Author: Annika Forkert
Publisher: Cambridge University Press
ISBN: 1009337351
Category : Music
Languages : en
Pages : 261
Book Description
Unlocks new perspectives on twentieth-century British music, charting Lutyens and Clark's influential and controversial contributions to composition, performance, appreciation, and education.
Elisabeth Lutyens and Edward Clark
Author: Annika Forkert
Publisher: Cambridge University Press
ISBN: 1009337351
Category : Music
Languages : en
Pages : 261
Book Description
Unlocks new perspectives on twentieth-century British music, charting Lutyens and Clark's influential and controversial contributions to composition, performance, appreciation, and education.
Publisher: Cambridge University Press
ISBN: 1009337351
Category : Music
Languages : en
Pages : 261
Book Description
Unlocks new perspectives on twentieth-century British music, charting Lutyens and Clark's influential and controversial contributions to composition, performance, appreciation, and education.
Peggy Glanville-Hicks
Author: James Murdoch
Publisher: Pendragon Press
ISBN: 9781576470770
Category : Biography & Autobiography
Languages : en
Pages : 340
Book Description
The story of her life is an extraordinary tale of riotous fun, cruel lovers, grueling poverty, earnest endeavor, and huge success, peopled by some of the leading performers, writers, and creative artists of her time. As this highly entertaining and informative biography shows us, her love life was disastrous but her friendships were exalted."--BOOK JACKET.
Publisher: Pendragon Press
ISBN: 9781576470770
Category : Biography & Autobiography
Languages : en
Pages : 340
Book Description
The story of her life is an extraordinary tale of riotous fun, cruel lovers, grueling poverty, earnest endeavor, and huge success, peopled by some of the leading performers, writers, and creative artists of her time. As this highly entertaining and informative biography shows us, her love life was disastrous but her friendships were exalted."--BOOK JACKET.
Hammer Film Scores and the Musical Avant-Garde
Author: David Huckvale
Publisher: McFarland
ISBN: 0786451661
Category : Performing Arts
Languages : en
Pages : 238
Book Description
Music in film is often dismissed as having little cultural significance. While Hammer Film Productions is famous for such classic films as Dracula and The Curse of Frankenstein, few observers have noted the innovative music that Hammer distinctively incorporated into its horror films. This book tells how Hammer commissioned composers at the cutting edge of European musical modernism to write their movie scores, introducing the avant-garde into popular culture via the enormously successful venue of horror film. Each chapter addresses a specific category of the avant-garde musical movement. According to these categories, chapters elaborate upon the visionary composers who made the horror film soundtrack a melting pot of opposing musical cultures.
Publisher: McFarland
ISBN: 0786451661
Category : Performing Arts
Languages : en
Pages : 238
Book Description
Music in film is often dismissed as having little cultural significance. While Hammer Film Productions is famous for such classic films as Dracula and The Curse of Frankenstein, few observers have noted the innovative music that Hammer distinctively incorporated into its horror films. This book tells how Hammer commissioned composers at the cutting edge of European musical modernism to write their movie scores, introducing the avant-garde into popular culture via the enormously successful venue of horror film. Each chapter addresses a specific category of the avant-garde musical movement. According to these categories, chapters elaborate upon the visionary composers who made the horror film soundtrack a melting pot of opposing musical cultures.
