Author: June Yip
Publisher: Duke University Press
ISBN: 9780822333678
Category : History
Languages : en
Pages : 376
Book Description
DIVTraces the growth and evolution of a Taiwan's sense of itself as a separate and distinct entity by examining the diverse ways a discourse of nation has been produced in the Taiwanese cultural imagination./div
Envisioning Taiwan
Author: June Yip
Publisher: Duke University Press
ISBN: 9780822333678
Category : History
Languages : en
Pages : 376
Book Description
DIVTraces the growth and evolution of a Taiwan's sense of itself as a separate and distinct entity by examining the diverse ways a discourse of nation has been produced in the Taiwanese cultural imagination./div
Publisher: Duke University Press
ISBN: 9780822333678
Category : History
Languages : en
Pages : 376
Book Description
DIVTraces the growth and evolution of a Taiwan's sense of itself as a separate and distinct entity by examining the diverse ways a discourse of nation has been produced in the Taiwanese cultural imagination./div
Becoming Taiwanese
Author: Evan N. Dawley
Publisher: BRILL
ISBN: 1684175984
Category : History
Languages : en
Pages : 440
Book Description
"What does it mean to be Taiwanese? This question sits at the heart of Taiwan’s modern history and its place in the world. In contrast to the prevailing scholarly focus on Taiwan after 1987, Becoming Taiwanese examines the important first era in the history of Taiwanese identity construction during the early twentieth century, in the place that served as the crucible for the formation of new identities: the northern port city of Jilong (Keelung). Part colonial urban social history, part exploration of the relationship between modern ethnicity and nationalism, Becoming Taiwanese offers new insights into ethnic identity formation. Evan Dawley examines how people from China’s southeastern coast became rooted in Taiwan; how the transfer to Japanese colonial rule established new contexts and relationships that promoted the formation of distinct urban, ethnic, and national identities; and how the so-called retrocession to China replicated earlier patterns and reinforced those same identities. Based on original research in Taiwan and Japan, and focused on the settings and practices of social organizations, religion, and social welfare, as well as the local elites who served as community gatekeepers, Becoming Taiwanese fundamentally challenges our understanding of what it means to be Taiwanese."
Publisher: BRILL
ISBN: 1684175984
Category : History
Languages : en
Pages : 440
Book Description
"What does it mean to be Taiwanese? This question sits at the heart of Taiwan’s modern history and its place in the world. In contrast to the prevailing scholarly focus on Taiwan after 1987, Becoming Taiwanese examines the important first era in the history of Taiwanese identity construction during the early twentieth century, in the place that served as the crucible for the formation of new identities: the northern port city of Jilong (Keelung). Part colonial urban social history, part exploration of the relationship between modern ethnicity and nationalism, Becoming Taiwanese offers new insights into ethnic identity formation. Evan Dawley examines how people from China’s southeastern coast became rooted in Taiwan; how the transfer to Japanese colonial rule established new contexts and relationships that promoted the formation of distinct urban, ethnic, and national identities; and how the so-called retrocession to China replicated earlier patterns and reinforced those same identities. Based on original research in Taiwan and Japan, and focused on the settings and practices of social organizations, religion, and social welfare, as well as the local elites who served as community gatekeepers, Becoming Taiwanese fundamentally challenges our understanding of what it means to be Taiwanese."
Taiwan
Author: John F Copper
Publisher: Routledge
ISBN: 0429974221
Category : Political Science
Languages : en
Pages : 288
Book Description
In this newly revised and updated edition of Taiwan: Nation-State or Province?, John F. Copper examines Taiwan's geography and history, society and culture, economy, political system, and foreign and security policies in the context of Taiwan's uncertain political status as either a sovereign nation or a province of the People's Republic of China. Copper argues that Taiwan's very rapid and successful democratization suggests Taiwan should be independent and separate from China, while economic links between Taiwan and China indicate the opposite. New to the sixth edition is enhanced coverage of the issues of immigration; the impact of having the world's lowest birthrate; China's economic and military rise and America's decline; Taiwan's relations with China, the United States, and Japan; and the KMT's (Nationalist Party) return to power. The new edition will also examine the implications of the 2012 presidential election. A selected bibliography guides students in further research.
