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Author: Lawrence Eliot Klein Publisher: Huntington Library Press ISBN: Category : History Languages : en Pages : 220
Book Description
These essays on the shifting content and value attached to "enthusiasm" treat a particular historical question and at the same time pose a general challenge to our methodological expectations. The contributors (Peter Fenves, Jan Goldstein, Lawrence E. Klein, Jon Mee, J. G. A. Pocock, Mary D. Sheriff, and Anthony J. La Vopa) study the discourses of religion, psychology, aesthetics, politics, and philosophy in which "enthusiasm" figured as a key term--often a pejorative by which various forms of orthodoxy sought to establish their authority, sometimes a desideratum attached to intellectual, spiritual, or artistic inspiration. By tracing these often parallel discourses in France, Germany, and England, the essays establish the value of a transnational framework for the issues of secularization and modernity, one that draws on the perspectives of intellectual as well as social and political history.
Author: Lawrence Eliot Klein Publisher: Huntington Library Press ISBN: Category : History Languages : en Pages : 220
Book Description
These essays on the shifting content and value attached to "enthusiasm" treat a particular historical question and at the same time pose a general challenge to our methodological expectations. The contributors (Peter Fenves, Jan Goldstein, Lawrence E. Klein, Jon Mee, J. G. A. Pocock, Mary D. Sheriff, and Anthony J. La Vopa) study the discourses of religion, psychology, aesthetics, politics, and philosophy in which "enthusiasm" figured as a key term--often a pejorative by which various forms of orthodoxy sought to establish their authority, sometimes a desideratum attached to intellectual, spiritual, or artistic inspiration. By tracing these often parallel discourses in France, Germany, and England, the essays establish the value of a transnational framework for the issues of secularization and modernity, one that draws on the perspectives of intellectual as well as social and political history.
Author: Kevin L. Cope Publisher: Rutgers University Press ISBN: 1684481724 Category : Art Languages : en Pages : 323
Book Description
1650-1850 publishes essays and reviews from and about a wide range of academic disciplines literature, philosophy, art history, history, religion, and science. Interdisciplinary in scope and approach, 1650-1850 emphasizes aesthetic manifestations and applications of ideas, and encourages studies that move between the arts and the sciences.
Author: Sarah Eron Publisher: Rowman & Littlefield ISBN: 1611495008 Category : Literary Criticism Languages : en Pages : 267
Book Description
Inspiration in the Age of Enlightenment reconsiders theories of apostrophe and poetic authority to argue that the Augustan age created a new form of inspiration, one that not only changed the relationship of literary production to authority in the modern period but also crucially contributes to defining the movement of secularization in literature from the Renaissance to Romanticism. Seeking to redefine what we mean by secularization in the early stages of modernity, Eron argues that secularization’s link to enthusiasm, or inspiration, often associated with Romanticism, begins in the imaginative literature of the early eighteenth century. If Romantic enthusiasm has been described through the rhetoric of transport, or “unworlding,” then Augustan invocation appears more akin to a process of “worlding” in its central aim to appeal to the social other as a function of the eighteenth-century belief in a literary public sphere. By reformulating the passive structure of ancient invocation and subjecting it to the more dialogical methods of modern apostrophe and address, authors such as the Third Earl of Shaftesbury, Alexander Pope, Henry Fielding, and Anna Laetitia Barbauld formally revise inspiration in a way that generates a new and distinctive representation of the author. In this context, inspiration becomes a social gesture—an apostrophe to a friend or judging spectator or an allusion to the mental or aesthetic faculties of the author himself, his genius. Articulating this struggle toward modernity at its inception, this book examines modern authority at the moment of its extraordinariness, when it was still tied to the creative energies of inspiration, to the revelatory powers that marked the awakening of a new age, an era and an ethos of Enlightenment.
