Empire Songbook PDF Download

Author: Timbaland
Publisher: Hal Leonard Corporation
ISBN: 1495030679
Category : Music
Languages : en
Pages : 150

View

Book Description
(Piano/Vocal/Guitar Songbook). Timbaland produced all 11 songs on this critically acclaimed soundtrack to the inaugural season of the hit FOX TV show Empire . Our folio features piano/vocal/guitar arrangements of all the songs, including: Good Enough (Jussie Smollett) * Power of the Empire (Yazz) * Remember the Music (Jennifer Hudson) * Shake Down (Mary J. Blige & Terrence Howard) * Walk Out on Me (Courtney Love) * What Is Love (V. Bozeman) * and more.

Author: Cumberland Clark
Publisher:
ISBN:
Category : Songbooks, English
Languages : en
Pages : 240

View

Book Description

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 334

View

Book Description

Author: Marisa Galvez
Publisher: University of Chicago Press
ISBN: 0226280519
Category : Art
Languages : en
Pages : 298

View

Book Description
The medieval songbook as emergent genre -- Paradigms: the Carmina Burana and the Libro de Buen Amor -- Producing opaque coherence: lyric presence and names in songbooks -- Shifting mediality: visualizing lyric texts in songbooks -- Cancioneros and the art of the songbook -- Conclusion: songbook medievalisms.

Author: Hal Leonard Corp.
Publisher: Hal Leonard Corporation
ISBN: 154003870X
Category : Music
Languages : en
Pages : 258

View

Book Description
(Piano/Vocal/Guitar Songbook). 18 of the best from '18 are included in this collection for piano, voice and guitar. Includes: Back to You (Selena Gomez) * Boo'd Up (Ella Mai) * Call Out My Name (The Weeknd) * Delicate (Taylor Swift) * Heaven (Kane Brown) * In My Blood (Shawn Mendes) * Let You Down (NF) * Meant to Be (Bebe Rexha feat. Florida Georgia Line) * The Middle (Zedd, Maren Morris & Grey) * Never Be the Same (Camila Cabello) * New Rules (Dua Lipa) * No Tears Left to Cry (Ariana Grande) * and more.

Author: Joseph P. McDermott
Publisher: Hong Kong University Press
ISBN: 988820808X
Category : History
Languages : en
Pages : 363

View

Book Description
This volume provides the first comparative survey of the relations between the two most active book worlds in Eurasia between 1450 and 1850. Prominent scholars in book history explore different approaches to publishing, printing, and book culture. They discuss the extent of technology transfer and book distribution between the two regions and show how much book historians of East Asia and Europe can learn from one another by raising new questions, exploring remarkable similarities and differences in these regions’ production, distribution, and consumption of books. The chapters in turn show different ways of writing transnational comparative history. Whereas recent problems confronting research on European books can instruct researchers on East Asian book production, so can the privileged role of noncommercial publications in the East Asian textual record highlight for historians of the European book the singular contribution of commercial printing and market demands to the making of the European printed record. Likewise, although production growth was accompanied in both regions by a wider distribution of books, woodblock technology’s simplicity and mobility allowed for a shift in China of its production and distribution sites farther down the hierarchy of urban sites than was common in Europe. And, the different demands and consumption practices within these two regions’ expanding markets led to different genre preferences and uses as well as to the growth of distinctive female readerships. A substantial introduction pulls the work together and the volume ends with an essay that considers how these historical developments shape the present book worlds of Eurasia. “This splendid volume offers expert new insight into the ways of producing, financing, distributing, and reading printed books in early modern Europe and East Asia. This is comparative history at its best, which leaves us with a better understanding of each context and of the challenges common to book cultures across space and time.” —Ann Blair, author of Too Much to Know: Managing Scholarly Information before the Modern Age and professor of history, Harvard University “This engrossing account of the history of the book by leading specialists on the European and East Asian publishing worlds takes stock of what we know—and how much we still need to know—about the places that books had in the lives of our early modern forebears. Each chapter is masterful state-of-the-field coverage of its subject, and together they set a new standard for future studies of the book, East and West.” —Timothy Brook, author of The Troubled Empire: China in the Yuan and Ming Dynasties

Author: Cumberland Clark
Publisher:
ISBN:
Category : Australia
Languages : en
Pages : 124

View

Book Description
Introduction to the discovery, history and geography of Australia; includes brief description of the Aborigines (pp.20-21).