Publisher: Routledge
ISBN: 0429974221
Category : Political Science
Languages : en
Pages : 288
Book Description
In this newly revised and updated edition of Taiwan: Nation-State or Province?, John F. Copper examines Taiwan's geography and history, society and culture, economy, political system, and foreign and security policies in the context of Taiwan's uncertain political status as either a sovereign nation or a province of the People's Republic of China. Copper argues that Taiwan's very rapid and successful democratization suggests Taiwan should be independent and separate from China, while economic links between Taiwan and China indicate the opposite. New to the sixth edition is enhanced coverage of the issues of immigration; the impact of having the world's lowest birthrate; China's economic and military rise and America's decline; Taiwan's relations with China, the United States, and Japan; and the KMT's (Nationalist Party) return to power. The new edition will also examine the implications of the 2012 presidential election. A selected bibliography guides students in further research.
Connecting Taiwan
Author: Carsten Storm
Publisher: Routledge
ISBN: 1351268945
Category : Social Science
Languages : en
Pages : 367
Book Description
Taiwan has often been characterised as an isolated society in its search for sovereignty and security. Its contact with the world in an era of globalization and post-modernity, however, has increasingly led to Taiwanese actors successfully participating in many regional and global fields. In this book an international team of scholars presents cases studies and theoretical debates emphasising agency in coping with the effects of globalisation. In so doing, they contest the image of Taiwan’s marginalization and seek to understand it in terms of its connectedness, whether globally, regionally or trans-nationally. Taking a multi-disciplinary, comparative approach, it covers themes such as markets and trading, diplomacy and nation-branding, collective action, media, film and literature, and religious mission. It thus combines perspectives from several disciplines including media studies, sociology, political science, and studies in religion. Using Taiwan as an example of how to conceptualise connectivity and think differently about comparative studies, this book will be useful for students and scholars of Asian Politics and Cultural Studies, as well as of Taiwan Studies more specifically.
Publisher: Routledge
ISBN: 1351268945
Category : Social Science
Languages : en
Pages : 367
Book Description
Taiwan has often been characterised as an isolated society in its search for sovereignty and security. Its contact with the world in an era of globalization and post-modernity, however, has increasingly led to Taiwanese actors successfully participating in many regional and global fields. In this book an international team of scholars presents cases studies and theoretical debates emphasising agency in coping with the effects of globalisation. In so doing, they contest the image of Taiwan’s marginalization and seek to understand it in terms of its connectedness, whether globally, regionally or trans-nationally. Taking a multi-disciplinary, comparative approach, it covers themes such as markets and trading, diplomacy and nation-branding, collective action, media, film and literature, and religious mission. It thus combines perspectives from several disciplines including media studies, sociology, political science, and studies in religion. Using Taiwan as an example of how to conceptualise connectivity and think differently about comparative studies, this book will be useful for students and scholars of Asian Politics and Cultural Studies, as well as of Taiwan Studies more specifically.
Cultivating Membership in Taiwan and Beyond
Author: Hsin-I Cheng
Publisher: Rowman & Littlefield
ISBN: 149858151X
Category : Language Arts & Disciplines
Languages : en
Pages : 253
Book Description
Citizenship is traditionally viewed as a legal status to be possessed. Cultivating Membership in Taiwan and Beyond: Relational Citizenship proposes the concept of relational citizenship to articulate the value-laden, interactive nature of belongingness. Hsin-I Cheng examines the role of relationality which produces and is a product of localized emotions. Cheng attends to particular histories and global trajectories embedded within uneven power relations. By focusing on Taiwan, a non-Western society with a tradition to adeptly attune to local experiences and those from various global influences, relational citizenship highlights the measures used to define and encourage interactions with newcomers. This book shows the multilayered communicative processes in which relations are gradually created, challenged, merged, disrupted, repaired, and solidified. Cheng further argues that this concept is not bound to nation-state geographic boundaries as relationality bleeds through national borders. Relational citizenship has the potential to move beyond the East vs. West epistemology to examine peoples’ lived realities wherein the sense of belonging is discursively accomplished, viscerally experienced, and publicly performed.
