Author: Terry Rugeley Publisher: University of Oklahoma Press ISBN: 0806168293 Category : History Languages : en Pages : 271
Book Description
Spanning the full breadth of Mexico’s long and storied past in one compact volume, Epic Mexico provides an unparalleled view of Mexican history, at once comprehensive, succinct, and consistently engaging. The book’s story reaches from the days of the saber-tooth tiger to those of its perhaps more dangerous modern counterpart, the narco-trafficker; and from the time of the Olmec and the Aztec through the Spanish Conquest to the complex pluralistic society of contemporary Mexico. Although the book does not shrink from today’s urgent issues—including public violence, environmental challenges, public health problems, and struggles with diversity—historian Terry Rugeley underscores the many important accomplishments of the Mexican people over time, balancing political crises with genuine triumphs. Along with matters political and military, Epic Mexico addresses the development of the arts, including literature, music, and cinema. The volume also keeps an eye on the nation’s long and often problematic relationship with its neighbor to the north. Though concise, Epic Mexico presents an inclusive portrait of Mexican history and society, exploring the varied roles and contributions of native ethnicities, Africans, women, immigrants, and peoples of different regional and religious orientations. It is the most thorough and thoroughly readable one-volume history of Mexico from antiquity to our day.
Author: Constantine Santas Publisher: Scarecrow Press ISBN: 0810882485 Category : Performing Arts Languages : en Pages : 713
Book Description
Soon after film came into existence, the term epic was used to describe productions that were lengthy, spectacular, live with action, and often filmed in exotic locales with large casts and staggering budgets. The effort and extravagance needed to mount an epic film paid off handsomely at the box office, for the genre became an immediate favorite with audiences. Epic films survived the tribulations of two world wars and the Depression and have retained the basic characteristics of size and glamour for more than a hundred years. Length was, and still is, one of the traits of the epic, though monolithic three- to four-hour spectacles like Gone with the Wind (1939) and Lawrence of Arabia (1962) have been replaced today by such franchises as the Harry Potter films and the Lord of the Rings trilogy. Although the form has evolved during many decades of existence, its central elements have been retained, refined, and modernized to suit the tastes of every new generation. The Encyclopedia of Epic Films identifies, describes, and analyzes those films that meet the criteria of the epic—sweeping drama, panoramic landscapes, lengthy adventure sequences, and, in many cases, casts of thousands. This volume looks at the wide variety of epics produced over the last century—from the silent spectacles of D. W. Griffith and biblical melodramas of Cecil B. DeMille to the historical dramas of David Lean and rollercoaster thrillers of Steven Spielberg. Each entry contains: Major personnel behind the camera, including directors and screenwriters Cast and character listings Plot summary Analysis Academy Award wins and nominations DVD and Blu-ray availability Resources for further study This volume also includes appendixes of foreign epics, superhero spectaculars, and epics produced for television, along with a list of all the directors in the book. Despite a lack of overall critical recognition and respect as a genre, the epic remains a favorite of audiences, and this book pays homage to a form of mass entertainment that continues to fill movie theaters. The Encyclopedia of Epic Films will be of interest to academics and scholars, as well as any fan of films made on a grand scale.
Author: Louis Lohr Martz Publisher: University of Missouri Press ISBN: 9780826211484 Category : Literary Criticism Languages : en Pages : 260
Book Description
Martz (English, emeritus, Yale) argues that the prophetic tradition, with its focus on the evils of the present, as well as the possibilities of redemption should be understood as an integral component of both the texture and contents of works by such modernist poets as Ezra Pound, William Carlos Williams, T. S. Eliot and others. Biblical prophecy, he asserts, is an important precedent for the tone and subject matter of these poets' works. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Terry Rugeley
Author: Constantine Santas
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Author: Royal Asiatic Society of Great Britain and Ireland
Author: Library of Congress. Copyright Office
Author: Louis Lohr Martz
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Author: Sampson Low
Author: Reinard Willem Zandvoort