Author: Lawrence Eliot Klein Publisher: Huntington Library Press ISBN: Category : History Languages : en Pages : 220
Book Description
These essays on the shifting content and value attached to "enthusiasm" treat a particular historical question and at the same time pose a general challenge to our methodological expectations. The contributors (Peter Fenves, Jan Goldstein, Lawrence E. Klein, Jon Mee, J. G. A. Pocock, Mary D. Sheriff, and Anthony J. La Vopa) study the discourses of religion, psychology, aesthetics, politics, and philosophy in which "enthusiasm" figured as a key term--often a pejorative by which various forms of orthodoxy sought to establish their authority, sometimes a desideratum attached to intellectual, spiritual, or artistic inspiration. By tracing these often parallel discourses in France, Germany, and England, the essays establish the value of a transnational framework for the issues of secularization and modernity, one that draws on the perspectives of intellectual as well as social and political history.
Author: Kevin L. Cope Publisher: Rutgers University Press ISBN: 1684481724 Category : Art Languages : en Pages : 323
Book Description
1650-1850 publishes essays and reviews from and about a wide range of academic disciplines literature, philosophy, art history, history, religion, and science. Interdisciplinary in scope and approach, 1650-1850 emphasizes aesthetic manifestations and applications of ideas, and encourages studies that move between the arts and the sciences.
Author: Kaspar von Greyerz Publisher: Oxford University Press ISBN: 0192679473 Category : Science Languages : en Pages : 313
Book Description
Physico-theology celebrated the observation of nature as a way toward the recognition of God as Creator and to demonstrate the compatibility of the biblical record with the new science. It was a crucial, albeit often underestimated element in the intellectual as well as socio-cultural establishment of the new science in western and central Europe beginning in the mid-seventeenth century. The importance of physico-theology in enhancing the acceptance of the new science among a broad educated public cannot be underestimated. Unfortunately, this insight has not yet received much attention in the history of early modern science, chiefly because the history of physico-theology tends to highlight the activities of virtuosi rather than well-known scientists. A contribution to the history of knowledge, this is the first monograph in English on physico-theology on the European scale. It concentrates on two genres, the argument from design, and the palaeontological argument regarding the role of the Deluge in the formation of fossils. It does so without neglecting practice (correspondence and collecting). It pays considerable attention to the historical context, above all to the new image of God as a wise, benevolent, rather than unpredictable being, which provided the practitioners of physico-theology (including clergy, physicians, lawyers, and philologists) with a new and powerful argument. It draws attention to the predominantly Protestant nature of the phenomenon and looks at the longevity of the argument from design in Britain and the Netherlands, where its demise came about as late as the first half of the nineteenth century.
Author: Sarah Eron Publisher: Rowman & Littlefield ISBN: 1611495008 Category : Literary Criticism Languages : en Pages : 267
Book Description
Inspiration in the Age of Enlightenment reconsiders theories of apostrophe and poetic authority to argue that the Augustan age created a new form of inspiration, one that not only changed the relationship of literary production to authority in the modern period but also crucially contributes to defining the movement of secularization in literature from the Renaissance to Romanticism. Seeking to redefine what we mean by secularization in the early stages of modernity, Eron argues that secularization’s link to enthusiasm, or inspiration, often associated with Romanticism, begins in the imaginative literature of the early eighteenth century. If Romantic enthusiasm has been described through the rhetoric of transport, or “unworlding,” then Augustan invocation appears more akin to a process of “worlding” in its central aim to appeal to the social other as a function of the eighteenth-century belief in a literary public sphere. By reformulating the passive structure of ancient invocation and subjecting it to the more dialogical methods of modern apostrophe and address, authors such as the Third Earl of Shaftesbury, Alexander Pope, Henry Fielding, and Anna Laetitia Barbauld formally revise inspiration in a way that generates a new and distinctive representation of the author. In this context, inspiration becomes a social gesture—an apostrophe to a friend or judging spectator or an allusion to the mental or aesthetic faculties of the author himself, his genius. Articulating this struggle toward modernity at its inception, this book examines modern authority at the moment of its extraordinariness, when it was still tied to the creative energies of inspiration, to the revelatory powers that marked the awakening of a new age, an era and an ethos of Enlightenment.