Publisher: Rowman & Littlefield
ISBN: 149858151X
Category : Language Arts & Disciplines
Languages : en
Pages : 253
Book Description
Citizenship is traditionally viewed as a legal status to be possessed. Cultivating Membership in Taiwan and Beyond: Relational Citizenship proposes the concept of relational citizenship to articulate the value-laden, interactive nature of belongingness. Hsin-I Cheng examines the role of relationality which produces and is a product of localized emotions. Cheng attends to particular histories and global trajectories embedded within uneven power relations. By focusing on Taiwan, a non-Western society with a tradition to adeptly attune to local experiences and those from various global influences, relational citizenship highlights the measures used to define and encourage interactions with newcomers. This book shows the multilayered communicative processes in which relations are gradually created, challenged, merged, disrupted, repaired, and solidified. Cheng further argues that this concept is not bound to nation-state geographic boundaries as relationality bleeds through national borders. Relational citizenship has the potential to move beyond the East vs. West epistemology to examine peoples’ lived realities wherein the sense of belonging is discursively accomplished, viscerally experienced, and publicly performed.
An Annotated Bibliography for Taiwan Film Studies
Author: Jim Cheng
Publisher: Columbia University Press
ISBN: 0231540337
Category : Performing Arts
Languages : en
Pages : 586
Book Description
Compiled by two skilled librarians and a Taiwanese film and culture specialist, this volume is the first multilingual and most comprehensive bibliography of Taiwanese film scholarship, designed to satisfy the broad interests of the modern researcher. The second book in a remarkable three-volume research project, An Annotated Bibliography for Taiwan Film Studies catalogues the published and unpublished monographs, theses, manuscripts, and conference proceedings of Taiwanese film scholars from the 1950s to 2013. Paired with An Annotated Bibliography for Chinese Film Studies (2004), which accounts for texts dating back to the 1920s, this series brings together like no other reference the disparate voices of Chinese film scholarship, charting its unique intellectual arc. Organized intuitively, the volume begins with reference materials (bibliographies, cinematographies, directories, indexes, dictionaries, and handbooks) and then moves through film history (the colonial period, Taiwan dialect film, new Taiwan cinema, the 2/28 incident); film genres (animated, anticommunist, documentary, ethnographic, martial arts, teen); film reviews; film theory and technique; interdisciplinary studies (Taiwan and mainland China, Taiwan and Japan, film and aboriginal peoples, film and literature, film and nationality); biographical materials; film stories, screenplays, and scripts; film technology; and miscellaneous aspects of Taiwanese film scholarship (artifacts, acts of censorship, copyright law, distribution channels, film festivals, and industry practice). Works written in multiple languages include transliteration/romanized and original script entries, which follow universal AACR-2 and American cataloguing standards, and professional notations by the editors to aid in the use of sources.
Publisher: Columbia University Press
ISBN: 0231540337
Category : Performing Arts
Languages : en
Pages : 586
Book Description
Compiled by two skilled librarians and a Taiwanese film and culture specialist, this volume is the first multilingual and most comprehensive bibliography of Taiwanese film scholarship, designed to satisfy the broad interests of the modern researcher. The second book in a remarkable three-volume research project, An Annotated Bibliography for Taiwan Film Studies catalogues the published and unpublished monographs, theses, manuscripts, and conference proceedings of Taiwanese film scholars from the 1950s to 2013. Paired with An Annotated Bibliography for Chinese Film Studies (2004), which accounts for texts dating back to the 1920s, this series brings together like no other reference the disparate voices of Chinese film scholarship, charting its unique intellectual arc. Organized intuitively, the volume begins with reference materials (bibliographies, cinematographies, directories, indexes, dictionaries, and handbooks) and then moves through film history (the colonial period, Taiwan dialect film, new Taiwan cinema, the 2/28 incident); film genres (animated, anticommunist, documentary, ethnographic, martial arts, teen); film reviews; film theory and technique; interdisciplinary studies (Taiwan and mainland China, Taiwan and Japan, film and aboriginal peoples, film and literature, film and nationality); biographical materials; film stories, screenplays, and scripts; film technology; and miscellaneous aspects of Taiwanese film scholarship (artifacts, acts of censorship, copyright law, distribution channels, film festivals, and industry practice). Works written in multiple languages include transliteration/romanized and original script entries, which follow universal AACR-2 and American cataloguing standards, and professional notations by the editors to aid in the use of sources.
