English Congregational Hymns in the Eighteenth Century PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download English Congregational Hymns in the Eighteenth Century PDF full book. Access full book title English Congregational Hymns in the Eighteenth Century by Madeleine Forrell Marshall. Download full books in PDF and EPUB format.
Author: Madeleine Forrell Marshall Publisher: University Press of Kentucky ISBN: 0813194253 Category : Music Languages : en Pages : 239
Book Description
Historians of the English congregational hymn, focusing on its literary or theological aspects, have usually found the genre out of step with the rationalist era that produced it. This book takes a more balanced approach to the work of four writers and concludes that only eighteenth-century Britain, with its understanding of public verse, common truth, and the utility of poetry, could have invented the English hymn as we know it. The early hymns sought to inspire, teach, stir, and entertain congregations. The essential purpose shifted slightly in line with each poet's setting and in accord with the poetic thought of his day. For Isaac Watts's Independents, powerful traditional imagery was appropriate. Charles Wesley's enthusiasm proceeded from and served the spirit of the revival. John Newton's prophetic vision particularly suited the impoverished community at Olney. William Cowper's masterful handling of formal conventions and his idiosyncratic personal hymns reflect his poetic, rather than clerical, vocation. Despite such temporal variations, the great poetry by each man displays themes of general Christian relevance, suggesting common experience, showing normative features of the genre, and bearing a complex and intriguing relationship to secular literature.
Author: Madeleine Forrell Marshall Publisher: University Press of Kentucky ISBN: 0813194253 Category : Music Languages : en Pages : 239
Book Description
Historians of the English congregational hymn, focusing on its literary or theological aspects, have usually found the genre out of step with the rationalist era that produced it. This book takes a more balanced approach to the work of four writers and concludes that only eighteenth-century Britain, with its understanding of public verse, common truth, and the utility of poetry, could have invented the English hymn as we know it. The early hymns sought to inspire, teach, stir, and entertain congregations. The essential purpose shifted slightly in line with each poet's setting and in accord with the poetic thought of his day. For Isaac Watts's Independents, powerful traditional imagery was appropriate. Charles Wesley's enthusiasm proceeded from and served the spirit of the revival. John Newton's prophetic vision particularly suited the impoverished community at Olney. William Cowper's masterful handling of formal conventions and his idiosyncratic personal hymns reflect his poetic, rather than clerical, vocation. Despite such temporal variations, the great poetry by each man displays themes of general Christian relevance, suggesting common experience, showing normative features of the genre, and bearing a complex and intriguing relationship to secular literature.
Author: Joseph V. Carmichael Publisher: Wipf and Stock Publishers ISBN: 1725270854 Category : Religion Languages : en Pages : 290
Book Description
Anne Steele (1717-1778) originally wrote her hymns to be sung in the Baptist congregation pastored by her father. The foremost female contemporary of hymn-writing giants Charles Wesley, John Newton, and William Cowper, her hymns are infused with spiritual sensitivity, theological depth, and raw emotion. She eventually published her hymns under the pseudonym, Theodosia, which means "God's Gift." She believed God had given her a gift to share. Steele's work was warmly received in her own day. Pastor and publishing pioneer of the modern English hymnal, John Rippon, included more than fifty of her hymns in the various topical sections of his wildly successful Selection of Hymns. Rippon's hymnal was popular on both sides of the Atlantic, but was especially influential during the nineteenth-century revival and renewal of English Particular Baptists. This book introduces Steele's hymns in the context of her life and times and of Rippon's hymnal. It illustrates that Steele's approach to hymn-writing is a model of biblical spirituality. Each hymn as printed in Rippon's hymnal, and thus sung by congregations and used as devotional literature, is considered. The sung theology of these congregations is a gift to the church universal and worth rediscovering in the twenty-first century.
Author: Richard Arnold Publisher: Peter Lang ISBN: 9780820469423 Category : Literary Criticism Languages : en Pages : 292
Book Description
English Hymns of the Nineteenth Century brings together for the first time the most popular and widely used English hymns from that period, continuing the work of its foregoing volume, English Hymns of the Eighteenth Century, the genre's formative period. This annotated and edited collection of nearly 200 hymns (with author introductions and a general historical introduction) will be of inestimable value to scholars, students, and laypersons from several disciplines and interests: from hymnology to church and social history and theology, from political science to literature to popular culture. Hymns were the most widely read and memorized verbal structures from the eighteenth and nineteenth centuries - and in the nineteenth century the hymn became not only the property of dissenters, but also of representatives from the Church of England and the Roman Catholic Church. This anthology, therefore, provides unique and highly significant insights into the culture, beliefs, and habits of thought of a people and their spiritual leaders.
Author: Paula R. Backscheider Publisher: JHU Press ISBN: 1421446731 Category : Literary Criticism Languages : en Pages : 957
Book Description
This anthology gathers 368 poems by 80 British women poets of the long eighteenth century. Few of these poems have been reprinted since originally published, and all are crucial to understanding fully the literary history of women writers. Paula R. Backscheider and Catherine E. Ingrassia demonstrate the enormous diversity of poetry produced during this time by organizing the poems in three broad and deliberately overlapping categories: by genre, establishing that women wrote in all of the forms that men did with equal mastery and creativity; by theme, offering a revisionary look at the range of topics these writers addressed, including war, ecology, friendship, religion, and the stages of life; and by the poems’ more specific focus on the women’s experiences as writers. Backscheider and Ingrassia have selected poems that represent the best work of skilled poets, creating a wonderful mix of canonical and little-known pieces. They include the complete texts of longer poems that are abridged or omitted in other collections. Their substantial part introductions, textual notes, bibliographical information, and biographical sketches situate the poets and their writings within the cultural and political milieu in which they appeared. To generate further scholarship on this subject, this essential anthology puts primary texts in front of students, scholars, and general readers. It fills the persistent need to document women’s poetic expression during the long eighteenth century and to rewrite the literary history of the period, a history from which women have largely been excluded.
