Author: B. S. Capp
Publisher: Oxford University Press on Demand
ISBN: 0199641781
Category : History
Languages : en
Pages : 289
Book Description
Explores what happened once the monarchy had been swept away after the civil war and puritans found themselves in power. Examines campaigns to regulate sexual behaviour, reform language, and suppress Christmas traditions, disorderly sports, and popular music. Shows how reformers, despite meeting defiance and evasion, could have a major impact.
England's Culture Wars
Culture Wars in British Literature
Author: Tracy J. Prince
Publisher: McFarland
ISBN: 0786462949
Category : Literary Criticism
Languages : en
Pages : 233
Book Description
The past century's culture wars that Britain has been consumed by, but that few North Americans seem aware of, have resulted in revised notions of Britishness and British literature. Yet literary anthologies remain anchored to an archaic Anglo-English interpretation of British literature. Conflicts have been played out over specific national vs. British identity (some residents prefer to describe themselves as being from Scotland, England, Wales, or Northern Ireland instead of Britain), in debates over immigration, race, ethnicity, class, and gender, and in arguments over British literature. These debates are strikingly detailed in such chapters as: "The Difficulty Defining 'Black British'," "British Jewish Writers" and "Xenophobia and the Booker Prize." Connections are also drawn between civil rights movements in the U.S. and UK. This generalist cultural study is a lively read and a fascinating glimpse into Britain's changing identity as reflected in 20th and 21st century British literature.
Publisher: McFarland
ISBN: 0786462949
Category : Literary Criticism
Languages : en
Pages : 233
Book Description
The past century's culture wars that Britain has been consumed by, but that few North Americans seem aware of, have resulted in revised notions of Britishness and British literature. Yet literary anthologies remain anchored to an archaic Anglo-English interpretation of British literature. Conflicts have been played out over specific national vs. British identity (some residents prefer to describe themselves as being from Scotland, England, Wales, or Northern Ireland instead of Britain), in debates over immigration, race, ethnicity, class, and gender, and in arguments over British literature. These debates are strikingly detailed in such chapters as: "The Difficulty Defining 'Black British'," "British Jewish Writers" and "Xenophobia and the Booker Prize." Connections are also drawn between civil rights movements in the U.S. and UK. This generalist cultural study is a lively read and a fascinating glimpse into Britain's changing identity as reflected in 20th and 21st century British literature.
England's Culture Wars
Author: Bernard Capp
Publisher: Oxford University Press
ISBN: 019163235X
Category : History
Languages : en
Pages :
Book Description
Following the execution of the king in 1649, the new Commonwealth and then Oliver Cromwell set out to drive forward a puritan reformation of manners. They wanted to reform the church and its services, enforce the Sabbath, suppress Christmas, and spread the gospel. They sought to impose a stern moral discipline to regulate and reform sexual behaviour, drinking practices, language, dress, and leisure activities ranging from music and plays to football. England's Culture Wars explores how far this agenda could be enforced, especially in urban communities which offered the greatest potential to build a godly civic commonwealth. How far were local magistrates and ministers willing to cooperate, and what coercive powers did the regime possess to silence or remove dissidents? How far did the reformers themselves wish to go, and how did they reconcile godly reformation with the demands of decency and civility? Music and dancing lived on, in genteel contexts, early opera replaced the plays now forbidden, and puritans themselves were often fond of hunting and hawking. Bernard Capp explores the propaganda wars waged in press and pulpit, how energetically reformation was pursued, and how much or little was achieved. Many recent historians have dismissed interregnum reformation as a failure. He demonstrates that while the reforming drive varied enormously from place to place, its impact could be powerful. The book is therefore structured in three parts: setting out the reform agenda and challenges, surveying general issues and patterns, and finally offering a number of representative case-studies. It draws on a wide range of sources, including local and central government records, judicial records, pamphlets, sermons, newspapers, diaries, letters, and memoirs; and demonstrates how court records by themselves give us only a very limited picture of what was happening on the ground.