No Man an Island
Author: James Udden
Publisher: Hong Kong University Press
ISBN: 9888139223
Category : Performing Arts
Languages : en
Pages : 263
Book Description
Taiwan is a peculiar place resulting in a peculiar cinema, with Hou Hsiao-hsien being its most remarkable product. Hou’s signature long and static shots almost invite critics to give auteurist readings of his films, often privileging the analysis of cinematic techniques at the expense of the context from which Hou emerges. In this pioneering study, James Udden argues instead that the Taiwanese experience is the key to understanding Hou’s art. The convoluted history of Taiwan in the last century has often rendered fixed social and political categories irrelevant. Changing circumstances have forced the people in Taiwan to be hyperaware of how imaginary identity—above all national identity—is. Hou translates this larger state of affairs in such masterpieces as City of Sadness, The Puppetmaster, and Flowers of Shanghai, which capture and perhaps even embody the elusive, slippery contours of the collective experience of the islanders. Making extensive uses of Chinese sources from Taiwan, the author shows how important the local matters for this globally recognized director. In this new edition of No Man an Island, James Udden charts a new chapter in the evolving art of Hou Hsiao-hsien, whose latest film, The Assassin, earned him the Best Director Award at the Cannes Film Festival in 2015. Hou breaks new ground in turning the classic wuxia genre into a vehicle to express his unique insight into the working of history. The unconventional approach to conventions is quintessential Hou Hsiao-hsien. “An excellent and groundbreaking volume. This book’s very precise analyses of the films as well as their context make it the primary source for any scholar working on Hou in English.” —Chris Berry, King’s College London “In this first book-length study on Hou Hsiao-hsien James Udden illuminates the most intriguing yet mystifying filmmaker in world cinema. No Man an Island is without doubt a major contribution to the fields of Chinese-language cinema and film studies.” —Emilie Yueh-yu Yeh, Lingnan University, Hong Kong
Publisher: Hong Kong University Press
ISBN: 9888139223
Category : Performing Arts
Languages : en
Pages : 263
Book Description
Taiwan is a peculiar place resulting in a peculiar cinema, with Hou Hsiao-hsien being its most remarkable product. Hou’s signature long and static shots almost invite critics to give auteurist readings of his films, often privileging the analysis of cinematic techniques at the expense of the context from which Hou emerges. In this pioneering study, James Udden argues instead that the Taiwanese experience is the key to understanding Hou’s art. The convoluted history of Taiwan in the last century has often rendered fixed social and political categories irrelevant. Changing circumstances have forced the people in Taiwan to be hyperaware of how imaginary identity—above all national identity—is. Hou translates this larger state of affairs in such masterpieces as City of Sadness, The Puppetmaster, and Flowers of Shanghai, which capture and perhaps even embody the elusive, slippery contours of the collective experience of the islanders. Making extensive uses of Chinese sources from Taiwan, the author shows how important the local matters for this globally recognized director. In this new edition of No Man an Island, James Udden charts a new chapter in the evolving art of Hou Hsiao-hsien, whose latest film, The Assassin, earned him the Best Director Award at the Cannes Film Festival in 2015. Hou breaks new ground in turning the classic wuxia genre into a vehicle to express his unique insight into the working of history. The unconventional approach to conventions is quintessential Hou Hsiao-hsien. “An excellent and groundbreaking volume. This book’s very precise analyses of the films as well as their context make it the primary source for any scholar working on Hou in English.” —Chris Berry, King’s College London “In this first book-length study on Hou Hsiao-hsien James Udden illuminates the most intriguing yet mystifying filmmaker in world cinema. No Man an Island is without doubt a major contribution to the fields of Chinese-language cinema and film studies.” —Emilie Yueh-yu Yeh, Lingnan University, Hong Kong