Author: Paula R. Backscheider Publisher: JHU Press ISBN: 9780801881695 Category : Biography & Autobiography Languages : en Pages : 556
Book Description
Co-Winner, James Russell Lowell Prize, Modern Language Association This major study offers a broad view of the writing and careers of eighteenth-century women poets, casting new light on the ways in which poetry was read and enjoyed, on changing poetic tastes in British culture, and on the development of many major poetic genres and traditions. Rather than presenting a chronological survey, Paula R. Backscheider explores the forms in which women wrote and the uses to which they put those forms. Considering more than forty women in relation to canonical male writers of the same era, she concludes that women wrote in all of the genres that men did but often adapted, revised, and even created new poetic kinds from traditional forms. Backscheider demonstrates that knowledge of these women's poetry is necessary for an accurate and nuanced literary history. Within chapters on important canonical and popular verse forms, she gives particular attention to such topics as women's use of religious poetry to express candid ideas about patriarchy and rape; the continuing evolution and important role of the supposedly antiquarian genre of the friendship poetry; same-sex desire in elegy by women as well as by men; and the status of Charlotte Smith as a key figure of the long eighteenth century, not only as a Romantic-era poet.
Author: J. R. Watson Publisher: OUP Oxford ISBN: 0191520489 Category : Music Languages : en Pages : 564
Book Description
D.H. Lawrence, writing of the poems that had meant most to him, said that they were `still not woven so deep in me as the rather banal Nonconformist hymns that penetrated through and through my childhood'. It is not easy to account for this, and most writing about hymns has not helped because it has concentrated on their content and function in worship and liturgy. In the present book the author tries to account for feelings like Lawrence's by examining the hymn form and its progress through the centuries from the Reformation to the present day. He begins by discussing the status of a hymn text and relates it to the demands made upon it by the needs of singing. A chronological study then traces the development of the English hymn, from the metrical psalms of the Reformation, through the seventeenth century and Isaac Watts to the Wesleys, Cowper, Toplady, and others, and then to the great flood of hymn writing that occurred during the Victorian period, together with the great success of Hymns Ancient and Modern. There are chapters on American hymnody and women's hymn writing, and sections on gospel hymns and the translation of German hymnody. A final chapter takes the story into the twentieth century, with a brief postscript on the revival of hymn writing since 1960.
Author: Charles D. Cashdollar Publisher: Penn State Press ISBN: 9780271043555 Category : Religion Languages : en Pages : 356
Book Description
A Spiritual Home explores congregational life inside British and American Reformed churches between 1830 and 1915. At a time when scholars have become interested in the day-to-day experience of local congregations, this book reaches back into the nineteenth century, a critically formative period in Anglo-American religious life, to examine the historical roots of congregational life.Taking the perspective of the laity, Cashdollar ranges widely from worship and music to fund-raising and administration, from pastoral care to social work, from prayer meetings to strawberry festivals, from the sanctuary to the kitchen. Firmly rooted in broader currents of gender, class, notions of middle-class respectability, increasing expectations for personal privacy, and patterns of professionalization, he finds that there was a gradual shift in emphasis during these years from piety to fellowship. Based on records, publications, and memorabilia from about 150 congregations representing eight denominations, A Spiritual Home gives us a comprehensive, composite portrait of religious life in Victorian Britain and America.
Author: Matthew Hoch Publisher: Church Publishing, Inc. ISBN: 0819229431 Category : Religion Languages : en Pages : 169
Book Description
Introduces and explains church music and congregational singing for beginners. Music is an essential element in Anglican worship; in fact, The Hymnal 1982 is used in virtually every Episcopal service of worship that involves singing. While most parishioners participate in music making at some level (such as singing hymns or common responses), fewer people might understand the specific genres that comprise the music of an Episcopal worship service or the liturgical meaning behind each selection. This book provides a more in-depth understanding of this rich and complex tradition, discussing the history and evolution of music within the Episcopal Church, including its Anglican roots. This book is designed to help clarify—and simplify—the importance of hymn singing and service music in Episcopal worship, as well as explain the history, structure, and content of The Hymnal 1982.making at some level (such as singing hymns or common responses), fewer people might understand the specific genres that comprise the music of an Episcopal worship service or the liturgical meaning behind each selection. This book provides a more in-depth understanding of this rich and complex tradition, discussing the history and evolution of music within the Episcopal Church, including its Anglican roots.
Author: Madeleine Forrell Marshall
Author: Madeleine Forrell Marshall
Author: Joseph V. Carmichael
Author: Peter Thorpe
Author: Richard Arnold
Author: Paula R. Backscheider
Author: Paula R. Backscheider
Author: 
Author: J. R. Watson
Author: Charles D. Cashdollar
Author: Matthew Hoch