Author: Albert Venn DiceyPublisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 536
Book Description
Sylvie and Bruno
Author: Lewis CarrollPublisher: London ; New York : Macmillan
ISBN:
Category : Juvenile Fiction
Languages : en
Pages : 434
Book Description
First published in 1889, this novel has two main plots; one set in the real world at the time the book was published (the Victorian era), the other in the fictional world of Fairyland.
Nineteenth-Century Britain
Author: Jeremy BlackPublisher: Red Globe Press
ISBN: 9780333725603
Category : History
Languages : en
Pages : 349
Book Description
The nineetenth century was a period of striking developments, and subject to a great pressure of change. This process of change is the primary focus of the book. Organised into a series of thematic chapters, Black and MacRaild's wide-ranging text offers the reader an analysis of numerous spheres of human history: politics, empire and warfare; economy, society and population; religion and culture. The book also offers considered treatment of Scotland, Wales and Ireland, with a truly British (as opposed to English) perspective maintained throughout. With numerous illustrations, helpful explanatory tables, boxes and textual inserts, as well as a list of further reading with each chapter, Ninteetenth Century Britain is an excellent introductory text book for students of this most vital period in British history.
Made in Britain
Author: Stephen TuffnellPublisher: University of California Press
ISBN: 0520344707
Category : History
Languages : en
Pages : 317
Book Description
The United States was made in Britain. For over a hundred years following independence, a diverse and lively crowd of emigrant Americans left the United States for Britain. From Liverpool and London, they produced Atlantic capitalism and managed transfers of goods, culture, and capital that were integral to US nation-building. In British social clubs, emigrants forged relationships with elite Britons that were essential not only to tranquil transatlantic connections, but also to fighting southern slavery. As the United States descended into Civil War, emigrant Americans decisively shaped the Atlantic-wide battle for public opinion. Equally revered as informal ambassadors and feared as anti-republican contagions, these emigrants raised troubling questions about the relationship between nationhood, nationality, and foreign connection. Blending the histories of foreign relations, capitalism, nation-formation, and transnational connection, Stephen Tuffnell compellingly demonstrates that the United States’ struggle toward independent nationhood was entangled at every step with the world’s most powerful empire of the time. With deep research and vivid detail, Made in Britain uncovers this hidden story and presents a bold new perspective on nineteenth-century trans-Atlantic relations.
Sympathetic Realism in Nineteenth-Century British Fiction
Author: Rae GreinerPublisher: JHU Press
ISBN: 1421406535
Category : Literary Criticism
Languages : en
Pages : 215
Book Description
Rae Greiner proposes that sympathy is integral to the form of the classic nineteenth-century realist novel. Following the philosophy of Adam Smith, Greiner argues that sympathy does more than foster emotional identification with others; it is a way of thinking along with them. By abstracting emotions, feelings turn into detached figures of speech that may be shared. Sympathy in this way produces realism; it is the imaginative process through which the real is substantiated. In Sympathetic Realism in Nineteenth-Century British Fiction Greiner shows how this imaginative process of sympathy is written into three novelistic techniques regularly associated with nineteenth-century fiction: metonymy, free indirect discourse, and realist characterization. She explores the work of sentimentalist philosophers David Hume, Adam Smith, and Jeremy Bentham and realist novelists Jane Austen, Charles Dickens, George Eliot, Joseph Conrad, and Henry James. -- Adela Pinch, University of Michigan
British Women in the Nineteenth Century
Author: Kathryn GleadlePublisher: Bloomsbury Publishing
ISBN: 1403937540
Category : History
Languages : en
Pages : 251
Book Description
This highly original synthesis is a clear and stimulating assessment of nineteenth-century British women. It aims to provide students with an in-depth understanding of the key historiographical debates and issues, placing particular emphasis upon recent, revisionist research. The book highlights not merely the ideologies and economic circumstances which shaped women's lives, but highlights the sheer diversity of women's own experiences and identities. In so doing, it presents a positive but nuanced interpretation of women's roles within their own families and communities, as well as stressing women's enormous contribution to the making of contemporary British culture and society.
