Enciclopedia de tecnicas de pintura al oleo PDF Download

Author: Jeremy Galton
Publisher:
ISBN: 9789506370176
Category : Painting
Languages : es
Pages : 192

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Author: Joaquín Gómez Burón
Publisher:
ISBN: 9788489047860
Category :
Languages : es
Pages :

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Author: Jeremy Galton
Publisher:
ISBN: 9788486673369
Category : Art
Languages : es
Pages : 192

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Book Description
Guía completa de técnicas de pintura al óleo con orientaciones minuciosamente detalladas para su aplicación. Ofrece consejos prácticos sobre lienzos, madera y medios de pintura alentando al artista para que explore nuevas técnicas y posibilidades. Presenta una galería de pinturas de conocidos artistas que ilustran los estilos y técnicas individuales. Técnicas descritas: Trazo del pincel Frotado Texturas Empaste Correcciones Prepintado Alla prima Rascado Puntillismo Esgrafiado Húmedo sobre húmedo Con los dedos Graso sobre magro etc.

Author: Elizabeth Tate
Publisher:
ISBN: 9788415053064
Category : Art
Languages : es
Pages : 208

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Esta guía le resultará indispensable para dominar más de 40 técnicas diferentes, con instrucciones claras para el uso de acrílicos, acuarelas, óleos y pasteles, tanto para dar los primeros pasos como para llevar a cabo sus obras. En el interior encontrará: bellas demostraciones capa por capa que le ayudarán a visualizar cómo pueden aplicarse estas técnicas en su trabajo. También incluye una sección dedicada a distintos temas que ofrece técnicas específicas para motivos particulares, incluyendo animales, edificios, paisajes, retratos, naturalezas muertas y muchos más. Esta obra es un recurso indispensable para el estudio, el aula de clase, o el hogar, ya sea usted un principiante o un artista experimentado.

Author: Simon Cavelle
Publisher:
ISBN: 9789506370251
Category : Painting
Languages : es
Pages : 175

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Author: Ivan Tubau
Publisher:
ISBN:
Category :
Languages : es
Pages : 101

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Author: Iván Tubau
Publisher:
ISBN: 9788432972027
Category : Painting
Languages : es
Pages : 101

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Author: Judith Collins
Publisher: Ediciones AKAL
ISBN: 9788487756726
Category : Art
Languages : es
Pages : 196

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Se analiza la técnica y el estilo de 30 pinturas realizadas a lo largo del siglo XX, situando a los autores en sus respectivos contextos artísticos.

Author: Ideal Sánchez
Publisher:
ISBN:
Category : Painting
Languages : es
Pages : 104

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Author: R. J. Gettens
Publisher: Courier Corporation
ISBN: 0486142426
Category : Art
Languages : en
Pages : 370

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Book Description
The combined training and experience of the authors of this classic in the varied activities of painting conservation, cultural research, chemistry, physics, and paint technology ideally suited them to the task they attempted. Their book, written when they were both affiliated with the Department of Conservation at Harvard's Fogg Art Museum, is not a handbook of instruction. It is, instead, an encyclopedic collection of specialized data on every aspect of painting and painting research. The book is divided into five sections: Mediums, Adhesives, and Film Substances (amber, beeswax, casein, cellulose, nitrate, dragon's blood, egg tempera, paraffin, lacquer, gum Arabic, Strasbourg turpentine, water glass, etc.); Pigments and Inert Materials (over 100 entries from alizarin to zinnober green); Solvents, Diluents, and Detergents (acetone, ammonia, carbon tetrachloride, soap, water, etc.); Supports (academy board, dozens of different woods, esparto grass, gesso, glass, leather, plaster, silk, vellum, etc.); and Tools and Equipment. Coverage within each section is exhaustive. Thirteen pages are devoted to items related to linseed oil; eleven to the history and physical and chemical properties of pigments; two to artificial ultramarine blue; eleven to wood; and so on with hundreds of entries. Much of the information — physical behavior, earliest known use, chemical composition, history of synthesis, refractive index, etc. — is difficult to find elsewhere. The rest was drawn from such a wide range of fields and from such a long span of time that the book was immediately hailed as the best organized, most accessible work of its kind. That reputation hasn't changed. The author's new preface lists some recent discoveries regarding pigments and other materials and the pigment composition chart has been revised, but the text remains essentially unchanged. It is still invaluable not only for museum curators and conservators for whom it was designed, but for painters themselves and for teachers and students as well.