Author: Denys Oppé
Publisher:
ISBN:
Category :
Languages : en
Pages : 12
Book Description
English Watercolours and Drawings of the 18th and 19th Centuries
British Watercolours
Author: Scott Wilcox
Publisher:
ISBN: 9780856138751
Category : Watercolor painting
Languages : en
Pages : 245
Book Description
Publisher:
ISBN: 9780856138751
Category : Watercolor painting
Languages : en
Pages : 245
Book Description
British Watercolors
Author: Scott Wilcox
Publisher:
ISBN: 9780685097953
Category :
Languages : en
Pages : 245
Book Description
Publisher:
ISBN: 9780685097953
Category :
Languages : en
Pages : 245
Book Description
British watercolors-drawings of the 18th and 19th centuries from the yale center for british art
English 18th & 19th Century Watercolours and Drawings (at The National Book League's Gallery).
Conversing with Nature
Author: B.F. Stevens & Brown (Fine Arts) Ltd. (Godalming)
Publisher:
ISBN:
Category :
Languages : en
Pages : 16
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 16
Book Description
Exhibition of 18th and 19th Century English Watercolours, [1947].
Author: Fine Art Society
Publisher:
ISBN:
Category : Watercolor painting, English
Languages : en
Pages : 16
Book Description
Publisher:
ISBN:
Category : Watercolor painting, English
Languages : en
Pages : 16
Book Description
Important 18th and 19th Century English Drawings and Watercolours...
The Great Age of British Watercolours, 1750-1880
Author: Andrew Wilton
Publisher: Prestel Publishing
ISBN: 9783791318790
Category : Watercolor painting
Languages : en
Pages : 0
Book Description
The revolution in watercolours of the later eighteenth century and its Victorian aftermath is acknowledged to be one of the greatest triumphs of British art. Its effect was to transform the modest tinted drawing of the topographer into a powerful and highly flexible means of expression for some of the Romantic era's greatest artists, among them Thomas Girtin, J.M.W. Turner and John Constable. The painters of the next generation were no less ambitious, and the range of subject-matter and technical inventiveness that was sustained for much of the Victorian period was to set a standard in watercolour painting that was without equal abroad. In this magnificently illustrated survey of the great age of British watercolours, Andrew Wilton and Anne Lyles trace the development of attitudes to landscape and to the human figure in the landscape from 1750 to 1880. They show how once the traditional pen and ink drawing and its augmented washes of colour had been abandoned in order to paint directly in watercolours without pen outlines, the way was open for the powerful Romantic landscapes of the following decade and beyond, many of which were painted in the wild mountainous regions of Wales and Scotland. During the nineteenth century, as the gilt-framed exhibition watercolour began to challenge the long-established oil painting in terms of size and in brilliance of colour and effect, the range of subject-matter was broadened to include scenes of country and town life from every part of Britain and, increasingly, from the Continent too. By mid-century the Near East was attracting many of the greatest Victorian watercolourists, including J. E. Lewis, David Roberts and Edward Lear. Other leadingVictorians who regularly worked in watercolour include the Pre-Raphaelite painters John Everett Millais and William Holman Hunt, and the American-born James McNeill Whistler, all of whom are included in this book.
Publisher: Prestel Publishing
ISBN: 9783791318790
Category : Watercolor painting
Languages : en
Pages : 0
Book Description
The revolution in watercolours of the later eighteenth century and its Victorian aftermath is acknowledged to be one of the greatest triumphs of British art. Its effect was to transform the modest tinted drawing of the topographer into a powerful and highly flexible means of expression for some of the Romantic era's greatest artists, among them Thomas Girtin, J.M.W. Turner and John Constable. The painters of the next generation were no less ambitious, and the range of subject-matter and technical inventiveness that was sustained for much of the Victorian period was to set a standard in watercolour painting that was without equal abroad. In this magnificently illustrated survey of the great age of British watercolours, Andrew Wilton and Anne Lyles trace the development of attitudes to landscape and to the human figure in the landscape from 1750 to 1880. They show how once the traditional pen and ink drawing and its augmented washes of colour had been abandoned in order to paint directly in watercolours without pen outlines, the way was open for the powerful Romantic landscapes of the following decade and beyond, many of which were painted in the wild mountainous regions of Wales and Scotland. During the nineteenth century, as the gilt-framed exhibition watercolour began to challenge the long-established oil painting in terms of size and in brilliance of colour and effect, the range of subject-matter was broadened to include scenes of country and town life from every part of Britain and, increasingly, from the Continent too. By mid-century the Near East was attracting many of the greatest Victorian watercolourists, including J. E. Lewis, David Roberts and Edward Lear. Other leadingVictorians who regularly worked in watercolour include the Pre-Raphaelite painters John Everett Millais and William Holman Hunt, and the American-born James McNeill Whistler, all of whom are included in this book.
English Watercolor Paintings of the 18th and 19th Centuries
Author: Baron, J. F
Publisher:
ISBN:
Category : Watercolour painting
Languages : en
Pages : 22
Book Description
Publisher:
ISBN:
Category : Watercolour painting
Languages : en
Pages : 22
Book Description