the multiple tools necessary for understanding this language from various perspectives. Dr. Haidar K. Al-Abedi was Lecturer in English at University of Baghdad, Al-Muthana University, and Al-Israa University College. ``Haidar has to be complimented at the outset for selecting a very interesting topic . . . It is not surprising that a person from Iraq – and the ravages the country is sadly facing these days – is interested in an area which has its significant socio-cultural origin in the ravages of the World War II. The scope of the research also effectively covers the entire school of the British exponents of the Absurd Theatre. In fact, the first chapter discusses the central keyword – equivocation – in scholarly detail. There is an interesting discussion about the various types of equivocation from chapter two to five quite elaborately conducted by the researcher.'' Dr. Sanjay Mukherjee, Saurashtra University, India ``This book is an elaborate analysis of a number of plays written by different dramatists. By elucidating the equivocal verbal and non-verbal communication used by characters, the book addresses a wide range of social, religious, cultural, and political themes and issues which appeal to its audience/readers and are involved in constructing meaning through its peculiar use of language.'' Dr. Adel Saleh, Wasit University, Iraq
Author: Haidar Kareem Al-Aabedi Publisher: Logos Verlag Berlin GmbH ISBN: 3832534636 Category : Language Arts & Disciplines Languages : en Pages : 280
Book Description
This book is the first attempt made to analyse the equivocal language of the Absurd Theatre via pure linguistic models carefully employed and illustrated by a wide range of significant examples, questions, and discussions. It provides the multiple tools necessary for understanding this language from various perspectives. Dr. Haidar K. Al-Abedi was Lecturer in English at University of Baghdad, Al-Muthana University, and Al-Israa University College. ``Haidar has to be complimented at the outset for selecting a very interesting topic . . . It is not surprising that a person from Iraq – and the ravages the country is sadly facing these days – is interested in an area which has its significant socio-cultural origin in the ravages of the World War II. The scope of the research also effectively covers the entire school of the British exponents of the Absurd Theatre. In fact, the first chapter discusses the central keyword – equivocation – in scholarly detail. There is an interesting discussion about the various types of equivocation from chapter two to five quite elaborately conducted by the researcher.'' Dr. Sanjay Mukherjee, Saurashtra University, India ``This book is an elaborate analysis of a number of plays written by different dramatists. By elucidating the equivocal verbal and non-verbal communication used by characters, the book addresses a wide range of social, religious, cultural, and political themes and issues which appeal to its audience/readers and are involved in constructing meaning through its peculiar use of language.'' Dr. Adel Saleh, Wasit University, Iraq
Author: Michael Y. Bennett Publisher: Taylor & Francis ISBN: 1040001610 Category : Literary Criticism Languages : en Pages : 803
Book Description
The Routledge Companion to Absurdist Literature is the first authoritative and definitive edited collection on absurdist literature. As a field-defining volume, the editor and the contributors are world leaders in this ever-exciting genre that includes some of the most important and influential writers of the twentieth century, including Samuel Beckett, Harold Pinter, Edward Albee, Eugene Ionesco, Jean Genet, and Albert Camus. Ever puzzling and always refusing to be pinned down, this book does not attempt to define absurdist literature, but attempts to examine its major and minor players. As such, the field is indirectly defined by examining its constituent writers. Not only investigating the so-called “Theatre of the Absurd,” this volume wades deeply into absurdist fiction and absurdist poetry, expanding much of our previous sense of what constitutes absurdist literature. Furthermore, long overdue, approximately one-third of the book is devoted to marginalized writers: black, Latin/x, female, LGBTQ+, and non-Western voices.
Author: Carl Lavery Publisher: Bloomsbury Publishing ISBN: 1472513207 Category : Performing Arts Languages : en Pages : 329
Book Description
Rethinking the Theatre of the Absurd is an innovative collection of essays, written by leading scholars in the fields of theatre, performance and eco-criticism, which reconfigures absurdist theatre through the optics of ecology and environment. As well as offering strikingly new interpretations of the work of canonical playwrights such as Beckett, Genet, Ionesco, Adamov, Albee, Kafka, Pinter, Shepard and Churchill, the book playfully mimics the structure of Martin Esslin's classic text The Theatre of the Absurd, which is commonly recognised as one of the most important scholarly publications of the 20th century. By reading absurdist drama, for the first time, as an emergent form of ecological theatre, Rethinking the Theatre of the Absurd interrogates afresh the very meaning of absurdism for 21st-century audiences, while at the same time making a significant contribution to the development of theatre and performance studies as a whole. The collection's interdisciplinary approach, accessibility, and ecological focus will appeal to students and academics in a number of different fields, including theatre, performance, English, French, geography and philosophy. It will also have a major impact on the new cross disciplinary paradigm of eco-criticism.