Publisher: Oxford University Press
ISBN: 019163235X
Category : History
Languages : en
Pages :
Book Description
Following the execution of the king in 1649, the new Commonwealth and then Oliver Cromwell set out to drive forward a puritan reformation of manners. They wanted to reform the church and its services, enforce the Sabbath, suppress Christmas, and spread the gospel. They sought to impose a stern moral discipline to regulate and reform sexual behaviour, drinking practices, language, dress, and leisure activities ranging from music and plays to football. England's Culture Wars explores how far this agenda could be enforced, especially in urban communities which offered the greatest potential to build a godly civic commonwealth. How far were local magistrates and ministers willing to cooperate, and what coercive powers did the regime possess to silence or remove dissidents? How far did the reformers themselves wish to go, and how did they reconcile godly reformation with the demands of decency and civility? Music and dancing lived on, in genteel contexts, early opera replaced the plays now forbidden, and puritans themselves were often fond of hunting and hawking. Bernard Capp explores the propaganda wars waged in press and pulpit, how energetically reformation was pursued, and how much or little was achieved. Many recent historians have dismissed interregnum reformation as a failure. He demonstrates that while the reforming drive varied enormously from place to place, its impact could be powerful. The book is therefore structured in three parts: setting out the reform agenda and challenges, surveying general issues and patterns, and finally offering a number of representative case-studies. It draws on a wide range of sources, including local and central government records, judicial records, pamphlets, sermons, newspapers, diaries, letters, and memoirs; and demonstrates how court records by themselves give us only a very limited picture of what was happening on the ground.
British Cultural Memory and the Second World War
Author: Lucy Noakes
Publisher: A&C Black
ISBN: 1441104976
Category : History
Languages : en
Pages : 241
Book Description
Few historical events have resonated as much in modern British culture as the Second World War. It has left a rich legacy in a range of media that continue to attract a wide audience: film, TV and radio, photography and the visual arts, journalism and propaganda, architecture, museums, music and literature. The enduring presence of the war in the public world is echoed in its ongoing centrality in many personal and family memories, with stories of the Second World War being recounted through the generations. This collection brings together recent historical work on the cultural memory of the war, examining its presence in family stories, in popular and material culture and in acts of commemoration in Britain between 1945 and the present.
Publisher: A&C Black
ISBN: 1441104976
Category : History
Languages : en
Pages : 241
Book Description
Few historical events have resonated as much in modern British culture as the Second World War. It has left a rich legacy in a range of media that continue to attract a wide audience: film, TV and radio, photography and the visual arts, journalism and propaganda, architecture, museums, music and literature. The enduring presence of the war in the public world is echoed in its ongoing centrality in many personal and family memories, with stories of the Second World War being recounted through the generations. This collection brings together recent historical work on the cultural memory of the war, examining its presence in family stories, in popular and material culture and in acts of commemoration in Britain between 1945 and the present.
British Popular Culture and the First World War
Author: Jessica Meyer
Publisher: BRILL
ISBN: 9047433386
Category : History
Languages : en
Pages : 399
Book Description
Much of the scholarship examining British culture of the First World War focusses on the 'high' culture of a limited number of novels, memoirs, plays and works of art, and the cultural reaction to them. This collection, by focussing on the cultural forms produced by and for a much wider range of social groups, including veterans, women, museum visitors and film goers, greatly expands the debate over how the war was represented by participants and the meanings ascribed to it in cultural production. Showcasing the work of both established academics and emerging scholars of the field, this book covers aspects of British popular culture from the material cultures of food and clothing to the representational cultures of literature and film. The result is an engaging and invigorating re-examination of the First World War and its place in British culture. Contributors are: Keith Grieves, Rachel Duffett, Jane Tynan, Krisztina Robert, Lucy Noakes, Stella Moss, Carol Acton, Douglas Higbee, John Pegum, Eugene Michail, Victoria Stewart, Virginie Renard, Claudia Sternberg, Richard Espley and Stephen Badsey. Erratum Introduction, Jessica Meyer, page 11 in the first sentence of the second paragraph, for 'talke' read 'talk.'
Publisher: BRILL
ISBN: 9047433386
Category : History
Languages : en
Pages : 399
Book Description
Much of the scholarship examining British culture of the First World War focusses on the 'high' culture of a limited number of novels, memoirs, plays and works of art, and the cultural reaction to them. This collection, by focussing on the cultural forms produced by and for a much wider range of social groups, including veterans, women, museum visitors and film goers, greatly expands the debate over how the war was represented by participants and the meanings ascribed to it in cultural production. Showcasing the work of both established academics and emerging scholars of the field, this book covers aspects of British popular culture from the material cultures of food and clothing to the representational cultures of literature and film. The result is an engaging and invigorating re-examination of the First World War and its place in British culture. Contributors are: Keith Grieves, Rachel Duffett, Jane Tynan, Krisztina Robert, Lucy Noakes, Stella Moss, Carol Acton, Douglas Higbee, John Pegum, Eugene Michail, Victoria Stewart, Virginie Renard, Claudia Sternberg, Richard Espley and Stephen Badsey. Erratum Introduction, Jessica Meyer, page 11 in the first sentence of the second paragraph, for 'talke' read 'talk.'
