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Author: Stephen Bourne Publisher: Scarecrow Press ISBN: 9780810854130 Category : Biography & Autobiography Languages : en Pages : 204
Book Description
From her stage debut in 1922 to her final professional appearance in 1996, Elisabeth Welch was an important figure in the world of popular song. In 1923 she launched the Charleston and throughout the Jazz Age, she was associated with some of the great names of the Harlem Renaissance, including Josephine Baker, Adelaide Hall, Bill 'Bojangles' Robinson, and Ethel Waters. On Broadway she popularized Cole Porter's scandalous song "Love for Sale." After settling in London in 1933, she introduced the classic torch song "Stormy Weather" to British audiences, and that same year she began a career in English musical theatre (Cole Porter's Nymph Errant) that lasted sixty years. In 1930s Britain, Ivor Novello wrote songs for her, Paul Robeson was her leading man in films, and she enjoyed popularity as a cabaret star of London's cafe society. Remaining in her adopted country for the duration of the war (1939-45), Elisabeth entertained the troops and the British public, alongside such theatrical giants as Sir John Gielgud. In the post-war years she reigned supreme in sophisticated revues in London's West End. In 1979 Elisabeth's appearance in Derek Jarman's film version of William Shakespeare's The Tempest (in which she sang "Stormy Weather") won her a whole new legion of fans. At the age of 81, she returned to the Broadway stage and her performance in Jerome Kern Goes to Hollywood earned her a Tony nomination. In Elisabeth Welch: Soft Lights and Sweet Music, author Stephen Bourne celebrates the stage, screen, and radio career of this sophisticated African American actress and singer, who always defied categorization. Spanning almost a century of popular music, she did not fit the definition of jazz, torch, pop or ballad singer but defined her art quite simply as "telling a story in song." Whatever she sang, she demonstrated that she had no peer in the art of interpreting songs by the likes of Cole Porter, No l Coward, Irving Berlin and Jerome Kern. Includes more than 25 photos.
Author: Stephen Bourne Publisher: Scarecrow Press ISBN: 9780810854130 Category : Biography & Autobiography Languages : en Pages : 204
Book Description
From her stage debut in 1922 to her final professional appearance in 1996, Elisabeth Welch was an important figure in the world of popular song. In 1923 she launched the Charleston and throughout the Jazz Age, she was associated with some of the great names of the Harlem Renaissance, including Josephine Baker, Adelaide Hall, Bill 'Bojangles' Robinson, and Ethel Waters. On Broadway she popularized Cole Porter's scandalous song "Love for Sale." After settling in London in 1933, she introduced the classic torch song "Stormy Weather" to British audiences, and that same year she began a career in English musical theatre (Cole Porter's Nymph Errant) that lasted sixty years. In 1930s Britain, Ivor Novello wrote songs for her, Paul Robeson was her leading man in films, and she enjoyed popularity as a cabaret star of London's cafe society. Remaining in her adopted country for the duration of the war (1939-45), Elisabeth entertained the troops and the British public, alongside such theatrical giants as Sir John Gielgud. In the post-war years she reigned supreme in sophisticated revues in London's West End. In 1979 Elisabeth's appearance in Derek Jarman's film version of William Shakespeare's The Tempest (in which she sang "Stormy Weather") won her a whole new legion of fans. At the age of 81, she returned to the Broadway stage and her performance in Jerome Kern Goes to Hollywood earned her a Tony nomination. In Elisabeth Welch: Soft Lights and Sweet Music, author Stephen Bourne celebrates the stage, screen, and radio career of this sophisticated African American actress and singer, who always defied categorization. Spanning almost a century of popular music, she did not fit the definition of jazz, torch, pop or ballad singer but defined her art quite simply as "telling a story in song." Whatever she sang, she demonstrated that she had no peer in the art of interpreting songs by the likes of Cole Porter, No l Coward, Irving Berlin and Jerome Kern. Includes more than 25 photos.
Author: Henry Louis Gates (Jr.) Publisher: ISBN: 0195387953 Category : Art Languages : en Pages : 609
Book Description
The Harlem Renaissance is the best known and most widely studied cultural movement in African American history. Now, in Harlem Renaissance Lives, esteemed scholars Henry Louis Gates Jr. and Evelyn Brooks Higginbotham have selected 300 key biographical entries culled from the eight-volume African American National Biography, providing an authoritative who's who of this seminal period. Here readers will find engagingly written and authoritative articles on notable African Americans who made significant contributions to literature, drama, music, visual art, or dance, including such central figures as poet Langston Hughes, novelist Zora Neale Hurston, aviator Bessie Coleman, blues singer Ma Rainey, artist Romare Bearden, dancer Josephine Baker, jazzman Louis Armstrong, and the intellectual giant W. E. B. Du Bois. Also included are biographies of people like the Scottsboro Boys, who were not active within the movement but who nonetheless profoundly affected the artistic and political statements that came from Harlem Renaissance figures. The volume will also feature a preface by the editors, an introductory essay by historian Cary D. Wintz, and 75 illustrations.
