En el taller del museo PDF Download

Author: Eduardo de la Barra
Publisher:
ISBN:
Category :
Languages : es
Pages :

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Author: Donna Pierce
Publisher: University of Texas Press
ISBN: 0914738496
Category : Art
Languages : en
Pages : 338

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"The little-known story of viceregal Mexico is told by an international team of scholars whose work was previously available only piecemeal or not at all in English. Much of their research was undertaken especially for this volume."--BOOK JACKET.

Author: Mexico. Secretaría de Educación Pública
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 150

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Author: Agustín Laó-Montes
Publisher: Columbia University Press
ISBN: 0231505442
Category : Social Science
Languages : en
Pages : 519

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New York is the capital of mambo and a global factory of latinidad. This book covers the topic in all its multifaceted aspects, from Jim Crow baseball in the first half of the twentieth century to hip hop and ethno-racial politics, from Latinas and labor unions to advertising and Latino culture, from Cuban cuisine to the language of signs in New York City. Together the articles map out the main conceptions of Latino identity as well as the historical process of Latinization of New York. Mambo Montage is both a way of imagining latinidad and an angle of vision on the city.

Author: Mexico. Secretaría de Educación Pública
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 1644

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Author: Mercedes Ballesteros
Publisher:
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Category :
Languages : en
Pages : 208

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Author: Luis Argudín
Publisher:
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Languages : es
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Author: Kathleen Deagan
Publisher: University Press of Florida
ISBN: 1683403592
Category : Social Science
Languages : en
Pages : 356

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Life in an Indigenous town during an understudied era of Haitian history This book details the Indigenous Taíno occupation at En Bas Saline in Hispaniola between AD 1250 and 1520, showing how the community coped with the dramatic changes imposed by Spanish contact. En Bas Saline is the largest late precontact Taíno town recorded in what is now Haiti; the only one that has been extensively excavated and analyzed; and one of few with archaeologically documented occupation both before and after the arrival of Columbus in 1492. It is thought to be the site of La Navidad, Columbus’s first settlement, where the cacique Guacanagarí offered refuge and shelter after the sinking of the Santa María. Kathleen Deagan provides an intrasite and spatial analysis of En Bas Saline by focusing on households, foodways, ceramics, and crafts and offers insights into social organization and chiefly power in this political center through domestic and ornamental material culture. Postcontact changes are seen in patterns of gendered behavior, as well as in the power base of the caciques, challenging the traditional assumption that Taíno society was devastatingly disrupted almost immediately after contact. En Bas Saline is the only archaeological account of the consequences of contact from the perspective of the Taíno peoples’ lived experience. A volume in the Florida Museum of Natural History: Ripley P. Bullen Series

Author: Antonio de Lucas Martínez
Publisher: Univ de Castilla La Mancha
ISBN: 9788484271284
Category : Nature
Languages : en
Pages : 108

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Edición bilingüe español/inglés, con cuadros e ilustraciones a color. ÍNDICE: 1.- Antecedentes (Universidad y Ciudad; La otra ciudad histórica). 2.- Introducción. 3.- La Fábrica de Armas como campus de la UCLM (Fases previstas para la rehabilitación). 4.- Programa de rehabilitación y construcción ecológica. 5.- Programa energético. 6.- Programa de tratamiento integral del agua. 7.- Programa de gestión interna de residuos.

Author: Elena Shtromberg
Publisher: Getty Publications
ISBN: 1606067923
Category : Art
Languages : en
Pages : 290

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With insightful essays and interviews, this volume examines how artists have experimented with the medium of video across different regions of Latin America since the 1960s. The emergence of video art in Latin America is marked by multiple points of development, across more than a dozen artistic centers, over a period of more than twenty-five years. When it was first introduced during the 1960s, video was seen as empowering: the portability of early equipment and the possibility of instant playback allowed artists to challenge and at times subvert the mainstream media. Video art in Latin America was—and still is—closely related to the desire for social change. Themes related to gender, ethnic, and racial identity as well as the consequences of social inequality and ecological disasters have been fundamental to many artists’ practices. This compendium explores the history and current state of artistic experimentation with video throughout Latin America. Departing from the relatively small body of existing scholarship in English, much of which focuses on individual countries, this volume approaches the topic thematically, positioning video artworks from different periods and regions throughout Latin America in dialogue with each other. Organized in four broad sections—Encounters, Networks and Archives, Memory and Crisis, and Indigenous Perspectives—the book’s essays and interviews encourage readers to examine the medium of video across varied chronologies and geographies.