Author: United States. Congress. Senate. Committee on ClaimsPublisher:
ISBN:
Category :
Languages : en
Pages : 4
Book Description
Elizabeth B. Eddy. July 29, 1919. -- Ordered to be Printed
Author: United States. Congress. Senate. Committee on ClaimsPublisher:
ISBN:
Category :
Languages : en
Pages : 4
Book Description
Elizabeth B. Eddy. February 11, 1919. -- Ordered to be Printed
Author: United States. Congress. Senate. Committee on ClaimsPublisher:
ISBN:
Category :
Languages : en
Pages : 3
Book Description
Elizabeth B. Eddy. June 24, 1921. -- Ordered to be Printed
Author: United States. Congress. Senate. Committee on ClaimsPublisher:
ISBN:
Category :
Languages : en
Pages : 4
Book Description
Elizabeth B. Eddy. January 11, 1928. -- Ordered to be Printed
Author: United States. Congress. Senate. Committee on ClaimsPublisher:
ISBN:
Category :
Languages : en
Pages : 4
Book Description
Elizabeth B. Eddy. January 19, 1911. -- Ordered to be Printed
Author: United States. Congress. Senate. Committee on ClaimsPublisher:
ISBN:
Category :
Languages : en
Pages : 3
Book Description
Elizabeth B. Eddy. January 22, 1924. -- Ordered to be Printed
Author: United States. Congress. Senate. Committee on ClaimsPublisher:
ISBN:
Category :
Languages : en
Pages : 4
Book Description
Elizabeth B. Eddy. January 6 (calendar Day, March 18), 1930. -- Ordered to be Printed
Author: United States. Congress. Senate. Committee on ClaimsPublisher:
ISBN:
Category :
Languages : en
Pages : 5
Book Description
Elizabeth B. Eddy. April 15, 1902. -- Committee to the Committee of the Whole House and Ordered to be Printed
Author: United States. Congress. House. Committee on ClaimsPublisher:
ISBN:
Category :
Languages : en
Pages : 2
Book Description
Historical Painting Techniques, Materials, and Studio Practice
Author: Arie WallertPublisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Author: Steven E. Clay