The Age of New Waves
Author: James Tweedie
Publisher: Oxford University Press
ISBN: 0199858292
Category : Performing Arts
Languages : en
Pages : 377
Book Description
The Age of New Waves examines the origins of the concept of the "new wave" in 1950s France and the proliferation of new waves in world cinema over the past three decades. The book suggests that youth, cities, and the construction of a global market have been the catalysts for the cinematic new waves of the past half century. It begins by describing the enthusiastic engagement between French nouvelle vague filmmakers and a globalizing American cinema and culture during the modernization of France after World War II. It then charts the growing and ultimately explosive disenchantment with the aftermath of that massive social, economic, and spatial transformation in the late 1960s. Subsequent chapters focus on films and visual culture from Taiwan and contemporary mainland China during the 1980s and 1990s, and they link the recent propagation of new waves on the international film festival circuit to the "economic miracles" and consumer revolutions accompanying the process of globalization. While it travels from France to East Asia, the book follows the transnational movement of a particular model of cinema organized around mise en scène--or the interaction of bodies, objects, and spaces within the frame--rather than montage or narrative. The "master shot" style of directors like Hou Hsiao-Hsien, Tsai Ming-Liang, and Jia Zhangke has reinvented a crucial but overlooked tendency in new wave film, and this cinema of mise en scène has become a key aesthetic strategy for representing the changing relationships between people and the material world during the rise of a global market. The final chapter considers the interaction between two of the most global phenomena in recent film history--the transnational art cinema and Hollywood--and it searches for traces of an American New Wave.
Publisher: Oxford University Press
ISBN: 0199858292
Category : Performing Arts
Languages : en
Pages : 377
Book Description
The Age of New Waves examines the origins of the concept of the "new wave" in 1950s France and the proliferation of new waves in world cinema over the past three decades. The book suggests that youth, cities, and the construction of a global market have been the catalysts for the cinematic new waves of the past half century. It begins by describing the enthusiastic engagement between French nouvelle vague filmmakers and a globalizing American cinema and culture during the modernization of France after World War II. It then charts the growing and ultimately explosive disenchantment with the aftermath of that massive social, economic, and spatial transformation in the late 1960s. Subsequent chapters focus on films and visual culture from Taiwan and contemporary mainland China during the 1980s and 1990s, and they link the recent propagation of new waves on the international film festival circuit to the "economic miracles" and consumer revolutions accompanying the process of globalization. While it travels from France to East Asia, the book follows the transnational movement of a particular model of cinema organized around mise en scène--or the interaction of bodies, objects, and spaces within the frame--rather than montage or narrative. The "master shot" style of directors like Hou Hsiao-Hsien, Tsai Ming-Liang, and Jia Zhangke has reinvented a crucial but overlooked tendency in new wave film, and this cinema of mise en scène has become a key aesthetic strategy for representing the changing relationships between people and the material world during the rise of a global market. The final chapter considers the interaction between two of the most global phenomena in recent film history--the transnational art cinema and Hollywood--and it searches for traces of an American New Wave.