The Choral Music of Twentieth-Century Women Composers
Author: Catherine Roma
Publisher: Scarecrow Press
ISBN: 1461706505
Category : Music
Languages : en
Pages : 236
Book Description
This book brings to light the choral works of three contemporary British women composers: Elisabeth Lutyens (1906-1983), Elizabeth Maconchy (1907-1994), and Thea Musgrave (1928- ). Earning solid reputations in Britain through their varying compositional styles, their music has revealed them to be substantial, prolific composers who are representative of major trends in twentieth-century British choral composition. Lutyens, often described as a musical pioneer, incorporates a highly personal and imaginative style in her use of twelve-tone technique, and her departures from the strict practice of serial writing are always highly personal and imaginative. Maconchy describes her own technique as 'impassioned argument,' using compositional tools such as contrapuntal textures in both her instrumental and choral works, resulting in a high degree of chromatic color. Musgrave encompasses many modes of expression, from her early choral works featuring tonal diatonic writing, to a free chromatic style with imprecise tonality at times. Complete with historical perspective, musical examples, and reproductions of choral texts, this resource of important and little known contemporary choral works demonstrates the diverse approaches used by these and other contemporary composers, and contributes to the growing literature on women in music.
Publisher: Scarecrow Press
ISBN: 1461706505
Category : Music
Languages : en
Pages : 236
Book Description
This book brings to light the choral works of three contemporary British women composers: Elisabeth Lutyens (1906-1983), Elizabeth Maconchy (1907-1994), and Thea Musgrave (1928- ). Earning solid reputations in Britain through their varying compositional styles, their music has revealed them to be substantial, prolific composers who are representative of major trends in twentieth-century British choral composition. Lutyens, often described as a musical pioneer, incorporates a highly personal and imaginative style in her use of twelve-tone technique, and her departures from the strict practice of serial writing are always highly personal and imaginative. Maconchy describes her own technique as 'impassioned argument,' using compositional tools such as contrapuntal textures in both her instrumental and choral works, resulting in a high degree of chromatic color. Musgrave encompasses many modes of expression, from her early choral works featuring tonal diatonic writing, to a free chromatic style with imprecise tonality at times. Complete with historical perspective, musical examples, and reproductions of choral texts, this resource of important and little known contemporary choral works demonstrates the diverse approaches used by these and other contemporary composers, and contributes to the growing literature on women in music.
Modern Times
Author: Robert P Morgan
Publisher: Springer
ISBN: 1349112917
Category : Music
Languages : en
Pages : 474
Book Description
This volume covers the development of modern music from World War I to the present. Specific musical responses can be identified from the prevailing social, economic and political circumstances. Since World War II musical languages have tended to converge, with developments in technology and communications. Robert P. Morgan is the author of Twentieth Century Music, and co-editor of Alban Berg: Historical and Analytical Perspectives.
Publisher: Springer
ISBN: 1349112917
Category : Music
Languages : en
Pages : 474
Book Description
This volume covers the development of modern music from World War I to the present. Specific musical responses can be identified from the prevailing social, economic and political circumstances. Since World War II musical languages have tended to converge, with developments in technology and communications. Robert P. Morgan is the author of Twentieth Century Music, and co-editor of Alban Berg: Historical and Analytical Perspectives.
Recorded Sound
Toscanini in Britain
Author: Christopher Dyment
Publisher: Boydell Press
ISBN: 1843837897
Category : Biography & Autobiography
Languages : en
Pages : 401
Book Description
This is the first book to describe Arturo Toscanini's activities - the life he led, his concerts and recording sessions - during his visits to London and elsewhere in Britain in the years 1900-1952. During the 1930s Arturo Toscanini conducted many concerts broadcast by the BBC from London's Queen's Hall, where he also made some unsurpassed recordings. Drawing on newly researched material in British and American archives, Christopher Dyment reveals how the most renowned and influential conductor of the twentieth century, notoriously microphone-shy though he was, came to conduct so frequently in London, a tale replete with unexpected twists, turns and ingenious stratagems. Toscanini's dominating influence on London critics and audiences in the period covered by the narrative, extending through to his final appearances at the Royal Festival Hall in 1952, is copiously documented from contemporary sources. Dyment also presents fresh evidence showing how the remarkable combination of passionate conviction and architectural mastery that characterised Toscanini's conducting was grounded not only in his obsessive study of the score but also in his awareness of performing traditions dating back to the mid-nineteenth century. This book will fascinate those with a particular interest in Toscanini's career and recorded legacy. It is also essential reading for anyone with an interest in the history of conducting and recording in the first half of the twentieth century, set against the vividly evoked backdrop of London's concert scene of the period. This comprehensive study includes both an annotated table of all Toscanini's London concerts and his EMI discography. CHRISTOPHER DYMENT has written extensively about historic conductors since the 1970s, particularly Felix Weingartner and Arturo Toscanini. His first book, on Weingartner, was published in 1976.
