Author: Robin Langley
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 78
Book Description
English organ music: From John Keeble to Samuel Wesley
English Organ Music
Author: Robin Langley
Publisher:
ISBN:
Category : Organ music
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Organ music
Languages : en
Pages :
Book Description
English Organ Music
English organ music: From Rococo to Romanticism: 1. Thomas Attwood to Thomas Attwood Walmisley ; v. 10. 2. Samuel Sebastian Wesley
English organ music: The concerto repertoire 1740-1815
English organ music: From John Stanley to John Keeble
English organ music
English organ music: The duet repertoire 1530-1830
The Letters of Samuel Wesley
Author: Samuel Wesley
Publisher: OUP Oxford
ISBN: 9780198164234
Category : Biography & Autobiography
Languages : en
Pages : 588
Book Description
Samuel Wesley (1766-1837) was the son of the hymn-writer Charles Wesley and the nephew of John Wesley, the founder of Methodism. He was one of the leading composers in late eighteenth- and early nineteenth-century England, and the finest organist of his day. He was also a misfit and a rebel, renowned for his outspoken views, his frequently wild behavior, and his irregular personal life. His music has become increasingly well known in recent years, and these letters to his friends and fellow musicians, over 400 of which are gathered together here for the first time, present both a witty, perceptive, and unparalleled portrait of Wesley the man, and an insiders view of life in the music profession in London in the early nineteenth-century.
Publisher: OUP Oxford
ISBN: 9780198164234
Category : Biography & Autobiography
Languages : en
Pages : 588
Book Description
Samuel Wesley (1766-1837) was the son of the hymn-writer Charles Wesley and the nephew of John Wesley, the founder of Methodism. He was one of the leading composers in late eighteenth- and early nineteenth-century England, and the finest organist of his day. He was also a misfit and a rebel, renowned for his outspoken views, his frequently wild behavior, and his irregular personal life. His music has become increasingly well known in recent years, and these letters to his friends and fellow musicians, over 400 of which are gathered together here for the first time, present both a witty, perceptive, and unparalleled portrait of Wesley the man, and an insiders view of life in the music profession in London in the early nineteenth-century.