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Author: Keith Alldritt Publisher: The Crowood Press ISBN: 0719829763 Category : Music Languages : en Pages : 180
Book Description
The spectacular revival of serious music in England is a chief feature of the history of British culture from the turn of the twentieth century and after. For some two centuries the art form had stagnated in England, which was referred to, notoriously, by a German commentator as 'the land without music'. But then came a great renaissance. In the three linked essays that make up this book, Keith Alldritt, the most recent biographer of Vaughan Williams, examines the several phases and genres of this revival. A number of composers including Gustav Holst, Arnold Bax and William Walton contributed to the renewal. But this book presents the renaissance as centrally a continuity of enterprise, sometimes of riposte, running from Elgar to Vaughan Williams and then to Benjamin Britten. Their concern was with music at its most serious, though not unceasingly humourless. All three explored music's frontier with philosophy. They also probed the psychological impact of the unprecedently violent and destructive century in which they practised their art. Going beyond musicological comment, England Resounding essays insights into the historical, geopolitical and personal events that elicited the major works of these three great composers.
Author: Keith Alldritt Publisher: The Crowood Press ISBN: 0719829763 Category : Music Languages : en Pages : 180
Book Description
The spectacular revival of serious music in England is a chief feature of the history of British culture from the turn of the twentieth century and after. For some two centuries the art form had stagnated in England, which was referred to, notoriously, by a German commentator as 'the land without music'. But then came a great renaissance. In the three linked essays that make up this book, Keith Alldritt, the most recent biographer of Vaughan Williams, examines the several phases and genres of this revival. A number of composers including Gustav Holst, Arnold Bax and William Walton contributed to the renewal. But this book presents the renaissance as centrally a continuity of enterprise, sometimes of riposte, running from Elgar to Vaughan Williams and then to Benjamin Britten. Their concern was with music at its most serious, though not unceasingly humourless. All three explored music's frontier with philosophy. They also probed the psychological impact of the unprecedently violent and destructive century in which they practised their art. Going beyond musicological comment, England Resounding essays insights into the historical, geopolitical and personal events that elicited the major works of these three great composers.
Author: Robert Tombs Publisher: Vintage ISBN: 1101873361 Category : History Languages : en Pages : 1106
Book Description
Named a Book of the Year by the Daily Telegraph, Times Literary Supplement, The Times, Spectator, and The Economist The English first materialized as an idea, before they had a common ruler and before the country they lived in even had a name. From the armed Saxon bands that descended onto Roman-controlled Britain in the fifth century to the travails of the Eurozone plaguing the prime-ministership of today's multicultural England, acclaimed historian Robert Tombs presents a momentous and challenging history of a people who have a claim to be the oldest nation in existence. Drawing on a wealth of recent scholarship, Tombs sheds light on the strength and resilience of English governance, the deep patterns of division among the people who have populated the British Isles, the persistent capacity of the English to come together in the face of danger, and not the least the ways the English have understood their own history, have argued about it, forgotten it and yet been shaped by it. Momentous and definitive, The English and Their History is the first single-volume work on this scale for more than half a century.
Author: Miranda Eva Stanyon Publisher: University of Pennsylvania Press ISBN: 0812253086 Category : Literary Collections Languages : en Pages : 286
Book Description
What does the sublime sound like? Miranda Stanyon traces competing varieties of the sublime, a crucial modern aesthetic category, as shaped by the antagonistic intimacies between music and language. In resounding the history of the sublime over the course of the long eighteenth century, she finds a phenomenon always already resonant.
