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Pigments of English Medieval Wall Painting

Pigments of English Medieval Wall Painting PDF Author: Helen Howard
Publisher: Archetype Publications
ISBN:
Category : Art
Languages : en
Pages : 400

Book Description
In Pigments of English Medieval Wall Painting, the author demonstrates that the techniques of wall painting in medieval England were far more complex than had previously been supposed. This is the first systematic analysis of the pigments employed in medieval wall paintings in northern Europe, covering an extensive selection of schemes from a variety of sites including parish churches, cathedrals and abbeys (Canterbury, Westminster, Norwich, Winchester, St Albans, Sherborne and Durham). The nature and extent of the palette used is revealed as well as the sophistication with which pigments were applied to achieve differing effects. Thirty pigments are detected including four previously unknown in the context of English medieval wall paintings - vivianite, salt green, kermes lake and madder lake. Also discovered are three alterations of pigments: the lightening of red lead; alteration of vivianite to a yellow form and the transformation of verdigris to a blue chloride-based alteration product. The use of different binding media employed for particular pigments in a single paint layer demonstrates the complex manner in which paintings were executed.The findings, discussed in the context of wall painting, sculptural polychromy and panel painting techniques in medieval northern Europe, show the broad chronological development in the choice, fabrication and application of materials linked to changes in artistic intent, technology and workshop practice. Beautifully illustrated with more than 200 colour plates, Pigments of English Medieval Wall Painting has significant implications for the conservation methods of such paintings and is an important source of information for all those interested in pigments and paintings.

Pigments of English Medieval Wall Painting

Pigments of English Medieval Wall Painting PDF Author: Helen Howard
Publisher: Archetype Publications
ISBN:
Category : Art
Languages : en
Pages : 400

Book Description
In Pigments of English Medieval Wall Painting, the author demonstrates that the techniques of wall painting in medieval England were far more complex than had previously been supposed. This is the first systematic analysis of the pigments employed in medieval wall paintings in northern Europe, covering an extensive selection of schemes from a variety of sites including parish churches, cathedrals and abbeys (Canterbury, Westminster, Norwich, Winchester, St Albans, Sherborne and Durham). The nature and extent of the palette used is revealed as well as the sophistication with which pigments were applied to achieve differing effects. Thirty pigments are detected including four previously unknown in the context of English medieval wall paintings - vivianite, salt green, kermes lake and madder lake. Also discovered are three alterations of pigments: the lightening of red lead; alteration of vivianite to a yellow form and the transformation of verdigris to a blue chloride-based alteration product. The use of different binding media employed for particular pigments in a single paint layer demonstrates the complex manner in which paintings were executed.The findings, discussed in the context of wall painting, sculptural polychromy and panel painting techniques in medieval northern Europe, show the broad chronological development in the choice, fabrication and application of materials linked to changes in artistic intent, technology and workshop practice. Beautifully illustrated with more than 200 colour plates, Pigments of English Medieval Wall Painting has significant implications for the conservation methods of such paintings and is an important source of information for all those interested in pigments and paintings.

Medieval Wall Paintings

Medieval Wall Paintings PDF Author: Roger Rosewell
Publisher: Bloomsbury Publishing
ISBN: 0747814562
Category : Art
Languages : en
Pages : 179

Book Description
The medieval wall paintings that remain in English churches are for the most part shadows of their former selves – the rare fragments of this beautiful art to have survived not only the Reformation but also successive waves of iconoclastic zeal and unsympathetic restoration. The whitewashed walls of most parish churches belie the riot of colour and decoration that once adorned them, but the remnants of paintings tucked into corners or rescued from later layers of paint help us to understand the role of art in medieval religion. Roger Rosewell here offers a guide to the role played by medieval wall paintings, as religious, didactic and commemorative works of art, telling the stories of those who created them and those who used them on a daily basis. He also compares and contrasts religious and domestic wall paintings, using beautiful colour photography throughout.

Medieval Wall Paintings in English & Welsh Churches

Medieval Wall Paintings in English & Welsh Churches PDF Author: Roger Rosewell
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 414

Book Description
Surveying the images and iconography that made the medieval church a riot of colour, this book brings together many of the best surviving examples of medieval church wall paintings. It uses new technologies to allow us to visualise these works as the artists first intended. Rosewell's text accompanies the images.

Art and Political Thought in Medieval England, C. 1150-1350

Art and Political Thought in Medieval England, C. 1150-1350 PDF Author: Laura Slater
Publisher: Boydell & Brewer
ISBN: 178327333X
Category : Art
Languages : en
Pages : 320

Book Description
An exploration of how power and political society were imagined, represented and reflected on in medieval English art

Medieval Painting in Northern Europe

Medieval Painting in Northern Europe PDF Author: Unn Plahter
Publisher: Archetype Publications
ISBN:
Category : Art
Languages : en
Pages : 312

Book Description
This text of analytical and art historical research on medieval painting and polychromy is published to commemorate the 70th birthday of Unn Plahter.

English Medieval Wall Painting

English Medieval Wall Painting PDF Author: Ernest William Tristram
Publisher:
ISBN:
Category : Decoration and ornament
Languages : en
Pages :

Book Description


English Medieval Knight 1300–1400

English Medieval Knight 1300–1400 PDF Author: Christopher Gravett
Publisher: Osprey Publishing
ISBN: 9781841761459
Category : History
Languages : en
Pages : 0

Book Description
The 14th-century knight lived in a century of change, in terms of both recruitment methods and the appearance of fighting men. This book describes all aspects of the knight's life, including his training in the castle yard and the hard knocks of tournaments. The knight's daily routine on campaign is explored along with the role of mercenary knights, the motivation of knights in the field and the influence of chivalry. The book is beautifully illustrated with eight colour plates by Graham Turner covering all aspects of knighthood in this period and also includes photographs of rare surviving contemporary pieces of armour.

English Medieval Painting

English Medieval Painting PDF Author: Tancred Borenius
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 288

Book Description


Pen and Parchment

Pen and Parchment PDF Author: Melanie Holcomb
Publisher: Metropolitan Museum of Art
ISBN: 1588393186
Category : Drawing, Medieval
Languages : en
Pages : 204

Book Description
Discusses the techniques, uses, and aesthetics of medieval drawings; and reproduces work from more than fifty manuscripts produced between the ninth and early fourteenth century.

English Medieval Shrines

English Medieval Shrines PDF Author: John Crook
Publisher: Boydell & Brewer Ltd
ISBN: 1843836823
Category : Architecture
Languages : en
Pages : 370

Book Description
The cult of saints is one of the most fascinating manifestations of medieval piety. It was intensely physical; saints were believed to be present in the bodily remains that they had left on earth. Medieval shrines were created in order to protect these relics and yet to show off their spiritual worth, at the same time allowing pilgrims limited access to them. English Medieval Shrines traces the development of such structures, from the earliest cult activities at saintly tombs in the late Roman empire, through Merovingian Gaul and the Carolingian Empire, via Anglo-Saxon England, to the great shrines of the fourteenth and fifteenth centuries. The greater part of the book is a definitive exploration, on a basis that is at once thematic and chronological, of the major saints cults of medieval England, from the Norman Conquest to the Reformation. These include the famous cults of St Cuthbert, St Swithun, and St Thomas Becket - and lesser known figures such as St Eanswyth of Folkestone or St Ecgwine of Evesham. John Crook, an independent architectural historian, archaeological consultant, and photographer, is the foremost authority on English shrines. He has published numerous books and papers on the cult of saints.