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Author: Blakemore G. Evans Publisher: New Amsterdam Books ISBN: 1461710790 Category : Performing Arts Languages : en Pages : 434
Book Description
The purpose of this absorbing collection is to illuminate the world of the theatre by setting it squarely in its historical context. To that end, Professor Evans draws on the whole spectrum of Elizabethan-Jacobean writing, from official documents to diaries and letters. Part I, The Theatre and the World, deals, through contemporary writings, with the drama itself, the audiences and their responses, theatrical companies, acting and actors, and buildings and technical matters. Part II, The Worlds and the Theatre, illustrates how the problems of everyday life, complicated as they were by moral, religious, social, political, and economic issues, provided an ever-fruitful source of materials to the dramatists who practiced their craft during this extraordinarily creative period.
Author: Blakemore G. Evans Publisher: New Amsterdam Books ISBN: 1461710790 Category : Performing Arts Languages : en Pages : 434
Book Description
The purpose of this absorbing collection is to illuminate the world of the theatre by setting it squarely in its historical context. To that end, Professor Evans draws on the whole spectrum of Elizabethan-Jacobean writing, from official documents to diaries and letters. Part I, The Theatre and the World, deals, through contemporary writings, with the drama itself, the audiences and their responses, theatrical companies, acting and actors, and buildings and technical matters. Part II, The Worlds and the Theatre, illustrates how the problems of everyday life, complicated as they were by moral, religious, social, political, and economic issues, provided an ever-fruitful source of materials to the dramatists who practiced their craft during this extraordinarily creative period.
Author: Coburn Freer Publisher: Johns Hopkins University Press ISBN: 9781421434292 Category : Literary Criticism Languages : en Pages : 280
Book Description
Freer's commentary and theoretical explanations suggest both why and how we should pay closer attention to the poetry of Renaissance drama.
Author: T. B. Tomlinson Publisher: Cambridge University Press ISBN: 9780521148276 Category : Literary Criticism Languages : en Pages : 310
Book Description
This study combines a consideration of the general issues affecting Elizabethan and Jacobean tragedy with particular comment on plays.
Author: Gwynne Blakemore Evans Publisher: ISBN: 9780713631425 Category : Great Britain Languages : en Pages : 388
Book Description
Using selections from the whole spectrum of the writing of the period, this book places the world of theatre in the immediate context of the life of the time and shows the problems of everyday life as the source of material for Shakespeare and his contemporaries.
Author: Callan Davies Publisher: Routledge ISBN: 100017431X Category : Drama Languages : en Pages : 314
Book Description
Callan Davies presents “strangeness” as a fresh critical paradigm for understanding the construction and performance of Jacobean drama—one that would have been deeply familiar to its playwrights and early audiences. This study brings together cultural analysis, philosophical enquiry, and the history of staged special effects to examine how preoccupation with the strange unites the verbal, visual, and philosophical elements of performance in works by Marston, Shakespeare, Middleton, Dekker, Heywood, and Beaumont and Fletcher. Strangeness in Jacobean Drama therefore offers an alternative model for understanding this important period of English dramatic history that moves beyond categories such as “Shakespeare’s late plays,” “tragicomedy,” or the home of cynical and bloodthirsty tragedies. This book will be of great interest to students and scholars of early modern drama and philosophy, rhetorical studies, and the history of science and technology.
Author: Christopher Marlowe Publisher: A&C Black ISBN: 140814445X Category : Drama Languages : en Pages : 221
Book Description
One of the smash hits of the late 1580s and 90s, Tamburlaine established blank verse as the poetic line of English Renaissance drama, Edward Alleyn as the first English star actor and Marlowe as one of the foremost playwrights of his time. The rise and fall of a Scythian peasant-warrior who conquers the Middle East and is struck down by illness after burning the books of the Koran is presented in two parts crammed with theatrical splendour and equally spectacular cruelty. Marlowe's original audiences were delighted with the blasphemous and ruthlessly ambitious hero; the introduction to this edition discusses the problems that such a character poses for modern audiences and highlights the undercurrents of the play that lead towards a more ironic interpretation.
Author: David Scott Kastan Publisher: Routledge ISBN: 1317949803 Category : Literary Criticism Languages : en Pages : 305
Book Description
First published in 1992. In the English Renaissance theater, the text is structured by the multiple and complex collaborations that the theater demanded between patrons and players, playwrights and printers, playhouses and playgoers. The essays in this volume attempt to register these collaborations, emphasizing the ways in which the theater is at once responsive to and constitutive of the social formations of Renaissance England. At the same time, these essays recognize that their historical grounding is not unproblematic.