Author: Dan Dietz Publisher: McFarland ISBN: 0786457317 Category : Performing Arts Languages : en Pages : 657
Book Description
Despite an often unfair reputation as being less popular, less successful, or less refined than their bona-fide Broadway counterparts, Off Broadway musicals deserve their share of critical acclaim and study. A number of shows originally staged Off Broadway have gone on to their own successful Broadway runs, from the ever-popular A Chorus Line and Rent to more off-beat productions like Avenue Q and Little Shop of Horrors. And while it remains to be seen if other popular Off Broadway shows like Stomp, Blue Man Group, and Altar Boyz will make it to the larger Broadway theaters, their Off Broadway runs have been enormously successful in their own right. This book discusses more than 1,800 Off Broadway, Off Off Broadway, showcase, and workshop musical productions. It includes detailed descriptions of Off Broadway musicals that closed in previews or in rehearsal, selected musicals that opened in Brooklyn and in New Jersey, and American operas that opened in New York, along with general overviews of Off Broadway institutions such as the Light Opera of Manhattan. The typical entry includes the name of the host theater or theaters; the opening date and number of performances; the production's cast and creative team; a list of songs; a brief plot synopsis; and general comments and reviews from the New York critics. Besides the individual entries, the book also includes a preface, a bibliography, and 21 appendices including a discography, filmography, a list of published scripts, and lists of musicals categorized by topic and composer.
Author: Leonard W. Conolly Publisher: University of Toronto Press ISBN: 0802089208 Category : Biography & Autobiography Languages : en Pages : 329
Book Description
George Bernard Shaw's frequently stormy but always creative relationship with the British Broadcasting Corporation was in large part responsible for making him a household name on both sides of the Atlantic. From the founding of the BBC in 1922 to his death in 1950, Shaw supported the BBC by participating in debates, giving talks, permitting radio and television broadcasts of many of his plays - even advising on pronunciation questions. Here, for the first time, Leonard Conolly illuminates the often grudging, though usually mutually beneficial, relationship between two of the twentieth century's cultural giants. Drawing on extensive archival materials held in England, the United States, and Canada, Bernard Shaw and the BBC presents a vivid portrait of many contentious issues negotiated between Shaw and the public broadcaster. This is a fascinating study of how controversial works were first performed in both radio and television's infancies. It details debates about freedom of speech, the editing of plays for broadcast, and the protection of authors' rights to control and profit from works performed for radio and television broadcasts. Conolly also scrutinizes Second World War-era censorship, when the British government banned Shaw from making any broadcasts that questioned British policies or strategies. Rich in detail and brimming with Shaw's irrepressible wit, this book also provides links to online appendices of Shaw's broadcasts for the BBC, texts of Shaw's major BBC talks, extracts from German wartime propaganda broadcasts about Shaw, and the BBC's obituaries for Shaw.
Author: Ross Laird Publisher: Bloomsbury Publishing USA ISBN: 0313370052 Category : Music Languages : en Pages : 762
Book Description
The first comprehensive guide to pre-1934 female popular vocal recordings sung in English—from around the world and including all styles—this discographical study includes solos, duets, trios, and quartets composed by the great songwriters of the early 1900s (from Irving Berlin to Victor Young). The majority of the listings includes material that has not been previously published, and a large number of entries profile such prolific artists as Helen Clark and Gladys Rice, who are not in previous discographies. A special feature includes data on sound-on-disc recording made for early talking-picture musical shorts (especially by Vitaphone) that is not documented elsewhere. A comprehensive title index includes composer credits for the majority of the titles listed. The first comprehensive guide to pre-1934 female popular vocal recordings sung in English—from around the world and including all styles—this discographical study includes solos, duets, trios, and quartets composed by the great songwriters of the early 1900s (from Irving Berlin to Victor Young). The majority of the listings includes material that has not been previously published, and a large number of entries profile such prolific artists as Helen Clark and Gladys Rice, who are not in previous discographies. A special feature includes data on sound-on-disc recording made for early talking-picture musical shorts (especially by Vitaphone) that is not documented elsewhere. A comprehensive title index includes composer credits for the majority of the titles listed. Many of the records documented in this volume are by the artists who introduced these songs at this time or who performed them in the original productions of the shows or movies for which they were written. The singing styles include those of cabaret performers, music-hall and vaudeville acts. Songs for the stage, screen, and radio are also included.