Street Ballads in Nineteenth-Century Britain, Ireland, and North America
Author: David AtkinsonPublisher: Routledge
ISBN: 1317049209
Category : Literary Criticism
Languages : en
Pages : 372
Book Description
In recent years, the assumption that traditional songs originated from a primarily oral tradition has been challenged by research into ’street literature’ - that is, the cheap printed broadsides and chapbooks that poured from the presses of jobbing printers from the late sixteenth century until the beginning of the twentieth. Not only are some traditional singers known to have learned songs from printed sources, but most of the songs were composed by professional writers and reached the populace in printed form. Street Ballads in Nineteenth-Century Britain, Ireland, and North America engages with the long-running debate over the origin of traditional songs by examining street literature’s interaction with, and influence on, oral traditions.
Dear Reader
Author: Garrett StewartPublisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 468
Book Description
"Ready now, reader? Easy then. That should put you in the right historical frame of mind, put you in mind of the right historical frame. For it did seem easier then, certainly more relaxed. Like the addressed and otherwise rendered nineteenth-century reader who is my subject of study, you are invited to take it slow while we back our way into the last century. We do so by moving from an unexpected modernist send-up of Victorian direct address, an early twist of phrase in E. M. Forster's 1907 The Longest Journey, to the underlying aesthetic of classic realism on which even this one rhetorical irony is by no means intended to pull the plug. On the way back to the nineteenth century, certain realist assumptions help mark out our course."--from Dear Reader With the "great tradition" from Austen through Dickens and Eliot to Hardy read here for the first time alongside the non-canonical best-sellers of the period, we get a revised picture of an evolving readership narrated rather than merely implied, the mass audience conscripted, written with, figured in. Redirecting response aesthetics away from the a priori reader function toward this reader figure, Garrett Stewart's Dear Reader intercepts two tendencies in the recent criticism of fiction: the blanket audience determinations of ideological critique and the thinness of historicizing discourse analysis when divorced from literary history's own discursive field.
Another World
Author: Patricia MainardiPublisher: Yale University Press
ISBN: 0300223781
Category : Design
Languages : en
Pages : 305
Book Description
The remarkable story of the stylistic, cultural, and technical innovations that drove the surge of comics, caricature, and other print media in 19th-century Europe Taking its title from the 1844 visionary graphic novel by J. J. Grandville, this groundbreaking book explores the invention of print media—including comics, caricature, the illustrated press, illustrated books, and popular prints—tracing their development as well as the aesthetic, political, technological, and cultural issues that shaped them. The explosion of imagery from the late 18th century to the beginning of the 20th exceeded the print production from all previous centuries combined, spurred the growth of the international art market, and encouraged the cross-fertilization of media, subjects, and styles. Patricia Mainardi examines scores of imaginative and innovative prints, focusing on highly experimental moments of discovery, when artists and publishers tested the limits of each new medium, creating visual languages that extend to the comics and graphic novels of today. Another World unearths a wealth of visual material, revealing a history of how our image-saturated world came into being, and situating the study of print culture firmly within the context of art history.
London In The 19th Century
Author: Jerry WhitePublisher: National Geographic Books
ISBN: 1847924476
Category : History
Languages : en
Pages : 0
Book Description
Jerry White's London in the Nineteenth Century is the richest and most absorbing account of the city's greatest century by its leading expert. London in the nineteenth century was the greatest city mankind had ever seen. Its growth was stupendous. Its wealth was dazzling. Its horrors shocked the world. This was the London of Blake, Thackeray and Mayhew, of Nash, Faraday and Disraeli. Most of all it was the London of Dickens. As William Blake put it, London was 'a Human awful wonder of God'. In Jerry White's dazzling history we witness the city's unparalleled metamorphosis over the course of the century through the daily lives of its inhabitants. We see how Londoners worked, played, and adapted to the demands of the metropolis during this century of dizzying change. The result is a panorama teeming with life.
Media and Print Culture Consumption in Nineteenth-Century Britain
Author: Paul Raphael RooneyPublisher: Springer
ISBN: 113758761X
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
This book explores Victorian readers’ consumption of a wide array of reading matter. Established scholars and emerging researchers examine nineteenth-century audience encounters with print culture material such as periodicals, books in series, cheap serials, and broadside ballads. Two key strands of enquiry run through the volume. First, these studies of historical readership during the Victorian period look to recover the motivations or desired returns that underpinned these audiences’ engagement with this reading matter. Second, contributors investigate how nineteenth-century reading and consumption of print was framed and/or shaped by contemporaneous engagement with content disseminated in other media like advertising, the stage, exhibitions, and oral culture.