The Old China Book PDF Download

Author: N. Hudson Moore
Publisher: Wildside Press LLC
ISBN: 1434477274
Category : Antiques & Collectibles
Languages : en
Pages : 394

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Book Description
A history and study of old English china.

Author: Eliza Meteyard
Publisher:
ISBN:
Category : Potters
Languages : en
Pages : 556

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Book Description

Author: William Burton
Publisher:
ISBN:
Category : Staffordshire ware
Languages : en
Pages : 476

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Book Description

Author: Josiah Wedgwood
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Book Description
Description: In this interesting address to the workmen in the pottery/porcelain trade, the famous potter Josiah Wedgwood attempts to dissuade skilled potters from taking employment abroad. Competition amongst porcelain manufactories was rife at the time, and this text provides an interesting insight into that trend.

Author: Robin Hildyard
Publisher: Victoria & Albert Museum
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 246

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Book Description
"Based around the matchless collections of British ceramics in the Victoria and Albert Museum, which curators began to assemble as early as the 1840s, this book charts the story of their development from the simple slipware drinking-vessel of the seventeenth century to the sophisticated enamelled and transfer-printed tableware of the early 1800s. The narrative takes us through successive changes of taste and manners, as British potters assimilated and adapted new, and often disparate, influences from Europe and the Far East. Ceramics, ubiquitous, disposable and quintessentially domestic, tended to reflect social changes quicker than other branches of the applied arts; for example, new fashions in dining and the taking of tea were responsible for major aspects of design and decoration, while the rapid rise of the Staffordshire figure enabled it to become a vehicle for satire, religion, or the commemoration of wildly popular but ephemeral events such as boxing matches and visits from touring menageries." "Keeping carefully chosen pieces, illustrated, at the forefront of his discussion, Robin Hildyard treats the subject variously by material, form, decoration or by broader theme, sometimes cutting across traditional boundaries in order to look behind established myths and the often misleading evidence of what has survived. The methods and history of manufacture are fully explored, from the workshop of the independent village potter to the industrialized nineteenth-century factory struggling with the stormy beginnings of trade unionism. The complex trade in ceramics both at home and abroad, and the transition from utilitarian household object to cherished item in collector's cabinet is also examined, along with the symbiotic relationship between collector and museum. This volume, filling the gap in current ceramic literature between narrower scholarly studies and the opulent catalogues of private collections, presents an expert and yet highly accessible view of a particularly rich seam of British material culture, guiding us from familiar ground into wider and sometimes uncharted territory."--BOOK JACKET.

Author: William Burton
Publisher:
ISBN:
Category : Ceramics
Languages : en
Pages : 436

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Book Description

Author: N. Hudson Moore
Publisher:
ISBN:
Category : Porcelain
Languages : en
Pages : 480

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Book Description

Author: British Museum. Department of British and Mediaeval Antiquities and Ethnography
Publisher:
ISBN:
Category : Porcelain, English
Languages : en
Pages : 190

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Book Description
A guide to the pottery and porcelain collections and their locations in the British Museum; history of British pottery and porcelain manufacture.

Author: Tristram Hunt
Publisher: Metropolitan Books
ISBN: 1250128358
Category : Biography & Autobiography
Languages : en
Pages : 280

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Book Description
From one of Britain’s leading historians and the director of the Victoria & Albert Museum, a scintillating biography of Josiah Wedgwood, the celebrated eighteenth-century potter, entrepreneur, and abolitionist Wedgwood’s pottery, such as his celebrated light-blue jasperware, is famous worldwide. Jane Austen bought it and wrote of it in her novels; Empress Catherine II of Russia ordered hundreds of pieces for her palace; British diplomats hauled it with them on their first-ever mission to Peking, audaciously planning to impress China with their china. But the life of Josiah Wedgwood is far richer than just his accomplishments in ceramics. He was a leader of the Industrial Revolution, a pioneering businessman, a cultural tastemaker, and a tireless scientific experimenter whose inventions made him a fellow of the Royal Society. He was also an ardent abolitionist, whose Emancipation Badge medallion—depicting an enslaved African and inscribed “Am I Not a Man and a Brother?”—became the most popular symbol of the antislavery movement on both sides of the Atlantic. And he did it all in the face of chronic disability and relentless pain: a childhood bout with smallpox eventually led to the amputation of his right leg. As historian Tristram Hunt puts it in this lively, vivid biography, Wedgwood was the Steve Jobs of the eighteenth century: a difficult, brilliant, creative figure whose personal drive and extraordinary gifts changed the way we work and live. Drawing on a rich array of letters, journals, and historical documents, The Radical Potter brings us the story of a singular man, his dazzling contributions to design and innovation, and his remarkable global impact.

Author: Diana Edwards
Publisher: Antique Collectors Club Dist
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 254

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Book Description
English dry-bodied stoneware was the ultimate ceramic expression of the neoclassical wave which erupted in England and on the Continent in the mid-eighteenth century. Initially basalt commanded the scene, with its imposing black stoneware forms imitating Greek vases. However, it was Wedgwood's invention of the jasper body which was to be the tour de force associated with his name. Wedgwood's jasper vases, purchased by gentry and nobility alike, were soon imitated by a myriad of potters. This book is the first to explore the vast subject of English dry-bodied stoneware with discussions on the antecedents of the eighteenth century neoclassical wares, the red stonewares of the seventeenth century, as well as the other bodies produced by Wedgwood and his contemporaries: caneware, white felspathic stoneware and, of course, the flagship of the Wedgwood name, jasper. The authors have, for the first time, utilised Wedgwood's surviving sales records from 1774-1794 and these have made it possible to allow