Author: Stan Jeffries
Publisher: Greenwood
ISBN:
Category : Music
Languages : en
Pages : 304
Book Description
In this eclectic encyclopedia, author Stan Jeffries chronicles the careers of over 110 musical artists from 37 different nations. Entries include biographical information, trace the entrants' musical development, and recount the performers' critical and popular reception. Annotation. Weighted heavily towards European acts and secondarily towards Asian ones, this encyclopedia contains some 130 entries offering career details of groups and single artists who have achieved success in world pop charts. The selection is arbitrary and incomplete, with four entries from South Africa representing the entirety of the African continent, the growing influence of Arab pop music completely ignored, and the arguably crucial contribution of Jamaica to world pop utterly neglected.
Encyclopedia of World Pop Music, 1980-2001
Author: Stan Jeffries
Publisher: Greenwood
ISBN:
Category : Music
Languages : en
Pages : 304
Book Description
In this eclectic encyclopedia, author Stan Jeffries chronicles the careers of over 110 musical artists from 37 different nations. Entries include biographical information, trace the entrants' musical development, and recount the performers' critical and popular reception. Annotation. Weighted heavily towards European acts and secondarily towards Asian ones, this encyclopedia contains some 130 entries offering career details of groups and single artists who have achieved success in world pop charts. The selection is arbitrary and incomplete, with four entries from South Africa representing the entirety of the African continent, the growing influence of Arab pop music completely ignored, and the arguably crucial contribution of Jamaica to world pop utterly neglected.
Publisher: Greenwood
ISBN:
Category : Music
Languages : en
Pages : 304
Book Description
In this eclectic encyclopedia, author Stan Jeffries chronicles the careers of over 110 musical artists from 37 different nations. Entries include biographical information, trace the entrants' musical development, and recount the performers' critical and popular reception. Annotation. Weighted heavily towards European acts and secondarily towards Asian ones, this encyclopedia contains some 130 entries offering career details of groups and single artists who have achieved success in world pop charts. The selection is arbitrary and incomplete, with four entries from South Africa representing the entirety of the African continent, the growing influence of Arab pop music completely ignored, and the arguably crucial contribution of Jamaica to world pop utterly neglected.
Continuum Encyclopedia of Popular Music of the World, Volume 2
Author: John Shepherd
Publisher: A&C Black
ISBN: 1847144721
Category : Social Science
Languages : en
Pages : 713
Book Description
The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided.
Publisher: A&C Black
ISBN: 1847144721
Category : Social Science
Languages : en
Pages : 713
Book Description
The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided.
Continuum Encyclopedia of Popular Music of the World, Volume 1
Author: John Shepherd
Publisher: A&C Black
ISBN: 184714473X
Category : Social Science
Languages : en
Pages : 833
Book Description
The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided.
Publisher: A&C Black
ISBN: 184714473X
Category : Social Science
Languages : en
Pages : 833
Book Description
The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided.
Bloomsbury Encyclopedia of Popular Music of the World, Volume 11
Author: David Horn
Publisher: Bloomsbury Publishing USA
ISBN: 1501326104
Category : Music
Languages : en
Pages : 937
Book Description
See:
Publisher: Bloomsbury Publishing USA
ISBN: 1501326104
Category : Music
Languages : en
Pages : 937
Book Description
See:
Continuum Encyclopedia of Popular Music of the World Volume 8
Author: John Shepherd
Publisher: A&C Black
ISBN: 1441160787
Category : Music
Languages : en
Pages : 586
Book Description
See:
Publisher: A&C Black
ISBN: 1441160787
Category : Music
Languages : en
Pages : 586
Book Description
See:
Continuum Encyclopedia of Popular Music of the World
Author: John Shepherd
Publisher: A&C Black
ISBN: 0826463223
Category : Popular music
Languages : en
Pages : 713
Book Description
See:
Publisher: A&C Black
ISBN: 0826463223
Category : Popular music
Languages : en
Pages : 713
Book Description
See:
The Study of Ethnomusicology
Author: Bruno Nettl
Publisher: University of Illinois Press
ISBN: 025209199X
Category : Music
Languages : en
Pages : 530
Book Description
The first edition of this book, The Study of Ethnomusicology: Twenty-Nine Issues and Concepts, has become a classic in the field. This revised edition, written twenty-two years after the original, continues the tradition of providing engagingly written analysis that offers the most comprehensive discussion of the field available anywhere. This book looks at the field of ethnomusicology--defined as the study of the world's musics from a comparative perspective, and the study of all music from an anthropological perspective--as a field of research. Nettl selects thirty-one concepts and issues that have been the subjects of continuing debate by ethnomusicologists, and he adds four entirely new chapters and thoroughly updates the text to reflect new developments and concerns in the field. Each chapter looks at its subject historically and goes on to make its points with case studies, many taken from Nettl's own field experience. Drawing extensively on his field research in the Middle East, Western urban settings, and North American Indian societies, as well as on a critical survey of the available literature, Nettl advances our understanding of both the diversity and universality of the world's music. This revised edition's four new chapters deal with the doing and writing of musical ethnography, the scholarly study of instruments, aspects of women's music and women in music, and the ethnomusicologist's study of his or her own culture.