Author: Miranda Eva Stanyon Publisher: University of Pennsylvania Press ISBN: 0812299566 Category : Literary Criticism Languages : en Pages : 287
Book Description
What does the sublime sound like? Harmonious, discordant, noisy, rustling, silent? Miranda Eva Stanyon rereads and resounds this crucial aesthetic category in English and German literatures of the long eighteenth century from a musical perspective and shows how sonorous sublimes lay at the heart of a central and transformative discourse. For Enlightenment and Romantic era listeners, the musical sublime represented a sonic encounter of the most extreme kind, one that tested what humans were capable of feeling, imagining, thinking, and therefore becoming. The sublime and music have not always sung from the same hymn sheet, Stanyon observes. She charts an antagonistic intimacy between the two, from the sublime's rise to prominence in the later seventeenth century, through the upheavals associated with Kant in the late eighteenth century, and their reverberations in the nineteenth. Offering readings of canonical texts by Longinus, Dryden, Burke, Klopstock, Herder, Coleridge, De Quincey, and others alongside lesser-known figures, she shows how the literary sublime was inextricable from musical culture, from folksongs and ballads to psalmody, polychoral sacred music, and opera. Deeply interdisciplinary, Resounding the Sublime draws literature into dialogue with sound studies, musicology, and intellectual and cultural history to offer new perspectives on the sublime as a phenomenon which crossed media, disciplines, and cultures. An interdisciplinary study of sound in history, the book recovers varieties of the sublime crucial for understanding both the period it covers and the genealogy of modern and postmodern aesthetic discourses. In resounding the sublime, Stanyon reveals a phenomenon which was always already resonant. The sublime emerges not only as the aesthetic of the violently powerful, a-rational, or unrepresentable, but as a variegated discourse with competing dissonant, harmonious, rustling, noisy, and silent strains, one in which music and sound illustrate deep divisions over issues of power, reason, and representation.
Author: Cheryl Freier Publisher: AuthorHouse ISBN: 1496960289 Category : Fiction Languages : en Pages : 149
Book Description
In essence, the most important word one will ever understand is truth, but within those five letters is a timeless mystery that has confounded philosophers, theologians, and sages throughout the centuries. What is truth? Who defines it? Who protects it? What the Nazis did to in the last century cannot be changed, and day by day, new information challenges the worlds definition of truth in times of war. In 1943, when the Nazis came to take the Jews to camps during the siege of Slovakia, a man by the name of Joseph Frier arranged to have his four sons taken to a place of safety. There, the boys hid in fear for their very lives and were forced to make impossible decisions just to survive. Martin, the authors husband, was one of those boys. Against the overwhelming scale of human cruelty of those days, it is important to remember and celebrate smaller human stories of kindness, courage, and integrity. During the Nazi occupation of Europe, fearful and weak men and women traded their souls to the devil. In this pitch-black part of world history, there were men and women who became champions of the truth and became heroes in the eyes of G-d forever. In remembering those who perished during this war, we pray for their souls as we remember our forefathers, Abraham, Issac, and Jacob, and our women patriarchs Rebecca, Rachel, and Leah. Throughout human history, countless faceless champions emerged when needed. Sadly, for every hero, there were also those who succumbed to their baser, more cowardly impulses of self-preservation at any cost. Echoes Resounding from the Past celebrates the truth of what it means to be a hero.
Author: Byron Hawk Publisher: University of Pittsburgh Press ISBN: 0822983478 Category : Language Arts & Disciplines Languages : en Pages : 417
Book Description
Resounding the Rhetorical offers an original critical and theoretical examination of composition as a quasi-object. As composition flourishes in multiple media (digital, sonic, visual, etc.), Byron Hawk seeks to connect new materialism with current composition scholarship and critical theory. Using sound and music as his examples, he demonstrates how a quasi-object can and does materialize for communicative and affective expression, and becomes a useful mechanism for the study and execution of composition as a discipline. Through careful readings of Serres, Latour, Deleuze, Heidegger, and others, Hawk reconstructs key concepts in the field including composition, process, research, collaboration, publics, and rhetoric. His work delivers a cutting-edge response to the state of the field, where it is headed, and the possibilities for postprocess and postwriting composition and rhetoric.
