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Author: United States. Congress. House
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 2402

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Author: United States. Congress
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 1430

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Author: Amadeo Bordiga
Publisher: BRILL
ISBN: 9004421653
Category : Political Science
Languages : en
Pages : 540

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Book Description
Amadeo Bordiga was one of the greatest figures of the Third Communist International. The Science and Passion of Communism presents his Soviet and internationalist battles in the revolutionary post-WWI period until that against Stalinism, and those in the post-WWII period against the triumphant U.S. capitalism and for an original, updated re-presentation of Marxist critique of political economy.

Author: James S. Ackerman
Publisher:
ISBN: 9780935617504
Category : Architectural drawing
Languages : en
Pages : 271

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Author: Amadeo Bordiga
Publisher: Independently Published
ISBN: 9781090488244
Category :
Languages : en
Pages : 144

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This text is the written report of a meeting on the topic that took place on August 29-30, 1953, in Trieste, and which appeared in issues 16-20 of Il programma comunista ("the communist programme"). At that time the destiny of the "Free Territory" was still uncertain, one of the many political and economic monstrosities of the post-war "settlement" in Europe and the world. The Trieste drama was a small event in the world picture, but nevertheless enormous for those who had to endure it. During the war, Istrian Italians had suffered ethnic cleansing at the hands of Tito's partisans, but this was kept out of mainstream information channels by the Italian Stalinists, who did not want "communism" to be associated with the persecution of ethnic Italians. These sordid contemporary events gave the International Communist Party the opportunity to present fundamental and classical Marxist theses, in a trenchant way, directly antithetical to the deformation operated on them by opportunism; deformations coming either from the Stalinist counter-revolution or from false left groups; all of them unable to appreciate factors such as those of race and nation which, although not belonging to the totality of direct objectives of the communist revolution, are historically present on the path that dialectically leads to it. In this quality, such factors draw the revolution closer and at the same time compete against it in an interplay that Marxism has never ignored; in given times and in definite historical contexts they have their say within the framework of the proletarian strategy of double revolutions. This powerful party text is within the great Marxist tradition of "The Origin of the Family, Private Property and the State" and of "Anti-Dühring", and possesses the same dialectical vigour and sharp sarcasm.

Author: Marcel Van Der Linden
Publisher: BRILL
ISBN: 9004158758
Category : Social Science
Languages : en
Pages : 393

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If the Soviet Union did not have a socialist society, then how should its nature be understood? The present book presents the first comprehensive appraisal of the debates on this problem, which was so central to twentieth-century Marxism.

Author: James S. Ackerman
Publisher: MIT Press
ISBN: 9780262011860
Category : Art
Languages : en
Pages : 356

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Twelve studies by eminent art historian James S. Ackerman. This collection contains studies written by art historian James Ackerman over the past decade. Whereas Ackerman's earlier work assumed a development of the arts as they responded to social, economic, political, and cultural change, his recent work reflects the poststructural critique of the presumption of progress that characterized Renaissance and modernist history and criticism. In this book he explores the tension between the authority of the past—which may act not only as a restraint but as a challenge and stimulus—and the potentially liberating gift of invention. He examines the ways in which artists and writers on art have related to ancestors and to established modes of representation, as well as to contemporary experiences. The "origins" studied here include the earliest art history and criticism; the beginnings of architectural drawing in the Middle Ages and Renaissance; Leonardo Da Vinci's sketches for churches, the first in the Renaissance to propose supporting domes on sculpted walls and piers; and the first architectural photographs. "Imitation" refers to artistic achievements that in part depended on the imitation of forms established in practices outside the fine arts, such as ancient Roman rhetoric and print media. "Conventions," like language, facilitate communication between the artist and viewer, but are both more universal (understood across cultures) and more fixed (resisting variation that might diminish their clarity). The three categories are closely linked throughout the book, as most acts of representation partake to some degree of all three.

Author: James S. Ackerman
Publisher: MIT Press
ISBN: 9780262510776
Category : Architecture
Languages : en
Pages : 598

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Book Description
These essays by one of America's foremost historians of art and architecture range over theory and criticism, the search for connections between art and science in the Renaissance, and specific works of Renaissance architecture. The largest group of essays, dealing with the character of Renaissance architecture, are models of art historical scholarship in their direct approach to identifying the essentials of a building and the social and intellectual context in which they should be viewed. Another group of essays explores encounters between the traditions of artistic practice and early optics and color theory. The three essays that begin this collection bring to light the intellectual and moral concerns that underlie all of Ackerman's art historical work.

Author: Francis Ames-Lewis
Publisher: Yale University Press
ISBN: 9780300092950
Category : Art
Languages : en
Pages : 340

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At the beginning of the fifteenth century, painters and sculptors were seldom regarded as more than artisans and craftsmen, but within little more than a hundred years they had risen to the status of "artist." This book explores how early Renaissance artists gained recognition for the intellectual foundations of their activities and achieved artistic autonomy from enlightened patrons. A leading authority on Renaissance art, Francis Ames-Lewis traces the ways in which the social and intellectual concerns of painters and sculptors brought about the acceptance of their work as a liberal art, alongside other arts like poetry. He charts the development of the idea of the artist as a creative genius with a distinct identity and individuality. Ames-Lewis examines the various ways that Renaissance artists like Mantegna, Leonardo da Vinci, Raphael, and Dürer, as well as many other less well known painters and sculptors, pressed for intellectual independence. By writing treatises, biographies, poetry, and other literary works, by seeking contacts with humanists and literary men, and by investigating the arts of the classical past, Renaissance artists honed their social graces and broadened their intellectual horizons. They also experienced a growing creative confidence and self-awareness that was expressed in novel self-portraits, works created solely to demonstrate pictorial skills, and monuments to commemorate themselves after death.

Author: Tony Cliff
Publisher: International Socialism
ISBN: 9781608465415
Category : Political Science
Languages : en
Pages : 0

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Book Description
These essays show why we need something more than single-issue organizations, movement coalitions, if we are to achieve real change.