Epochs of Chinese & Japanese Art PDF Download

Author: Ernest Fenollosa
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 416

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Author: Ernest Fenollosa
Publisher: Stone Bridge Press, Inc.
ISBN: 0893469629
Category : Art
Languages : en
Pages : 720

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Book Description
Two volumes of the essential and definitive survey of Chinese and Japanese art in one book.

Author: Ernest Fenollosa
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 414

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Author: Ernest Francisco Fenollosa
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 512

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Author: Penelope E. Mason
Publisher: Prentice Hall
ISBN: 9780131176010
Category : Art
Languages : en
Pages : 0

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Book Description
Japanese art, like so many expressions of Japanese culture, is fascinatingly rich in its contrasts and paradoxes. Since the country opened its doors to the outside world in the mid-nineteenth century. Japanese art and culture have enjoyed an immense popularity in the West. When in 1993 renowned scholar Penelope Mason wrote the the first edition of History of Japanese Art, it was the first such volume in thirty yearsto chart a detailed overview of the subject. It remains the only comprehensive survey of its kind in English. This second edition ties together more closely the development of all the media within a well-articulated historical and social context. New to the Second Edition Extended coverage of Japanese art beyond 1945 New discoveries both in archeology and scholarship New material on calligraphy, ceramics, lacquerware, metalware, and textiles An extended glossary A comprehensively updated bibliography 94 new illustrations

Author: Gregory P. A. Levine
Publisher: University of Hawaii Press
ISBN: 0824858085
Category : Religion
Languages : en
Pages : 352

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Long Strange Journey presents the first critical analysis of visual objects and discourses that animate Zen art modernism and its legacies, with particular emphasis on the postwar “Zen boom.” Since the late nineteenth century, Zen and Zen art have emerged as globally familiar terms associated with a spectrum of practices, beliefs, works of visual art, aesthetic concepts, commercial products, and modes of self-fashioning. They have also been at the center of fiery public disputes that have erupted along national, denominational, racial-ethnic, class, and intellectual lines. Neither stable nor strictly a matter of euphoric religious or intercultural exchange, Zen and Zen art are best approached as productive predicaments in the study of religion, spirituality, art, and consumer culture, especially within the frame of Buddhist modernism. Long Strange Journey’s modern-contemporary emphasis sets it off from most writing on Zen art, which focuses on masterworks by premodern Chinese and Japanese artists, gushes over “timeless” visual qualities as indicative of metaphysical states, or promotes with ahistorical, trend-spotting flair Zen art’s design appeal and therapeutic values. In contrast, the present work plots a methodological through line distinguished by “discourse analysis,” moving from the first contacts between Europe and Japanese Zen in the sixteenth century to late nineteenth–early twentieth-century transnational exchanges driven by Japanese Buddhists and intellectuals and the formation of a Zen art canon; to postwar Zen transformations of practice and avant-garde expressions; to popular embodiments of our “Zenny zeitgeist,” such as Zen cartoons. The book presents an alternative history of modern-contemporary Zen and Zen art that emphasizes their unruly and polythetic-prototypical natures, taking into consideration serious religious practice and spiritual and creative discovery as well as conflicts over Zen’s value amid the convolutions of global modernity, squabbles over authenticity, resistance against the notion of “Zen influence,” and competing claims to speak for Zen art made by monastics, lay advocates, artists, and others.

Author: William Henry James Weale
Publisher:
ISBN:
Category :
Languages : en
Pages : 434

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Author: John T. Carpenter
Publisher: Metropolitan Museum of Art
ISBN: 1588394719
Category : Art, Japanese
Languages : en
Pages : 218

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Book Description
Exhibition of paintings, lacquerwork, ceramics, textiles, calligraphy, and other media all in the Rinpa style from 1600 to the present day.

Author: Stephen Addiss
Publisher: Echo Point Books & Media
ISBN: 9781626542822
Category : Art
Languages : en
Pages : 146

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Book Description
From the striking ceramics of the Jomon period to the serene ink landscapes of the Muromachi era and beyond, this elegant book will elucidate and enhance your appreciation of every aspect of Japan's rich artistic culture. Packed with historical information, cultural context, and wonderful examples, Stephen Adiss and Audry Seo present a comprehensive guide to interacting with the art of Japan. From technical details to broad characteristics and speculative interpretations, the authors offer up a variety of considerations to keep in mind when looking at Japanese art. A captivating lesson in detail, focus, and aesthetics, How to Look at Japanese Art makes for a wonderful addition to any art-lover's collection. Readers interested in related titles from Stephen Addiss or Audrey Yoshiko Seo will also want to see: Art of Zen (ISBN: 9781635610741).

Author: Craig Clunas
Publisher: Princeton University Press
ISBN: 0691253021
Category : Art
Languages : en
Pages : 304

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Book Description
A history of the reception of Chinese painting from the sixteenth century to the present What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them discussed here in English for the first time, to show how Chinese painting has been understood by a range of audiences over five centuries, from the Ming Dynasty to today. Chinese Painting and Its Audiences demonstrates that viewers in China and beyond have irrevocably shaped this great artistic tradition. Arguing that audiences within China were crucially important to the evolution of Chinese painting, Clunas considers how Chinese artists have imagined the reception of their own work. By examining paintings that depict people looking at paintings, he introduces readers to ideal types of viewers: the scholar, the gentleman, the merchant, the nation, and the people. In discussing the changing audiences for Chinese art, Clunas emphasizes that the diversity and quantity of images in Chinese culture make it impossible to generalize definitively about what constitutes Chinese painting. Exploring the complex relationships between works of art and those who look at them, Chinese Painting and Its Audiences sheds new light on how the concept of Chinese painting has been formed and reformed over hundreds of years. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC Please note: All images in this ebook are presented in black and white and have been reduced in size.