En pays Toba PDF Download

Author: Jean Paul Barbier
Publisher:
ISBN:
Category : Art, Primitive
Languages : en
Pages : 242

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Author: Joseph Gaer
Publisher:
ISBN:
Category :
Languages : en
Pages : 312

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Author: Gastón Gordillo
Publisher: Duke University Press
ISBN: 9780822333913
Category : History
Languages : en
Pages : 330

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Book Description
Examines the inscription of historical forces in the senses of place of the Tobas, an indigenous people of the Argentinean Chaco region whose recent history has been torn between exploitation in sugar plantations and relative autonomy in the bush.

Author: Kathleen Tracy
Publisher: Mitchell Lane Publishers, Inc.
ISBN: 1612283470
Category : Juvenile Nonfiction
Languages : en
Pages : 52

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Book Description
Known as the Empress of the Blues, Bessie Smith was the most popular female blues singer of the 1920s and 1930s. Singing came naturally to Bessie and as a young girl she helped support her family as a street singer in Chattanooga, Tennessee. When she was seventeen Bessie joined a traveling show and worked her way up to the black vaudeville circuit. Her popularity led to a recording contract that eventually established her as the most successful black performing artist of her time, earning as many fans in the North as she had in the South. But for as gifted as she was a singer, Bessie was also troubled and difficult off stage. Alcohol abuse led to violent outbursts that alienated many friends and associates. After a brief career slump Bessie was on tour making a comeback when tragedy struck and she was killed in a car accident. Although her life was cut short, her impact on music lives on to this day.

Author: Canada. Parliament. House of Commons
Publisher:
ISBN:
Category : Canada
Languages : en
Pages : 1324

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Author: James C. Klotter
Publisher: Rowman & Littlefield
ISBN: 9780742544765
Category : Biography & Autobiography
Languages : en
Pages : 244

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Book Description
In The Human Tradition in the New South, historian James C. Klotter brings together twelve biographical essays that explore the region's political, economic, and social development since the Civil War. Like all books in this series, these essays chronicle the lives of ordinary Americans whose lives and contributions help to highlight the great transformations that occurred in the South. With profiles ranging from Winnie Davis to Dizzy Dean, from Ralph David Abernathy to Harland Sanders, The Human Tradition in the New South brings to life this dynamic and vibrant region and is an excellent resource for courses in Southern history, race relations, social history, and the American history survey.

Author: Great Britain: Law Commission
Publisher: The Stationery Office
ISBN: 9780118405201
Category : Business & Economics
Languages : en
Pages : 250

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Book Description
This Consultation Paper is part of a wider review of insurance contract law, carried out by the Law Commission and Scottish Law Commission. It covers four topics: (1) Damages for late payment; (2) Insurers' remedies for fraudulent claims; (3) Insurable interest; (4) Policies and premiums in marine insurance. This paper follows a previous consultation paper in 2007 on Misrepresentation, Non-Disclosure and Breach of Warranty (LCCP 182; SLCDP 134, ISBN 9780117037823).

Author: group of authors
Publisher: MAC Prague consulting
ISBN: 8088085233
Category : Business & Economics
Languages : en
Pages : 250

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Book Description
EASTER CONFERENCE - The 14th International Academic Conference in Prague 2019, Czech Republic (The 14th IAC in Prague 2019)

Author: Lynn Abbott
Publisher: Univ. Press of Mississippi
ISBN: 1496810031
Category : Music
Languages : en
Pages : 866

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Blues Book of the Year —Living Blues Association of Recorded Sound Collections Awards for Excellence Best Historical Research in Recorded Blues, Gospel, Soul, or R&B–Certificate of Merit (2018) 2023 Blues Hall of Fame Inductee - Classic of Blues Literature category With this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music. Fortified by decades of research, the authors bring to life the performers, entrepreneurs, critics, venues, and institutions that were most crucial to the emergence of the blues in black southern vaudeville theaters; the shadowy prehistory and early development of the blues is illuminated, detailed, and given substance. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America’s favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Insular black southern theaters provided a safe haven, where coon songs underwent rehabilitation and blues songs suitable for the professional stage were formulated. The process was energized by dynamic interaction between the performers and their racially-exclusive audience. The first blues star of black vaudeville was Butler “String Beans” May, a blackface comedian from Montgomery, Alabama. Before his bizarre, senseless death in 1917, String Beans was recognized as the “blues master piano player of the world.” His musical legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the race recording era. While male blues singers remained tethered to the role of blackface comedian, female “coon shouters” acquired a more dignified aura in the emergent persona of the “blues queen.” Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, such as forgotten blues heroine Ora Criswell and her protégé Trixie Smith, ingeniously reconfigured the blackface mask for their own subversive purposes. In 1921 black vaudeville activity was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collaboration with the emergent race record industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell. By this time the blues had moved beyond the confines of entertainment for an exclusively black audience. Small-time black vaudeville became something it had never been before—a gateway to big-time white vaudeville circuits, burlesque wheels, and fancy metropolitan cabarets. While the 1920s was the most glamorous and remunerative period of vaudeville blues, the prior decade was arguably even more creative, having witnessed the emergence, popularization, and early development of the original blues on the African American vaudeville stage.

Author: Suzel Ana Reily
Publisher: Oxford University Press
ISBN: 019061417X
Category : Music
Languages : en
Pages : 745

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Book Description
The Oxford Handbook of Music and World Christianities investigates music's role in everyday practice and social history across the diversity of Christian religions and practices around the globe. The volume explores Christian communities in the Americas, Europe, Africa, Asia, and Australia as sites of transmission, transformation, and creation of deeply diverse musical traditions. The book's contributors, while mostly rooted in ethnomusicology, examine Christianities and their musics in methodologically diverse ways, engaging with musical sound and structure, musical and social history, and ethnography of music and musical performance. These broad materials explore five themes: music and missions, music and religious utopias (and other oppositional religious communities), music and conflict, music and transnational flows, and music and everyday life. The volume as a whole, then, approaches Christian groups and their musics as diverse and powerful windows into the way in which music, religious ideas, capital, and power circulate (and change) between places, now and historically. It also tries to take account of the religious self-understandings of these groups, presenting Christian musical practice and exchange as encompassing and negotiating deeply felt and deeply rooted moral and cultural values. Given that the centerpiece of the volume is Christian religious musical practice, the volume reveals the active role music plays in maintaining and changing religious, moral, and cultural values in a long history of intercultural and transnational encounters.