Cultural Revolution, Culture War
Author: Sean Gabb
Publisher: Createspace Independent Publishing Platform
ISBN: 9781985214965
Category :
Languages : en
Pages : 100
Book Description
"Today's England is a moral-social basket case, full of violent crime, outrageous state-enforcement of political correctness, and protected Muslim extremists" Published in 2007, and hailed by conservatives, libertarians, nationalists and anarchists, Cultural Revolution, Culture War is the book that introduced the concepts of Cultural Marxism and Frankfurt School subversion to the English Right. Single-handedly and within a few weeks, it transformed the language of analysis and action on the British political right. Gabb's central thesis is that the British ruling class has, since 1997, turned itself into a totalitarian conspiracy, at war both with liberty and with tradition. It fights this war through the traditional means of state power and state propaganda, but also through its achievement of cultural hegemony. Controlling a single plot line of Eastenders is more important than a thousand editorials in The Guardian. The only response for non-leftists is to seize control of the State and to shut most of it down. The present ruling class all sucks from the nipple of the State. Stop the flow of milk, and the ruling class will collapse. Once this is done, Gabb sets out a challenging agenda of libertarian minimal statism - for all the usual libertarian reasons, but also because that is the only option at present for conservatives and the various kinds of nationalist. Now seen as a classic, this book is key to any understanding of rightist discourse in modern England. It is a must-read for activists of all persuasions, for political scientists, and for anyone who wants to understand the world in order to change it. From the Reviews: "Sean Gabb's case is that England has been taken over by a new ruling class, one that it totalitarian in its ambitions, in that it seeks to direct our thinking in every aspect of our culture. Not content with political power - indeed, its influence is more powerful and pervasive than that of government, it wants to mould our behaviour and even our thought to its own norms." (Madsen Pirie) "What comes to mind, as I read Sean's jeremiad is how silly American movement conservatives are when they glorify the "Anglosphere" and celebrate "our two countries" as paradigmatic "capitalist democracies." Today's England is a moral-social basket case, full of violent crime, outrageous state-enforcement of political correctness, and protected Muslim extremists." (Paul Gottfried) "But the remarkable fact is not our disagreement on cultural matters, but that I concur with so much of his analysis of the effect of "political correctness" and multiculturalism as ruling class ideologies. Like Gabb, I see official multiculturalism in the hands of the New Class and its state agencies as an instrument of division and control, serving a ruling class that prefers a population without the cohesion to resist." (Kevin Carson) "His new book is not the run-of-the-mill attack on political correctness that many writers indulge in; he does not merely recycle tabloid headlines, but goes deep into the heart of the political revolution known as "political correctness" that is destroying our country. He then outlines his manifesto for counter-revolution, the cornerstone of which is unilateral withdrawal from the European Union. The ground is covered in 105 pages with not a word wasted and in a style that is extremely readable as well as enlightening, a rare quality in an academic. His words hit the target as effectively as an English bowman on St Crispin's Day. Be warned, Dr Gabb pulls no punches and to many his medicine will seem extreme." (A Brief Encounter)
Publisher: Createspace Independent Publishing Platform
ISBN: 9781985214965
Category :
Languages : en
Pages : 100
Book Description
"Today's England is a moral-social basket case, full of violent crime, outrageous state-enforcement of political correctness, and protected Muslim extremists" Published in 2007, and hailed by conservatives, libertarians, nationalists and anarchists, Cultural Revolution, Culture War is the book that introduced the concepts of Cultural Marxism and Frankfurt School subversion to the English Right. Single-handedly and within a few weeks, it transformed the language of analysis and action on the British political right. Gabb's central thesis is that the British ruling class has, since 1997, turned itself into a totalitarian conspiracy, at war both with liberty and with tradition. It fights this war through the traditional means of state power and state propaganda, but also through its achievement of cultural hegemony. Controlling a single plot line of Eastenders is more important than a thousand editorials in The Guardian. The only response for non-leftists is to seize control of the State and to shut most of it down. The present ruling class all sucks from the nipple of the State. Stop the flow of milk, and the ruling class will collapse. Once this is done, Gabb sets out a challenging agenda of libertarian minimal statism - for all the usual libertarian reasons, but also because that is the only option at present for conservatives and the various kinds of nationalist. Now seen as a classic, this book is key to any understanding of rightist discourse in modern England. It is a must-read for activists of all persuasions, for political scientists, and for anyone who wants to understand the world in order to change it. From the Reviews: "Sean Gabb's case is that England has been taken over by a new ruling