Author: HENRY R. PLOMERPublisher: BEYOND BOOKS HUB
ISBN:
Category : Fiction
Languages : en
Pages : 87
Book Description
ENGLISH PRINTERS ORNAMENTS
Author: HENRY R. PLOMERPublisher: BEYOND BOOKS HUB
ISBN:
Category : Fiction
Languages : en
Pages : 87
Book Description
English Printers' Ornaments
Author: Henry Robert PlomerPublisher:
ISBN:
Category : Art
Languages : en
Pages : 310
Book Description
A Dictionary of Colonial American Printers' Ornaments and Illustrations
Author: Elizabeth Carroll ReillyPublisher: Worcester : American Antiquarian Society
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 560
Book Description
Book Parts
Author: Dennis DuncanPublisher: Oxford University Press
ISBN: 019254053X
Category : Literary Criticism
Languages : en
Pages : 351
Book Description
What would an anatomy of the book look like? There is the main text, of course, the file that the author proudly submits to their publisher. But around this, hemming it in on the page or enclosing it at the front and back of the book, there are dozens of other texts — page numbers and running heads, copyright statements and errata lists — each possessed of particular conventions, each with their own lively histories. To consider these paratexts — recalling them from the margins, letting them take centre stage — is to be reminded that no book is the sole work of the author whose name appears on the cover; rather, every book is the sum of a series of collaborations. It is to be reminded, also, that not everything is intended for us, the readers. There are sections that are solely directed at others — binders, librarians, lawyers — parts of the book that, if they are working well, are working discreetly, like a theatrical prompt, whispering out of the audience's ear-shot Book Parts is a bold and imaginative intervention in the fast growing field of book history: it pulls the book apart. Over twenty-two chapters, Book Parts tells the story of the components of the book: from title pages to endleaves; from dust jackets to indexes — and just about everything in between. Book Parts covers a broad historical range that runs from the pre-print era to the digital, bringing together the expertise of some of the most exciting scholars working on book history today in order to shine a new light on these elements hiding in plain sight in the books we all read.
Blanks, Space, Print, and Void in English Renaissance Literature
Author: Jonathan SawdayPublisher: Oxford University Press
ISBN: 0192845640
Category : Literary Criticism
Languages : en
Pages : 593
Book Description
Blanks, Space, Print, and Void in English Renaissance Literature is an inquiry into the empty spaces encountered not just on the pages of printed books in c.1500-1700, but in Renaissance culture more generally. The book argues that print culture in the sixteenth and seventeenth centuries helped to foster the modern idea of the 'gap' (where words, texts, images, and ideas are constructed as missing, lost, withheld, fragmented, or perhaps never devised in the first place). It re-imagines how early modern people reacted not just to printed books and documents of many different kinds, but also how the very idea of emptiness or absence began to be fashioned in a way which still surrounds us. Jonathan Sawday leads the reader through the entire landscape of early modern print culture, discussing topics such as: space and silence; the exploration of the vacuum; the ways in which race and racial identity in early modern England were constructed by the language and technology of print; blackness and whiteness, together with lightness, darkness, and sightlessness; cartography and emptiness; the effect of typography on reading practices; the social spaces of the page; gendered surfaces; hierarchies of information; books of memory; pages constructed as waste or vacant; the genesis of blank forms and early modern bureaucracy; the political and devotional spaces of printed books; the impact of censorship; and the problem posed by texts which lack endings or conclusions. The book itself ends by dwelling on blank or empty pages as a sign of human mortality. Sawday pays close attention to the writings of many of the familiar figures in English Renaissance literary culture - Sidney, Shakespeare, Donne, Jonson, and Milton, for example - as well as introducing readers to a host of lesser-known figures. The book also discusses the work of numerous women writers from the period, including Aphra Behn, Ann Bradstreet, Margaret Cavendish, Lady Jane Gray, Lucy Hutchinson, Æmelia Lanyer, Isabella Whitney, and Lady Mary Wroth.
The Antiquities of Constantinople
Author: Pierre GillesPublisher:
ISBN:
Category : Antiquities
Languages : en
Pages : 422
Book Description
Courses of Study in Library Science
Author: Reginald Gordon WilliamsPublisher:
ISBN:
Category : Library science
Languages : en
Pages : 236
Book Description
The New Cambridge Bibliography of English Literature
Author: George WatsonPublisher: CUP Archive
ISBN:
Category : English literature
Languages : en
Pages : 1296
Book Description
The New Cambridge Bibliography of English Literature: Volume 1, 600-1660
Author: George WatsonPublisher: Cambridge University Press
ISBN: 9780521200042
Category : Language Arts & Disciplines
Languages : en
Pages : 1322
Book Description
More than fifty specialists have contributed to this new edition of volume 1 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
Author: