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Author: John Paul Edward Harper-Scott Publisher: ISBN: Category : Music Languages : en Pages : 164
Book Description
Harper-Scott takes a combative swipe at many of the critical myths and prejudices that have attached themselves to the figure of Elgar, revealing both a surprisingly elusive personality and a deeper, often darker, message within his works.
Author: Susan Gillingham Publisher: John Wiley & Sons ISBN: 1118241525 Category : Religion Languages : en Pages : 422
Book Description
This is the first of a two-volume bible commentary covering the Psalms and examining the role of these biblical poems throughout Jewish and Christian history. Provides a fascinating introduction to the literary, historical, and theological background of psalmody Examines the psalms through liturgy and prayer, study and preaching, translation and imitation, and musical composition and artistic illustration Includes illustrations of significant psalms, helpful maps, and an extensive bibliography; an expanded bibliography to accompany the book is also available at www.wiley.com/go/gillingham A forthcoming second volume is planned, which will take an alternative psalm-by-psalm approach Now available in paperback, and published in the innovative reception-history series, Blackwell Bible Commentaries
Author: Rosamond E M Harding Publisher: Routledge ISBN: 1136263489 Category : Literary Collections Languages : en Pages : 161
Book Description
First Published in 1967. This volume is a collection of works, like letters, autobiographies and eye-witness accounts, relating to historical data that exits relating to 'mind in creation'. It includes an appendix with 'The Birth of a Poem' by Robert B.M. Nichols.
Author: Natalia Makasheva Publisher: Taylor & Francis ISBN: 104024131X Category : Business & Economics Languages : en Pages : 343
Book Description
This four-volume set contains a large selection of Kondratiev's work in translation. Kondratiev produced works on aspects of long waves, questions of methodology, economic dynamics, economic policy, and both the history of economic thought and economic history.
Author: Peter Heyworth Publisher: Cambridge University Press ISBN: 9780521495097 Category : Biography & Autobiography Languages : en Pages : 494
Book Description
This widely acclaimed first volume (1885-1933) is now made available in a newly designed format as a companion to the newly published volume 2 (1933-1973).
Author: Kirsten Gibson Publisher: Routledge ISBN: 1351559036 Category : Music Languages : en Pages : 350
Book Description
How have men used art music? How have they listened to and brandished the musical forms of the Western classical tradition and how has music intervened in their identity formations? This collection of essays addresses these questions by examining some of the ways in which men, music and masculinity have been implicated with each other since the Middle Ages. Feminist musicologies have already dealt extensively with music and gender, from the 'phallocentric' tendencies of the Western tradition, to the explicit marginalization of women from that tradition. This book builds on that work by turning feminist critical approaches towards the production, rhetorical engagement and subversion of masculinities in twelve different musical case studies. In other disciplines within the arts and humanities, 'men's studies' is a well-established field. Musicology has only recently begun to address critically music's engagement with masculinity and as a result has sometimes thereby failed to recognize its own discursive misogyny. This book does not seek to cover the field comprehensively but, rather, to explore in detail some of the ways in which musical practices do the cultural work of masculinity. The book is structured into three thematic sections: effeminate and virile musics and masculinities; national masculinities, national musics; and identities, voices, discourses. Within these themes, the book ranges across a number of specific topics: late medieval masculinities; early modern discourses of music, masculinity and medicine; Renaissance Italian masculinities; eighteenth-, nineteenth- and early twentieth-century ideas of creativity, gender and canonicity; masculinity, imperialist and nationalist ideologies in the nineteenth century, and constructions of the masculine voice in late nineteenth- and twentieth-century opera and song. While the case studies are methodologically disparate and located in different historical and geographical locations, they all share a common conc