Publisher: University of Illinois Press
ISBN: 025209199X
Category : Music
Languages : en
Pages : 530
Book Description
The first edition of this book, The Study of Ethnomusicology: Twenty-Nine Issues and Concepts, has become a classic in the field. This revised edition, written twenty-two years after the original, continues the tradition of providing engagingly written analysis that offers the most comprehensive discussion of the field available anywhere. This book looks at the field of ethnomusicology--defined as the study of the world's musics from a comparative perspective, and the study of all music from an anthropological perspective--as a field of research. Nettl selects thirty-one concepts and issues that have been the subjects of continuing debate by ethnomusicologists, and he adds four entirely new chapters and thoroughly updates the text to reflect new developments and concerns in the field. Each chapter looks at its subject historically and goes on to make its points with case studies, many taken from Nettl's own field experience. Drawing extensively on his field research in the Middle East, Western urban settings, and North American Indian societies, as well as on a critical survey of the available literature, Nettl advances our understanding of both the diversity and universality of the world's music. This revised edition's four new chapters deal with the doing and writing of musical ethnography, the scholarly study of instruments, aspects of women's music and women in music, and the ethnomusicologist's study of his or her own culture.
The Concise Garland Encyclopedia of World Music: Africa ; South America, Mexico, Central America, and the Caribbean ; The United States and Canada ; Europe ; Oceania
Author: Ellen Koskoff
Publisher: Routledge
ISBN: 0415994039
Category : Music
Languages : en
Pages : 786
Book Description
The critical importance of past for the present--of music histories in local and global forms--asserts itself. The history of world music, as each chapter makes clear, is one of critical moments and paradigm shifts.
Publisher: Routledge
ISBN: 0415994039
Category : Music
Languages : en
Pages : 786
Book Description
The critical importance of past for the present--of music histories in local and global forms--asserts itself. The history of world music, as each chapter makes clear, is one of critical moments and paradigm shifts.
Genre in Popular Music
Author: Fabian Holt
Publisher: University of Chicago Press
ISBN: 0226350401
Category : Music
Languages : en
Pages : 238
Book Description
The popularity of the motion picture soundtrack O Brother, Where Art Thou? brought an extraordinary amount of attention to bluegrass, but it also drew its share of criticism from some aficionados who felt the album’s inclusion of more modern tracks misrepresented the genre. This soundtrack, these purists argued, wasn’t bluegrass, but “roots music,” a new and, indeed, more overarching category concocted by journalists and marketers. Why is it that popular music genres like these and others are so passionately contested? And how is it that these genres emerge, coalesce, change, and die out? In Genre in Popular Music, Fabian Holt provides new understanding as to why we debate music categories, and why those terms are unstable and always shifting. To tackle the full complexity of genres in popular music, Holt embarks on a wide-ranging and ambitious collection of case studies. Here he examines not only the different reactions to O Brother, but also the impact of rock and roll’s explosion in the 1950s and 1960s on country music and jazz, and how the jazz and indie music scenes in Chicago have intermingled to expand the borders of their respective genres. Throughout, Holt finds that genres are an integral part of musical culture—fundamental both to musical practice and experience and to the social organization of musical life.
Publisher: University of Chicago Press
ISBN: 0226350401
Category : Music
Languages : en
Pages : 238
Book Description
The popularity of the motion picture soundtrack O Brother, Where Art Thou? brought an extraordinary amount of attention to bluegrass, but it also drew its share of criticism from some aficionados who felt the album’s inclusion of more modern tracks misrepresented the genre. This soundtrack, these purists argued, wasn’t bluegrass, but “roots music,” a new and, indeed, more overarching category concocted by journalists and marketers. Why is it that popular music genres like these and others are so passionately contested? And how is it that these genres emerge, coalesce, change, and die out? In Genre in Popular Music, Fabian Holt provides new understanding as to why we debate music categories, and why those terms are unstable and always shifting. To tackle the full complexity of genres in popular music, Holt embarks on a wide-ranging and ambitious collection of case studies. Here he examines not only the different reactions to O Brother, but also the impact of rock and roll’s explosion in the 1950s and 1960s on country music and jazz, and how the jazz and indie music scenes in Chicago have intermingled to expand the borders of their respective genres. Throughout, Holt finds that genres are an integral part of musical culture—fundamental both to musical practice and experience and to the social organization of musical life.
Representing African Music
Author: Kofi Agawu
Publisher: Routledge
ISBN: 1317794060
Category : Music
Languages : en
Pages : 289
Book Description
The aim of this book is to stimulate debate by offering a critique of discourse about African music. Who writes about African music, how, and why? What assumptions and prejudices influence the presentation of ethnographic data? Even the term "African music" suggests there is an agreed-upon meaning, but African music signifies differently to different people. This book also poses the question then, "What is African music?" Agawu offers a new and provocative look at the history of African music scholarship that will resonate with students of ethnomusicology and post-colonial studies. He offers an alternative "Afro-centric" means of understanding African music, and in doing so, illuminates a different mode of creativity beyond the usual provenance of Western criticism. This book will undoubtedly inspire heated debate--and new thinking--among musicologists, cultural theorists, and post-colonial thinkers. Also includes 15 musical examples.
Publisher: Routledge
ISBN: 1317794060
Category : Music
Languages : en
Pages : 289
Book Description
The aim of this book is to stimulate debate by offering a critique of discourse about African music. Who writes about African music, how, and why? What assumptions and prejudices influence the presentation of ethnographic data? Even the term "African music" suggests there is an agreed-upon meaning, but African music signifies differently to different people. This book also poses the question then, "What is African music?" Agawu offers a new and provocative look at the history of African music scholarship that will resonate with students of ethnomusicology and post-colonial studies. He offers an alternative "Afro-centric" means of understanding African music, and in doing so, illuminates a different mode of creativity beyond the usual provenance of Western criticism. This book will undoubtedly inspire heated debate--and new thinking--among musicologists, cultural theorists, and post-colonial thinkers. Also includes 15 musical examples.