Author: Thomas B. Costain Publisher: Good Press ISBN: Category : History Languages : en Pages : 1708
Book Description
Thomas B. Costain's book, The Pageant of England (Complete Plantagenets Series), provides a comprehensive and engaging account of the Plantagenet dynasty, covering a period from the 12th to the 15th centuries. Costain's writing style is both informative and captivating, allowing readers to immerse themselves in the rich historical and political landscape of medieval England. The book delves into the lives of monarchs such as Richard the Lionheart, King John, and Edward III, detailing their triumphs, struggles, and the intricate webs of intrigue that shaped the course of English history. Costain's meticulous research and attention to detail shine through in every page, making The Pageant of England a must-read for history enthusiasts and scholars alike. Thomas B. Costain, known for his historical fiction and non-fiction works, was a prolific Canadian author with a passion for bringing the past to life through his writings. His expertise and dedication to historical accuracy are evident in The Pageant of England, demonstrating his commitment to preserving and sharing the stories of the past. Costain's thorough exploration of the Plantagenet era in this book showcases his talent for engaging storytelling and scholarly research. I highly recommend The Pageant of England to anyone interested in delving into the fascinating world of medieval English history. Costain's vivid narrative and in-depth analysis make this book a valuable addition to any history lover's library, offering a captivating journey through the tumultuous reigns of the Plantagenets.
Author: Meryle Secrest Publisher: Vintage ISBN: 0307946851 Category : Biography & Autobiography Languages : en Pages : 482
Book Description
In the first full-scale life of the most important composer-lyricist at work in musical theatre today, Meryle Secrest, the biographer of Frank Lloyd Wright and Leonard Bernstein, draws on her extended conversations with Stephen Sondheim as well as on her interviews with his friends, family, collaborators, and lovers to bring us not only the artist--as a master of modernist compositional style--but also the private man. Beginning with his early childhood on New York's prosperous Upper West Side, Secrest describes how Sondheim was taught to play the piano by his father, a successful dress manufacturer and amateur musician. She writes about Sondheim's early ambition to become a concert pianist, about the effect on him of his parents' divorce when he was ten, about his years in military and private schools. She writes about his feelings of loneliness and abandonment, about the refuge he found in the home of Oscar and Dorothy Hammerstein, and his determination to become just like Oscar. Secrest describes the years when Sondheim was struggling to gain a foothold in the theatre, his attempts at scriptwriting (in his early twenties in Rome on the set of Beat the Devil with Bogart and Huston, and later in Hollywood as a co-writer with George Oppenheimer for the TV series Topper), living the Hollywood life. Here is Sondheim's ascent to the peaks of the Broadway musical, from his chance meeting with play- wright Arthur Laurents, which led to his first success-- as co-lyricist with Leonard Bernstein on West Side Story--to his collaboration with Laurents on Gypsy, to his first full Broadway score, A Funny Thing Happened on the Way to the Forum. And Secrest writes about his first big success as composer, lyricist, writer in the 1960s with Company, an innovative and sophisticated musical that examined marriage à la mode. It was the start of an almost-twenty-year collaboration with producer and director Hal Prince that resulted in such shows as Follies, Pacific Overtures, Sweeney Todd, and A Little Night Music. We see Sondheim at work with composers, producers, directors, co-writers, actors, the greats of his time and ours, among them Leonard Bernstein, Ethel Merman, Richard Rodgers, Oscar Hammerstein, Jerome Robbins, Zero Mostel, Bernadette Peters, and Lee Remick (with whom it was said he was in love, and she with him), as Secrest vividly re-creates the energy, the passion, the despair, the excitement, the genius, that went into the making of show after Sondheim show. A biography that is sure to become the standard work on Sondheim's life and art.
Author: Keith Alldritt
Author: Keith Alldritt
Author: Robert Tombs
Author: Miranda Eva Stanyon
Author: Jeremy Begbie
Author: Miranda Eva Stanyon
Author: Cheryl Freier
Author: Byron Hawk
Author: Thomas B. Costain
Author: Meryle Secrest
Author: George Lillie Craik