Author: Monique Scheer Publisher: Oxford University Press ISBN: 0192608908 Category : History Languages : en Pages : 272
Book Description
Enthusiasm seeks to contribute to a culturally and historically nuanced understanding of how emotions secure and ratify the truth of convictions. More than just pure affective intensity, enthusiasm is about something: a certainty, clarity, or truth. Neither as clearly negative as fanaticism nor as general as passion, enthusiasm specifically entails belief. For this reason, the book takes its starting point in religion, the social arena in which the concept was first debated and to which the term still gestures. Empirically based in modern German Protestantism, where religious emotion is intensely cultivated but also subject to vigorous scrutiny, it combines historical and ethnographic methods to show how enthusiasm has been negotiated and honed as a practice in Protestant denominations ranging from liberal to charismatic. The nexus of religion and emotion and how it relates to central concepts of modernity such as rationality, knowledge, interiority, and sincerity are key to understanding why moderns are so ambivalent about enthusiasm. Grounded in practice theory, Enthusiasm assumes that emotions are not an affective state we 'have' but mind-body activations we 'do', having learned to perform them in culturally specific ways. When understood as an emotional practice, enthusiasm has different styles, inflected by historical traditions, social milieus, and knowledge (even ideologies) about emotions and how they work. Enthusiasm also provides insight into how this feeling works in secular humanism as well as in politics, and why it is so contested as a practice in any context.
Author: Darrin McMahon Publisher: Constellation ISBN: 0465003257 Category : History Languages : en Pages : 362
Book Description
Genius. With hints of madness and mystery, moral license and visionary force, the word suggests an almost otherworldly power: the power to create, to divine the secrets of the universe, even to destroy. Yet the notion of genius has been diluted in recent times. Today, rock stars, football coaches, and entrepreneurs are labeled ‘geniuses,’ and the word is applied so widely that it has obscured the sense of special election and superhuman authority that long accompanied it. As acclaimed historian Darrin M. McMahon explains, the concept of genius has roots in antiquity, when men of prodigious insight were thought to possess—or to be possessed by—demons and gods. Adapted in the centuries that followed and applied to a variety of religious figures, including prophets, apostles, sorcerers, and saints, abiding notions of transcendent human power were invoked at the time of the Renaissance to explain the miraculous creativity of men like Leonardo and Michelangelo. Yet it was only in the eighteenth century that the genius was truly born, idolized as a new model of the highest human type. Assuming prominence in figures as varied as Newton and Napoleon, the modern genius emerged in tension with a growing belief in human equality. Contesting the notion that all are created equal, geniuses served to dramatize the exception of extraordinary individuals not governed by ordinary laws. The phenomenon of genius drew scientific scrutiny and extensive public commentary into the 20th century, but it also drew religious and political longings that could be abused. In the genius cult of the Nazis and the outpouring of reverence for the redemptive figure of Einstein, genius achieved both its apotheosis and its Armageddon. The first comprehensive history of this elusive concept, Divine Fury follows the fortunes of genius and geniuses through the ages down to the present day, showing how—despite its many permutations and recent democratization—genius remains a potent force in our lives, reflecting modern needs, hopes, and fears.
Author: James Whitehead Publisher: Oxford University Press ISBN: 0191053430 Category : Literary Criticism Languages : en Pages : 317
Book Description
Madness and the Romantic Poet examines the longstanding and enduringly popular idea that poetry is connected to madness and mental illness. The idea goes back to classical antiquity, but it was given new life at the turn of the nineteenth century. The book offers a new and much more complete history of its development than has previously been attempted, alongside important associated ideas about individual genius, creativity, the emotions, rationality, and the mind in extreme states or disorder - ideas that have been pervasive in modern popular culture. More specifically, the book tells the story of the initial growth and wider dissemination of the idea of the 'Romantic mad poet' in the nineteenth century, how (and why) this idea became so popular, and how it interacted with the very different fortunes in reception and reputation of Romantic poets, their poetry, and attacks on or defences of Romanticism as a cultural trend generally - again leaving a popular legacy that endured into the twentieth century. Material covered includes nineteenth-century journalism, early literary criticism, biography, medical and psychiatric literature, and poetry. A wide range of scientific (and pseudoscientific) thinkers are discussed alongside major Romantic authors, including Wordsworth, Coleridge, Blake, Hazlitt, Lamb, Percy Bysshe Shelley, Keats, Byron, and John Clare. Using this array of sources and figures, the book asks: was the Romantic mad genius just a sentimental stereotype or a romantic myth? Or does its long popularity tell us something serious about Romanticism and the role it has played, or has been given, in modern culture?
