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Elizabethan Romance in the Eighteenth Century

Elizabethan Romance in the Eighteenth Century PDF Author: H. G. De Maar
Publisher:
ISBN: 9781258857226
Category :
Languages : en
Pages : 256

Book Description
This is a new release of the original 1924 edition.

Elizabethan Romance in the Eighteenth Century

Elizabethan Romance in the Eighteenth Century PDF Author: H. G. De Maar
Publisher:
ISBN: 9781258857226
Category :
Languages : en
Pages : 256

Book Description
This is a new release of the original 1924 edition.

Elizabethan Romance in the Eighteenth Century

Elizabethan Romance in the Eighteenth Century PDF Author: Harko Gerrit de Maar
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 266

Book Description


Elizabethan Romance in the Eighteenth Century

Elizabethan Romance in the Eighteenth Century PDF Author: Harko Gerrit de Maar
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 272

Book Description


Elizabethan romance in the eighteenth century

Elizabethan romance in the eighteenth century PDF Author: H. G. de Maar (Dr.)
Publisher:
ISBN:
Category :
Languages : nl
Pages :

Book Description


Elizabethan Romance in the Eighteenth Century. Academisch Proefschrift, Etc

Elizabethan Romance in the Eighteenth Century. Academisch Proefschrift, Etc PDF Author: Harko Gerrit de MAAR
Publisher:
ISBN:
Category :
Languages : en
Pages : 268

Book Description


Romance for Sale in Early Modern England

Romance for Sale in Early Modern England PDF Author: Steve Mentz
Publisher: Routledge
ISBN: 1351902601
Category : Literary Criticism
Languages : en
Pages : 272

Book Description
The major claim made by this study is that early modern English prose fiction self-consciously invented a new form of literary culture in which professional writers created books to be printed and sold to anonymous readers. It further claims that this period's narrative innovations emerged not solely from changes in early modern culture like print and the book market, but also from the rediscovery of a forgotten late classical text from North Africa, Heliodorus's Aethiopian History. In making these claims, Steve Mentz provides a comprehensive historicist and formalist account of prose romance, the most important genre of Elizabethan fiction. He explores how authors and publishers of prose fiction in late sixteenth-century England produced books that combined traditional narrative forms with a dynamic new understanding of the relationship between text and audience. Though prose fiction would not dominate English literary culture until the eighteenth century, Mentz demonstrates that the form began to invent itself as a distinct literary kind in England nearly two centuries earlier. Examining the divergent but interlocking careers of Robert Greene, Sir Philip Sidney, Thomas Lodge, and Thomas Nashe, Mentz traces how through differing commitments to print culture and their respective engagements with Heliodoran romance, these authors helped make the genre of prose fiction culturally and economically viable in England. Mentz explores how the advent of print and the book market changed literary discourse, influencing new conceptions of what he calls 'middlebrow' narrative and new habits of reading and writing. This study draws together three important strains of current scholarly inquiry: the history of the book and print culture, the study of popular fiction, and the re-examination of genre and influence. It also connects early modern fiction with longer histories of prose fiction and the rise of the modern novel.

Reading Popular Romance in Early Modern England

Reading Popular Romance in Early Modern England PDF Author: Lori Humphrey Newcomb
Publisher: Columbia University Press
ISBN: 9780231123785
Category : Drama
Languages : en
Pages : 368

Book Description
This volume examines the proliferation of popular romances, their vilification by elite writers, and the ultimate opposition of "popular" and "literary" fiction. Using Robert Greene's "Pandosto" (1585), an Elizabethan prose romance that inspired Shakespeare's late play "The Winter's Tale" as a case study, Newcomb demonstrates that versions of the two texts repeatedly converge, resisting simple high/low division. Because Shakespeare's works are considered timeless literary achievements, critics have distanced his plays from their romance sources--a separation that until now has gone largely unquestioned. Newcomb challenges this assumption, providing a fascinating account of an early best-seller's incarnations over 250 years of literary history.

The Elizabethan Influence on the Tragedy of the Late Eighteenth and the Early Nineteenth Centuries

The Elizabethan Influence on the Tragedy of the Late Eighteenth and the Early Nineteenth Centuries PDF Author: William Page Harbeson
Publisher: Forgotten Books
ISBN: 9781330325469
Category : Literary Collections
Languages : en
Pages : 89

Book Description
Excerpt from The Elizabethan Influence on the Tragedy of the Late Eighteenth and the Early Nineteenth Centuries This work purposes an examination of tragedy during parts of the eighteenth and nineteenth centuries for evidence of an Elizabethan revival. The drama made a considerable contribution to the literature of the Romantic Period. It experienced reaction against the extreme classicism of Pope and Boileau, as did poetry; and like poetry it expressed the reaction in a freer form, a deeper lyric feeling, and an increased appreciation of natural background. That the results in the field of drama are disappointing intrinsically and in quantity with those in other literary fields is due to a set of causes that need not be discussed here. The phenomena, however, were unquestionably present. In the plays of the later eighteenth century one becomes increasingly aware that the ennui of the age and the prosaic character of its life are producing a natural revulsion of feeling; one notices, slightly at first, then very evidently, the influence of romantic forces like the Reliques, the researches of Gray and Warton, the Garrick Shakespeare, and later the strong tides of German romanticism. Each of these new tendencies pointed back to the glamor of an older time, when life, partly it is true because of retrospect, but partly also because of its inherent qualities, was a colorful pageant, and a happily unlearned people still felt the mystery of existence and wonder about things eternal. Playwrights and poets alike experienced that "Revival of the Middle Ages" that Heine gives as his definition of romance. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Elizabethan Poetry in the Eighteenth Century

Elizabethan Poetry in the Eighteenth Century PDF Author: Earl Reeves Wasserman
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 306

Book Description


Romance for Sale in Early Modern England

Romance for Sale in Early Modern England PDF Author: Steve Mentz
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754654698
Category : History
Languages : en
Pages : 284

Book Description
Steve Mentz provides a comprehensive historicist and formalist account of prose romance, the most important genre of Elizabethan fiction. He explores how authors and publishers of prose fiction in late sixteenth-century England produced books that combined traditional narrative forms with a dynamic new understanding of the relationship between text and audience. Though prose fiction would not dominate English literary culture until the eighteenth century, Mentz demonstrates that the form began to invent itself as a distinct literary kind in England nearly two centuries earlier.