class, one that it totalitarian in its ambitions, in that it seeks to direct our thinking in every aspect of our culture. Not content with political power - indeed, its influence is more powerful and pervasive than that of government, it wants to mould our behaviour and even our thought to its own norms." (Madsen Pirie) "What comes to mind, as I read Sean's jeremiad is how silly American movement conservatives are when they glorify the "Anglosphere" and celebrate "our two countries" as paradigmatic "capitalist democracies." Today's England is a moral-social basket case, full of violent crime, outrageous state-enforcement of political correctness, and protected Muslim extremists." (Paul Gottfried) "But the remarkable fact is not our disagreement on cultural matters, but that I concur with so much of his analysis of the effect of "political correctness" and multiculturalism as ruling class ideologies. Like Gabb, I see official multiculturalism in the hands of the New Class and its state agencies as an instrument of division and control, serving a ruling class that prefers a population without the cohesion to resist." (Kevin Carson) "His new book is not the run-of-the-mill attack on political correctness that many writers indulge in; he does not merely recycle tabloid headlines, but goes deep into the heart of the political revolution known as "political correctness" that is destroying our country. He then outlines his manifesto for counter-revolution, the cornerstone of which is unilateral withdrawal from the European Union. The ground is covered in 105 pages with not a word wasted and in a style that is extremely readable as well as enlightening, a rare quality in an academic. His words hit the target as effectively as an English bowman on St Crispin's Day. Be warned, Dr Gabb pulls no punches and to many his medicine will seem extreme." (A Brief Encounter)
Cynicism in British Post-War Culture
Author: K. Curran
Publisher: Springer
ISBN: 1137444355
Category : Social Science
Languages : en
Pages : 304
Book Description
This book is the first academic text to examine cynicism as a driving force in the context of post-war British culture. It maps a sensibility that transcends divisions between high and low culture, and encompasses figures such as Philip Larkin, John Lennon and Stephen Patrick Morrissey.
Publisher: Springer
ISBN: 1137444355
Category : Social Science
Languages : en
Pages : 304
Book Description
This book is the first academic text to examine cynicism as a driving force in the context of post-war British culture. It maps a sensibility that transcends divisions between high and low culture, and encompasses figures such as Philip Larkin, John Lennon and Stephen Patrick Morrissey.
British Culture and the First World War
Author: George Robb
Publisher: Bloomsbury Publishing
ISBN: 113730751X
Category : History
Languages : en
Pages : 296
Book Description
The First World War has left its imprint on British society and the popular imagination to an extent almost unparalleled in modern history. Its legacy of mass death, mechanized slaughter, propaganda, and disillusionment swept away long-standing romanticized images of warfare, and continues to haunt the modern consciousness. Focusing on the lives of ordinary Britons, George Robb's engaging new study seeks to comprehend what it meant for an entire society to undergo the tremendous shocks and demands of total war; how it attempted to make sense of the conflict, explain it to others, and deal with the war's legacies. British Culture and the First World War - examines the war's impact on ideologies of race, class and gender, the government's efforts to manage news and to promote patriotism, the role of the arts and sciences, and the commemoration of the war in the decades since - Synthesizes much of the best and most recent scholarship on the social and cultural history of the war. - Reclaims a great deal of neglected or forgotten popular cultural sources such as films, cartoons, juvenile literature and pulp fiction. Compact but comprehensive, this accessible and refreshing text is essential reading for anyone interested in British society and culture during the turbulent years of the First World War.
Publisher: Bloomsbury Publishing
ISBN: 113730751X
Category : History
Languages : en
Pages : 296
Book Description
The First World War has left its imprint on British society and the popular imagination to an extent almost unparalleled in modern history. Its legacy of mass death, mechanized slaughter, propaganda, and disillusionment swept away long-standing romanticized images of warfare, and continues to haunt the modern consciousness. Focusing on the lives of ordinary Britons, George Robb's engaging new study seeks to comprehend what it meant for an entire society to undergo the tremendous shocks and demands of total war; how it attempted to make sense of the conflict, explain it to others, and deal with the war's legacies. British Culture and the First World War - examines the war's impact on ideologies of race, class and gender, the government's efforts to manage news and to promote patriotism, the role of the arts and sciences, and the commemoration of the war in the decades since - Synthesizes much of the best and most recent scholarship on the social and cultural history of the war. - Reclaims a great deal of neglected or forgotten popular cultural sources such as films, cartoons, juvenile literature and pulp fiction. Compact but comprehensive, this accessible and refreshing text is essential reading for anyone interested in British society and culture during the turbulent years of the First World War.