Author: Michael J. Hughes
Publisher: NYU Press
ISBN: 081473748X
Category : Biography & Autobiography
Languages : en
Pages : 298

View

Book Description
The men who fought in Napoleon’s Grande Armée built a new empire that changed the world. Remarkably, the same men raised arms during the French Revolution for liberté, égalité, and fraternité. In just over a decade, these freedom fighters, who had once struggled to overthrow tyrants, rallied to the side of a man who wanted to dominate Europe. What was behind this drastic change of heart? In this ground-breaking study, Michael J. Hughes shows how Napoleonic military culture shaped the motivation of Napoleon’s soldiers. Relying on extensive archival research and blending cultural and military history, Hughes demonstrates that the Napoleonic regime incorporated elements from both the Old Regime and French Revolutionary military culture to craft a new military culture, characterized by loyalty to both Napoleon and the preservation of French hegemony in Europe. Underscoring this new, hybrid military culture were five sources of motivation: honor, patriotism, a martial and virile masculinity, devotion to Napoleon, and coercion. Forging Napoleon's Grande Armée vividly illustrates how this many-pronged culture gave Napoleon’s soldiers reasons to fight.

Author: Josephine Hoegaerts
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111079430
Category : History
Languages : en
Pages : 227

View

Book Description
Histories of voice are often written as accounts of greatness: great statesmen, notable rebels, grands discours, and famous exceptional speakers and singers populate our shelves. This focus on the great and exceptional has not only led to disproportionate attention to a small subset of historical actors (powerful, white, western men and the occasional token woman), but also obscures the broad range of vocal practices that have informed, co-created and given meaning to human lives and interactions in the past. For most historical actors, life did not consist of grand public speeches, but of private conversations, intimate whispers, hot gossip or interminable quarrels. This volume suggests an extended practice of eavesdropping: rather than listening out for exceptional voices, it listens in on the more mundane aspects of vocality, including speech and song, but also less formalized shouts, hisses, noises and silences. Ranging from the Scottish highlands to China, from the bedroom to the platform, and from the 18th until the 20th century, contributions to this volume seek out spaces and moments that have been documented idiosyncratically or with difficulty, and where the voice and its sounds can be of particular salience. In doing so, the volume argues for a heightened attention to who speaks, and whose voices resound in history, but refuses to take the modern equation between speech and presence/representation for granted.

Author: Elizabeth Eva Leach
Publisher: Boydell & Brewer
ISBN: 1783276525
Category : History
Languages : en
Pages : 287

View

Book Description
Detailed exploration of an enigmatic manuscript containing the texts to hundreds of songs, but no musical notation. The medieval songbook known variously as trouvère manuscript C or the "Bern Chansonnier" (Bern, Burgerbibliothek, Cod. 389) is one of the most important witnesses to musical life in thirteenth-century France. Almost certainly copied in Metz, it provides the texts to over five hundred Old French songs, and is a unique insight into cultures of song-making and copying on the linguistic and political borders between French and German-speaking lands in the Middle Ages. Notably, the names of trouvères, including several female poet-musicians, are found in its margins, names which would be unknown today without this evidence. However, the manuscript has received relatively little scholarly attention, partly because the songs' musical staves remained empty for reasons now unknown, and partly because of where it was copied. This collection of essays is the first to consider C on its own terms and from a range of disciplinary perspectives, including philology, art history, literary studies, and musicology. The contributors explore the process of creating the complex object that is a music manuscript, examining the work of the scribes and artists who worked on C, and questioning how scribes acquired and organised exemplars for copying. The peculiarly Messine flavour of the repertoire and authors is also discussed, with contributors showing that C frames the tradition of Old French song from a unique perspective. As a whole, the volume demonstrates how in this eastern hub of music and poetry, poet-composers, readers, and scribes interacted with the courtly song tradition in fascinating and unusual ways.