Publisher: Boydell Press
ISBN: 1843837897
Category : Biography & Autobiography
Languages : en
Pages : 401
Book Description
This is the first book to describe Arturo Toscanini's activities - the life he led, his concerts and recording sessions - during his visits to London and elsewhere in Britain in the years 1900-1952. During the 1930s Arturo Toscanini conducted many concerts broadcast by the BBC from London's Queen's Hall, where he also made some unsurpassed recordings. Drawing on newly researched material in British and American archives, Christopher Dyment reveals how the most renowned and influential conductor of the twentieth century, notoriously microphone-shy though he was, came to conduct so frequently in London, a tale replete with unexpected twists, turns and ingenious stratagems. Toscanini's dominating influence on London critics and audiences in the period covered by the narrative, extending through to his final appearances at the Royal Festival Hall in 1952, is copiously documented from contemporary sources. Dyment also presents fresh evidence showing how the remarkable combination of passionate conviction and architectural mastery that characterised Toscanini's conducting was grounded not only in his obsessive study of the score but also in his awareness of performing traditions dating back to the mid-nineteenth century. This book will fascinate those with a particular interest in Toscanini's career and recorded legacy. It is also essential reading for anyone with an interest in the history of conducting and recording in the first half of the twentieth century, set against the vividly evoked backdrop of London's concert scene of the period. This comprehensive study includes both an annotated table of all Toscanini's London concerts and his EMI discography. CHRISTOPHER DYMENT has written extensively about historic conductors since the 1970s, particularly Felix Weingartner and Arturo Toscanini. His first book, on Weingartner, was published in 1976.
Music and the Making of Medieval Venice
Author: Jamie L. Reuland
Publisher: Cambridge University Press
ISBN: 1009424998
Category : Music
Languages : en
Pages : 301
Book Description
Introducing a new geographical paradigm for the study of medieval music, this path-breaking book uncovers the role of music, liturgy, and ritual in building Venice's empire in the eastern Mediterranean, activating the city's material culture, and shaping its state-craft of the imagination.
Publisher: Cambridge University Press
ISBN: 1009424998
Category : Music
Languages : en
Pages : 301
Book Description
Introducing a new geographical paradigm for the study of medieval music, this path-breaking book uncovers the role of music, liturgy, and ritual in building Venice's empire in the eastern Mediterranean, activating the city's material culture, and shaping its state-craft of the imagination.
Musical Modernism in Global Perspective
Author: Björn Heile
Publisher: Cambridge University Press
ISBN: 1009491709
Category : Music
Languages : en
Pages : 285
Book Description
The first study of the global dimensions of musical modernism and its transnational diasporic network of composers, musicians, and institutions.
Publisher: Cambridge University Press
ISBN: 1009491709
Category : Music
Languages : en
Pages : 285
Book Description
The first study of the global dimensions of musical modernism and its transnational diasporic network of composers, musicians, and institutions.
Monteverdi and the Marvellous
Author: Roseen Giles
Publisher: Cambridge University Press
ISBN: 100935535X
Category : Music
Languages : en
Pages : 299
Book Description
Explores the path-breaking interaction between language and music in Monteverdi's madrigals through the provocative poetics of the marvellous.
Publisher: Cambridge University Press
ISBN: 100935535X
Category : Music
Languages : en
Pages : 299
Book Description
Explores the path-breaking interaction between language and music in Monteverdi's madrigals through the provocative poetics of the marvellous.