Renegade Rhymes
Author: Meredith Schweig
Publisher: University of Chicago Press
ISBN: 0226819582
Category : Music
Languages : en
Pages : 272
Book Description
"Like many states emerging from oppressive political rule, Taiwan saw a cultural explosion in the late 1980s, when four decades of martial law under the Chinese National Party ended. As a multicultural, multilingual society with a complicated history of migration and colonization, Taiwanese people met their political transformation and newfound freedom with a host of stories waiting to be told and identities longing for expression. In Renegade Rhymes, ethnomusicologist Meredith Schweig shows how rap music has become a powerful outlet for exploring the complicated ethnic, cultural, and political history of Taiwan. Schweig draws on extensive ethnographic fieldwork to explain how rap's storytelling component became such a vital tool for working out Taiwanese identity and grappling with cultural history. She takes readers to rap festivals, music video sets, hip-hop clubs, and creative collectives in which members participate in rap battles and study under an experienced teacher. As Schweig shows, MCs from marginalized ethnic groups in Taiwan seized on this music of resistance, infusing it with important aspects of their own local identities, languages, and storytelling traditions. We see how these musicians localize rap as a way to challenge longstanding political mythologies and redeem individual and community narratives from the totalizing influence of government and commercial interests. Working against holes in the educational system and a neoliberal economy, new generations of rappers have used the artform to nurture associational bonds and rehearse rituals of democratic citizenship, making a new kind of sense out of their complicated present"--
Publisher: University of Chicago Press
ISBN: 0226819582
Category : Music
Languages : en
Pages : 272
Book Description
"Like many states emerging from oppressive political rule, Taiwan saw a cultural explosion in the late 1980s, when four decades of martial law under the Chinese National Party ended. As a multicultural, multilingual society with a complicated history of migration and colonization, Taiwanese people met their political transformation and newfound freedom with a host of stories waiting to be told and identities longing for expression. In Renegade Rhymes, ethnomusicologist Meredith Schweig shows how rap music has become a powerful outlet for exploring the complicated ethnic, cultural, and political history of Taiwan. Schweig draws on extensive ethnographic fieldwork to explain how rap's storytelling component became such a vital tool for working out Taiwanese identity and grappling with cultural history. She takes readers to rap festivals, music video sets, hip-hop clubs, and creative collectives in which members participate in rap battles and study under an experienced teacher. As Schweig shows, MCs from marginalized ethnic groups in Taiwan seized on this music of resistance, infusing it with important aspects of their own local identities, languages, and storytelling traditions. We see how these musicians localize rap as a way to challenge longstanding political mythologies and redeem individual and community narratives from the totalizing influence of government and commercial interests. Working against holes in the educational system and a neoliberal economy, new generations of rappers have used the artform to nurture associational bonds and rehearse rituals of democratic citizenship, making a new kind of sense out of their complicated present"--
Sport, Film and National Culture
Author: Seán Crosson
Publisher: Routledge
ISBN: 1000172503
Category : Social Science
Languages : en
Pages : 244
Book Description
Sport and film have historically been key components of national cultures and societies. This is the first collection dedicated to examining the intersection of these popular cultural forces within specific national contexts. Covering films of all types, from Hollywood blockbusters to regional documentaries and newsreels, the book considers how filmic depictions of sport have configured and informed distinctive national cultures, societies and identities. Featuring case studies from 11 national contexts across 6 continents – including North and South America, Europe, Africa, Asia and Oceania – it reveals the common and contrasting approaches that have emerged within sport cinema in differing national contexts. This is fascinating and important reading for all students and researchers working in film, media, cultural studies or sport, and for broader enthusiasts of both sport and film.
Publisher: Routledge
ISBN: 1000172503
Category : Social Science
Languages : en
Pages : 244
Book Description
Sport and film have historically been key components of national cultures and societies. This is the first collection dedicated to examining the intersection of these popular cultural forces within specific national contexts. Covering films of all types, from Hollywood blockbusters to regional documentaries and newsreels, the book considers how filmic depictions of sport have configured and informed distinctive national cultures, societies and identities. Featuring case studies from 11 national contexts across 6 continents – including North and South America, Europe, Africa, Asia and Oceania – it reveals the common and contrasting approaches that have emerged within sport cinema in differing national contexts. This is fascinating and important reading for all students and researchers working in film, media, cultural studies or sport, and for broader enthusiasts of both sport and film.