Author: William Reger Publisher: Routledge ISBN: 1317025326 Category : History Languages : en Pages : 588
Book Description
This volume, published in honor of historian Geoffrey Parker, explores the working of European empires in a global perspective, focusing on one of the most important themes of Parker’s work: the limits of empire, which is to say, the centrifugal forces - sacral, dynastic, military, diplomatic, geographical, informational - that plagued imperial formations in the early modern period (1500-1800). During this time of wrenching technological, demographic, climatic, and economic change, empires had to struggle with new religious movements, incipient nationalisms, new sea routes, new military technologies, and an evolving state system with complex new rules of diplomacy. Engaging with a host of current debates, the chapters in this book break away from conventional historical conceptions of empire as an essentially western phenomenon with clear demarcation lines between the colonizer and the colonized. These are replaced here by much more fluid and subtle conceptions that highlight complex interplays between coalitions of rulers and ruled. In so doing, the volume builds upon recent work that increasingly suggests that empires simply could not exist without the consent of their imperial subjects, or at least significant groups of them. This was as true for the British Raj as it was for imperial China or Russia. Whilst the thirteen chapters in this book focus on a number of geographic regions and adopt different approaches, each shares a focus on, and interest in, the working of empires and the ways that imperial formations dealt with - or failed to deal with - the challenges that beset them. Taken together, they reflect a new phase in the evolving historiography of empire. They also reflect the scholarly contributions of the dedicatee, Geoffrey Parker, whose life and work are discussed in the introductory chapters and, we’re proud to say, in a delightful chapter by Parker himself, an autobiographical reflection that closes the book.
Author: Roger Pearson Publisher: Oxford University Press ISBN: 0198754477 Category : Literary Criticism Languages : en Pages : 645
Book Description
Unacknowledged Legislators presents an original and detailed history of the theory and practice of French poetry from 1750 through to the end of the Romantic period. Focusing on five major writers of the period, it demonstrates how the figure of the poet as lawgiver was central to the theory and practice of poetry during this period.
Author: Susan McClary Publisher: University of Toronto Press ISBN: 1442669519 Category : History Languages : en Pages : 401
Book Description
Between the waning of the Renaissance and the beginning of the Enlightenment, many fundamental aspects of human behaviour - from expressions of gender to the experience of time - underwent radical changes. While some of these transformations were recorded in words, others have survived in non-verbal cultural media, notably the visual arts, poetry, theatre, music, and dance. Structures of Feeling in Seventeenth-Century Cultural Expression explores how artists made use of these various cultural forms to grapple with human values in the increasingly heterodox world of the 1600s. Essays from prominent historians, musicologists, and art critics examine methods of non-verbal cultural expression through the broad themes of time, motion, the body, and global relations. Together, they show that seventeenth-century cultural expression was more than just an embryonic stage within Western artistic development. Instead, the contributors argue that this period marks some of the most profound changes in European subjectivities.
Author: Darrin McMahon Publisher: Constellation ISBN: 0465003257 Category : History Languages : en Pages : 362
Book Description
Genius. With hints of madness and mystery, moral license and visionary force, the word suggests an almost otherworldly power: the power to create, to divine the secrets of the universe, even to destroy. Yet the notion of genius has been diluted in recent times. Today, rock stars, football coaches, and entrepreneurs are labeled ‘geniuses,’ and the word is applied so widely that it has obscured the sense of special election and superhuman authority that long accompanied it. As acclaimed historian Darrin M. McMahon explains, the concept of genius has roots in antiquity, when men of prodigious insight were thought to possess—or to be possessed by—demons and gods. Adapted in the centuries that followed and applied to a variety of religious figures, including prophets, apostles, sorcerers, and saints, abiding notions of transcendent human power were invoked at the time of the Renaissance to explain the miraculous creativity of men like Leonardo and Michelangelo. Yet it was only in the eighteenth century that the genius was truly born, idolized as a new model of the highest human type. Assuming prominence in figures as varied as Newton and Napoleon, the modern genius emerged in tension with a growing belief in human equality. Contesting the notion that all are created equal, geniuses served to dramatize the exception of extraordinary individuals not governed by ordinary laws. The phenomenon of genius drew scientific scrutiny and extensive public commentary into the 20th century, but it also drew religious and political longings that could be abused. In the genius cult of the Nazis and the outpouring of reverence for the redemptive figure of Einstein, genius achieved both its apotheosis and its Armageddon. The first comprehensive history of this elusive concept, Divine Fury follows the fortunes of genius and geniuses through the ages down to the present day, showing how—despite its many permutations and recent democratization—genius remains a potent force in our lives, reflecting modern needs, hopes, and fears.
Author: Lawrence Eliot Klein
Author: Lawrence E. Ed.; La Vopa Klein (Anthony J. Ed)
Author: Kevin L. Cope
Author: Kaspar von Greyerz
Author: Sarah Eron
Author: William Reger
Author: Roger Pearson
Author: Susan McClary
Author: Darrin McMahon
Author: Sharon Achinstein