Emotions in the Human Voice, Volume 1 PDF Download

Author: Krzysztof Izdebski
Publisher: Plural Publishing
ISBN: 1597568309
Category : Medical
Languages : en
Pages : 265

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Author: Krzysztof Izdebski
Publisher: Plural Publishing
ISBN: 1597568287
Category : Medical
Languages : en
Pages : 361

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Author: Krzysztof Izdebski
Publisher: Plural Publishing
ISBN: 1597568295
Category : Medical
Languages : en
Pages : 321

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Book Description

Author: Krzysztof Izdebski
Publisher: Plural Publishing
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 332

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Book Description
"This book introduces foundations of vocal examined emotions and the vocal expressions of affective states are included. Theoretical aspects of emotions in the human voice are, incorporating both historical perspectives as well as new theoretical approaches. Vocal aspects of affective states are approached from many points of view and linked with affective dimensions and categories. Discussed among the nonverbal cues is the role of pitch, loudness, spectrum and speech rate. Findings are linked to the many fields that study emotions. The volume also discusses what constitutes an emotion, the function of the emotions in our life, and what is vocally transmitted to comprehend these states."--pub. desc. v.1.

Author: Krzysztof Izdebski
Publisher: Plural Publishing
ISBN:
Category : Medical
Languages : en
Pages : 276

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Book Description
"This book introduces foundations of vocal examined emotions and the vocal expressions of affective states are included. Theoretical aspects of emotions in the human voice are, incorporating both historical perspectives as well as new theoretical approaches. Vocal aspects of affective states are approached from many points of view and linked with affective dimensions and categories. Discussed among the nonverbal cues is the role of pitch, loudness, spectrum and speech rate. Findings are linked to the many fields that study emotions. The volume also discusses what constitutes an emotion, the function of the emotions in our life, and what is vocally transmitted to comprehend these states."--pub. desc. v.1.

Author:
Publisher:
ISBN: 9781597560733
Category :
Languages : en
Pages :

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Author: Jo Witek
Publisher: Abrams
ISBN: 164700828X
Category : Juvenile Fiction
Languages : en
Pages : 32

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Celebrate feelings in all their shapes and sizes in this New York Times bestselling picture book from the Growing Hearts series! Happiness, sadness, bravery, anger, shyness . . . our hearts can feel so many feelings! Some make us feel as light as a balloon, others as heavy as an elephant. In My Heart explores a full range of emotions, describing how they feel physically, inside, with language that is lyrical but also direct to empower readers to practice articulating and identifying their own emotions. With whimsical illustrations and an irresistible die-cut heart that extends through each spread, this gorgeously packaged and unique feelings book is sure to become a storytime favorite.

Author: Jody Kreiman
Publisher: John Wiley & Sons
ISBN: 144439505X
Category : Language Arts & Disciplines
Languages : en
Pages : 512

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Book Description
Foundations of Voice Studies provides a comprehensive description and analysis of the multifaceted role that voice quality plays in human existence. Offers a unique interdisciplinary perspective on all facets of voice perception, illustrating why listeners hear what they do and how they reach conclusions based on voice quality Integrates voice literature from a multitude of sources and disciplines Supplemented with practical and approachable examples, including a companion website with sound files at www.wiley.com/go/voicestudies Explores the choice of various voices in advertising and broadcasting, and voice perception in singing voices and forensic applications Provides a straightforward and thorough overview of vocal physiology and control

Author: Anjali Bhatara
Publisher: Frontiers E-books
ISBN: 2889192636
Category : Emotions in music
Languages : en
Pages : 295

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Book Description
Two of the most important social skills in humans are the ability to determine the moods of those around us, and to use this to guide our behavior. To accomplish this, we make use of numerous cues. Among the most important are vocal cues from both speech and non-speech sounds. Music is also a reliable method for communicating emotion. It is often present in social situations and can serve to unify a group's mood for ceremonial purposes (funerals, weddings) or general social interactions. Scientists and philosophers have speculated on the origins of music and language, and the possible common bases of emotional expression through music, speech and other vocalizations. They have found increasing evidence of commonalities among them. However, the domains in which researchers investigate these topics do not always overlap or share a common language, so communication between disciplines has been limited. The aim of this Research Topic is to bring together research across multiple disciplines related to the production and perception of emotional cues in music, speech, and non-verbal vocalizations. This includes natural sounds produced by human and non-human primates as well as synthesized sounds. Research methodology includes survey, behavioral, and neuroimaging techniques investigating adults as well as developmental populations, including those with atypical development. Studies using laboratory tasks as well as studies in more naturalistic settings are included.

Author: Mark Grimshaw-Aagaard
Publisher: Oxford University Press
ISBN: 0190460172
Category : Music
Languages : en
Pages : 752

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Book Description
Whether social, cultural, or individual, the act of imagination always derives from a pre-existing context. For example, we can conjure an alien's scream from previously heard wildlife recordings or mentally rehearse a piece of music while waiting for a train. This process is no less true for the role of imagination in sonic events and artifacts. Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other aural arenas where the imagination holds similar power. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination in architectural design; and the design of sound artifacts for cinema and computer games.