Author: Christine Gerrard Publisher: John Wiley & Sons ISBN: 1118702298 Category : Literary Criticism Languages : en Pages : 624
Book Description
A COMPANION TO & EIGHTEENTH-CENTURY POETRY A COMPANION TO & EIGHTEENTH-CENTURY POETRY Edited by Christine Gerrard This wide-ranging Companion reflects the dramatic transformation that has taken place in the study of eighteenth-century poetry over the past two decades. New essays by leading scholars in the field address an expanded poetic canon that now incorporates verse by many women poets and other formerly marginalized poetic voices. The volume engages with topical critical debates such as the production and consumption of literary texts, the constructions of femininity, sentiment and sensibility, enthusiasm, politics and aesthetics, and the growth of imperialism. The Companion opens with a section on contexts, considering eighteenth-century poetry’s relationships with such topics as party politics, religion, science, the visual arts, and the literary marketplace. A series of close readings of specific poems follows, ranging from familiar texts such as Pope’s The Rape of the Lock to slightly less well-known works such as Swift’s “Stella” poems and Lady Mary Wortley Montagu’s Town Eclogues. Essays on forms and genres, and a series of more provocative contributions on significant themes and debates, complete the volume. The Companion gives readers a thorough grounding in both the background and the substance of eighteenth-century poetry, and is designed to be used alongside David Fairer and Christine Gerrard’s Eighteenth-Century Poetry: An Annotated Anthology (3rd edition, 2014).
Author: Tim Stuart-Buttle Publisher: Oxford University Press ISBN: 0192572539 Category : Philosophy Languages : en Pages : 304
Book Description
The seventeenth and eighteenth centuries represent a period of remarkable intellectual vitality in British philosophy, as figures such as Hobbes, Locke, Hume, and Smith attempted to explain the origins and sustaining mechanisms of civil society. Their insights continue to inform how political and moral theorists think about the world in which we live. From Moral Theology to Moral Philosophy reconstructs a debate which preoccupied contemporaries but which seems arcane to us today. It concerned the relationship between reason and revelation as the two sources of mankind's knowledge, particularly in the ethical realm: to what extent, they asked, could reason alone discover the content and obligatory character of morality? This was held to be a historical, rather than a merely theoretical question: had the philosophers of pre-Christian antiquity, ignorant of Christ, been able satisfactorily to explain the moral universe? What role had natural theology played in their ethical theories - and was it consistent with the teachings delivered by revelation? Much recent scholarship has drawn attention to the early-modern interest in two late Hellenistic philosophical traditions - Stoicism and Epicureanism. Yet in the English context, three figures above all - John Locke, Conyers Middleton, and David Hume - quite deliberately and explicitly identified their approaches with Cicero as the representative of an alternative philosophical tradition, critical of both the Stoic and the Epicurean: academic scepticism. All argued that Cicero provided a means of addressing what they considered to be the most pressing question facing contemporary philosophy: the relationship between moral philosophy and moral theology.
Author: T. Ahnert Publisher: Springer ISBN: 0230119956 Category : Philosophy Languages : en Pages : 304
Book Description
An interdisciplinary examination of the Enlightenment character and its broader significance. Whilst the main focus of the book is the Scottish Enlightenment, contributors also employ a transatlantic scope by considering parallel developments in Europe, and America.
Author: Lawrence Eliot Klein
Author: Lawrence Eliot Klein
Author: Lawrence E. Ed.; La Vopa Klein (Anthony J. Ed)
Author: Kevin L. Cope
Author: Sarah Eron
Author: Monique Scheer
Author: Darrin McMahon
Author: James Whitehead
Author: Christine Gerrard
Author: Tim Stuart-Buttle
Author: T. Ahnert