Food Fights & Culture Wars
Author: Tom Nealon
Publisher: ABRAMS
ISBN: 1468314521
Category : Cooking
Languages : en
Pages : 281
Book Description
In this eclectic book of food history, Tom Nealon takes on such overlooked themes as carp and the Crusades, brown sauce and Byron, and chillies and cannibalism, and suggests that hunger and taste are the twin forces that secretly defined the course of civilization. Through war and plague, revolution and migration, people have always had to eat. What and how they ate provoked culinary upheaval around the world as ingredients were traded and fought over, and populations desperately walked the line between satiety and starvation. Parallel to the history books, a second, more obscure history was also being recorded in the cookbooks of the time, which charted the evolution of meals and the transmission of ingredients around the world. Food Fights and Culture Wars: A Secret History of Taste explores the mysteries at the intersection of food and society, and attempts to make sense of the curious area between fact and fiction. Beautifully illustrated with material from the collection of the British Library, this wide-ranging book addresses some of the fascinating, forgotten stories behind everyday dishes and processes. Among many conspiracies and controversies, the author meditates on the connections between the French Revolution and table settings, food thickness and colonialism, and lemonade and the Black Plague.
Publisher: ABRAMS
ISBN: 1468314521
Category : Cooking
Languages : en
Pages : 281
Book Description
In this eclectic book of food history, Tom Nealon takes on such overlooked themes as carp and the Crusades, brown sauce and Byron, and chillies and cannibalism, and suggests that hunger and taste are the twin forces that secretly defined the course of civilization. Through war and plague, revolution and migration, people have always had to eat. What and how they ate provoked culinary upheaval around the world as ingredients were traded and fought over, and populations desperately walked the line between satiety and starvation. Parallel to the history books, a second, more obscure history was also being recorded in the cookbooks of the time, which charted the evolution of meals and the transmission of ingredients around the world. Food Fights and Culture Wars: A Secret History of Taste explores the mysteries at the intersection of food and society, and attempts to make sense of the curious area between fact and fiction. Beautifully illustrated with material from the collection of the British Library, this wide-ranging book addresses some of the fascinating, forgotten stories behind everyday dishes and processes. Among many conspiracies and controversies, the author meditates on the connections between the French Revolution and table settings, food thickness and colonialism, and lemonade and the Black Plague.
Whose America?
Author: Jonathan Zimmerman
Publisher: Harvard University Press
ISBN: 9780674045446
Category : Education
Languages : en
Pages : 330
Book Description
What do America's children learn about American history, American values, and human decency? Who decides? In this absorbing book, Jonathan Zimmerman tells the dramatic story of conflict, compromise, and more conflict over the teaching of history and morality in twentieth-century America. In history, whose stories are told, and how? As Zimmerman reveals, multiculturalism began long ago. Starting in the 1920s, various immigrant groups--the Irish, the Germans, the Italians, even the newly arrived Eastern European Jews--urged school systems and textbook publishers to include their stories in the teaching of American history. The civil rights movement of the 1960s and '70s brought similar criticism of the white version of American history, and in the end, textbooks and curricula have offered a more inclusive account of American progress in freedom and justice. But moral and religious education, Zimmerman argues, will remain on much thornier ground. In battles over school prayer or sex education, each side argues from such deeply held beliefs that they rarely understand one another's reasoning, let alone find a middle ground for compromise. Here there have been no resolutions to calm the teaching of history. All the same, Zimmerman argues, the strong American tradition of pluralism has softened the edges of the most rigorous moral and religious absolutism.
Publisher: Harvard University Press
ISBN: 9780674045446
Category : Education
Languages : en
Pages : 330
Book Description
What do America's children learn about American history, American values, and human decency? Who decides? In this absorbing book, Jonathan Zimmerman tells the dramatic story of conflict, compromise, and more conflict over the teaching of history and morality in twentieth-century America. In history, whose stories are told, and how? As Zimmerman reveals, multiculturalism began long ago. Starting in the 1920s, various immigrant groups--the Irish, the Germans, the Italians, even the newly arrived Eastern European Jews--urged school systems and textbook publishers to include their stories in the teaching of American history. The civil rights movement of the 1960s and '70s brought similar criticism of the white version of American history, and in the end, textbooks and curricula have offered a more inclusive account of American progress in freedom and justice. But moral and religious education, Zimmerman argues, will remain on much thornier ground. In battles over school prayer or sex education, each side argues from such deeply held beliefs that they rarely understand one another's reasoning, let alone find a middle ground for compromise. Here there have been no resolutions to calm the teaching of history. All the same, Zimmerman argues, the strong American tradition of pluralism has softened the edges of the most rigorous moral and religious absolutism.