Author: Stephen Bourne Publisher: A&C Black ISBN: 0826455395 Category : Social Science Languages : en Pages : 274
Book Description
In this updated edition of Stephen Bourne's acclaimed and award-winning study, the author takes a personal look at the history of black people in popular British film and television. He documents, from original research and interviews, experiences and representations which have been ignored in previous media books about people of African descent. There are chapters about Paul Robeson, silent films, soap operas and much more--as well as several useful appendices including award winners and suggestions for further reading.
Author: Stephen Bourne Publisher: A&C Black ISBN: 144116135X Category : Social Science Languages : en Pages : 273
Book Description
In this updated edition of his acclaimed and award-winning study, Stephen Bourne takes a personal look at the history of black people in popular British film and television. He documents, from original research and interviews, the experiences and representations which have been ignored in previous media books about people of African descent. There are chapters about Paul Robeson, Newton I. Aduaka, soap operas and much more - as well as several useful appendices and suggestions for further reading.
Author: Allison Dorothy Fredette Publisher: University of Georgia Press ISBN: 0820364304 Category : History Languages : en Pages : 304
Book Description
Heartsick and Astonished features twenty-seven divorce cases from mid-nineteenth century America. More than dry legal documents, these cases provide a captivating window into marital life-and strife-in the border South during the tumultuous years before, during, and after the Civil War. Allison Dorothy Fredette has brought these primary documents to light, revealing the inner thoughts, legal hardships, and day-to-day struggles of these average citizens. In Wheeling, West Virginia, the seat of Ohio County, courtrooms bore witness to men and women from various ethnic, racial, and class backgrounds who shared shockingly intimate details of their lives and relationships. Some tried desperately to defend their masculinity or femininity; others hoped to restore their reputations to the legal system and to their community. In an era of uncertainty-when the country was torn in two, when the Wheeling community became the capital of a new state, and when activists across the country began to push for women's rights in the household and family-the divorce cases of ordinary couples reveal changing attitudes toward marriage, gender, and legal separation in a booming border city perched on the edge of the South.
Author: Scott Allen Nollen Publisher: McFarland ISBN: 0786457473 Category : Performing Arts Languages : en Pages : 217
Book Description
This is the first book-length study of the 12 films starring African American Renaissance man Paul Robeson (1898-1976). Singer, actor, author, lawyer, athlete, pacifist and civil rights activist, Robeson was also the first African American to receive top billing in motion pictures, delivering unforgettable characterizations in such classics as The Emperor Jones (1933), Sanders of the River (1935), Show Boat (1936) and The Proud Valley (1940). Original research is provided from primary materials housed at the Schomburg Center for Black Culture in Harlem and the FBI archives in Washington, D.C., and from Robeson's family and friends, including his son Paul Robeson, Jr. Two appendices cover Robeson's film work as offscreen narrator and singer and his many stage appearances. Rare illustrations include never-before-published original studio materials.
Author: Stephen Bourne Publisher: The History Press ISBN: 0752496816 Category : Social Science Languages : en Pages : 212
Book Description
Very little attention has been given to black British and West African and Caribbean citizens who lived and worked on the ‘front line’ during the Second World War. Yet black people were under fire in cities like Bristol, Cardiff, Liverpool, London and Manchester, and many volunteered as civilian defence workers, such as air-raid wardens, firefighters, stretcher-bearers, first-aid workers and mobile canteen personnel. Many helped unite people when their communities faced devastation. Black children were evacuated and black entertainers risked death when they took to the stage during air raids. Despite some evidence of racism, black people contributed to the war effort where they could. The colonies also played an important role in the war effort: support came from places as far away as Trinidad, Jamaica, Guyana and Nigeria. Mother Country tells the story of some of the forgotten Britons whose contribution to the war effort has been overlooked until now.
Author: Stephen Bourne
Author: Stephen Bourne
Author: Henry Louis Gates (Jr.)
Author: Dan Dietz
Author: Leonard W. Conolly
Author: Ross Laird
Author: Stephen Bourne
Author: Stephen Bourne
Author: Allison Dorothy Fredette
Author: Scott Allen Nollen
Author: Stephen Bourne