Author: Garry Hagberg Publisher: Springer Nature ISBN: 3030730611 Category : Philosophy Languages : en Pages : 389
Book Description
This edited collection investigates the kinds of philosophical reflection we can undertake in the imaginative worlds of literature. Opening with a look into the relations between philosophical thought and literary interpretation, the volume proceeds through absorbing discussions of the ways we can see life through the lens of literature, the relations between philosophical saying and literary showing, and some ways we can see the literary past philosophically and assess its significance for the present. Taken as a whole, the volume shows how imagined contexts can be a source of knowledge, a source of conceptual clarification, and a source of insight and understanding. And because philosophical thinking is undertaken, after all, in words, a heightened sensitivity to the precise employments of our words – particularly philosophically central words such as truth, reality, perception, knowledge, selfhood, illusion, understanding, falsehood – can bring a clarity and a refreshed sense of the life that our words take on in fully-described contexts of usage. And in these imagined contexts we can also see more acutely and deeply into the meaning of words about words – metaphor and figurative tropes, verbal coherence, intelligibility, implication, sense, and indeed the word “meaning” itself. Moving from a philosophical issue into a literary world in which the central concepts of that issue are in play can thus enrich our comprehension of those concepts and, in the strongest cases, substantively change the way we see them. With a combination of conceptual acuity and literary sensitivity, this volume maps out some of the territory that philosophical reflection and literary engagement share.
Author: Eugene Steele Publisher: Cambridge Scholars Publishing ISBN: 1443889628 Category : Language Arts & Disciplines Languages : en Pages : 285
Book Description
The domination of single subjects in academic programmes and institutions has recently been called into question. Literary studies are currently opening themselves up to the epistemological renewal that other fields can offer. They are increasingly borrowing theoretical tools from other subjects in order to analyse the historical, socio-political and institutional conditions of the production of literary texts, to identify the general discursive circumstances in which they emerge, and to study the relationship between literature and other media. Similarly, while subjects such as sociology, history, and political science have always been closely related – if not literally spinoffs from one another, as in the case of sociology vis-à-vis anthropology – what becomes of their specificities when they borrow from geography to address space-related issues, from psychology to understand social actors’ individual motivations, or from literary studies to make sense of individual or collective narratives? The present volume accounts for experiments in research that overstep disciplinary boundaries by analysing the new fields and methodologies emerging in the contemporary globalised academic environment, which puts a strong premium on synergism and linkages. Moreover, it assesses current theoretical reflections on inter-, multi- and transdisciplinarity, as well as research grounded in it, and measures their impact on the evolution of scholarship and curriculum in the fields of literature, language and humanities.
Author: Madelena Gonzalez Publisher: BRILL ISBN: 9004487697 Category : Literary Criticism Languages : en Pages : 270
Book Description
Fiction after the Fatwa: Salman Rushdie and the Charm of Catastrophe proposes for the first time an examination of what Rushdie has achieved as a writer since the fourteenth of February 1989, the date of the fatwa. This study argues that his constant questioning of fictional form and the language used to articulate it have opened up new opportunities and further possibilities for writing in the late twentieth and early twenty-first centuries. Through close readings and intensive textual analysis, arranged chronologically, Fiction after the Fatwa provides a thought-provoking reflection on the writer’s achievements over the last thirteen years. Aimed principally at academics and students, but also of interest to the general reader, it engages with the specific nature of the post-fatwa fiction as it moves from the fairy-tale world of Haroun and the Sea of Stories to the heartbreaking post-realism of Fury.
Author: Bill Cain Publisher: Dramatists Play Service, Inc. ISBN: 0822225913 Category : Drama Languages : en Pages : 131
Book Description
"England, 1605: A terrorist plot to assassinate King James I and blow Parliament to kingdom come with 36 barrels of devilish gunpowder! Shagspeare (after a contemporary spelling of the Bard's name) is commissioned by Robert Cecil, the prime minister, to write the "true historie" of the plot. And it must have witches! The King wants witches! But as Shag and the acting company of the Globe, under the direction of the great Richard Burbage, investigate the plot, they discover that the King's version of the story might, in fact, be a cover-up. Shag and his actors are confronted with the ultimate moral and artistic dilemma. Speak truth to power-and perhaps lose their heads? Or take the money and lie? Is there a third option-equivocation? A high-stakes political thriller with contemporary resonances, EQUIVOCATION gallops from the great Globe to the Tower of London to the halls of Parliament to the heart of Judith, Shag's younger daughter, who finds herself unexpectedly at the very heart of the political, dramatic and-ultimately-human mystery." - from publisher's website.
Author: Susana Gonçalves Publisher: Emerald Group Publishing ISBN: 1800438966 Category : Art Languages : en Pages : 320
Book Description
This edited volume examines the important and multi-varied role that art plays in today’s diverse society. Built on a multidisciplinary and dialogical approach, the book brings together the views of scholars and artists from around the world to explore central questions relating to the purpose(s) art services in contemporary, pluralistic societies.