The Elements of Harmony (Classic Reprint) PDF Download

Author: James Lyon
Publisher: Forgotten Books
ISBN: 9780267738878
Category : Music
Languages : en
Pages : 188

View

Book Description
Excerpt from The Elements of Harmony The Dominant Thirteenth Chromatic Fundamental Discords The Augmented Sixth Chromatically Altered Chorus Modulation (part II.) About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: Stephen A. Emery
Publisher: Forgotten Books
ISBN: 9780365402541
Category : Music
Languages : en
Pages : 118

View

Book Description
Excerpt from Elements of Harmony In view of the cordial endorsement which this work has received at the hands of professional musicians, I desire to extend my thanks to those who have so heartily contributed to its success. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: Karl Merz
Publisher: Forgotten Books
ISBN: 9780332568874
Category : Music
Languages : en
Pages : 196

View

Book Description
Excerpt from The Elements of Harmony and Musical Composition The upper lines represent the black keys, the lower the white keys. It will be observed that the upper keys have derived their names from the lower by adding sharps or flats, and that each of the upper has two names. For this reason the names of the lower keys are called principal names, while those of the upper keys are called derived or intermediate names. In using sharps and flats it may however so happen that the white keys also have derived names. Thus, for instance, by placing sharps before E and B, the white keys of F and C, are no longer called such but are rec ognized as E sharp and B sharp. In the same manner by placing flats be fore C and F, the two white keys of E and B are no longer called such, but are recognized as C flat and F flat. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: F. A. Gore Ouseley
Publisher: Forgotten Books
ISBN: 9780267766284
Category : Music
Languages : en
Pages : 286

View

Book Description
Excerpt from A Treatise on Harmony So many treatises on Harmony have appeared since the beginning of this century, that some apology is perhaps due for adding yet one more to the number. The author must plead as his apology, the conviction that although the existing treatises on the subject contain much very valuable matter, yet all seem to him to be either founded on erroneous principles, or faulty in arrangement. Some mix up together the elements of Harmony, Counterpoint, and Pianoforte-practice 5 others start from principles not based upon nature, but too often contradicted by the now better ascertained phenomena of acoustics; others repudiate physical science altogether, and treat of Music as though it were only an emotional art. The present volume tries to avoid these and other similar errors. Wherever existing works explain or illustrate any point with clearness, they have been quoted freely and acknowledged with gratitude. But in other and more frequent cases it has been necessary to take up entirely fresh ground, and to employ new explanations and illustrations. It is confidently hoped that the system thus evolved may prove useful to the student, by giving him natural and rational explanations of the facts of Music, and of the rules deduced from those facts. The author has aimed throughout at a consistent theory, founded in nature, progressively expanded, and involving no purely arbitrary rules. He now lays the results of his endeavours before the public. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: Geo Oakey
Publisher: Forgotten Books
ISBN: 9780484919180
Category : Music
Languages : en
Pages : 246

View

Book Description
Excerpt from Text Book of Harmony AT the outset, it should be stated that a general knowledge of the rudiments of music is presupposed. For this reason the construction Of scales, which is often given in books Of harmony, is here omitted, as the author contends that that subject belongs to the rudiments, as does also the subject of intervals. As, however, a theoretical knowledge of intervals does not enter into all systems Of teaching the elements of music, and an exact knowledge Of intervals is a prerequisite to the study of harmony, a preliminary chapter on them is included for those who may need it. Those who are not thoroughly familiar with intervals should write them out in different keys. All the early examples should also be transposed to different keys till the student gains the power of readily recognising the chords and their progressions in all their varied appearances and disguises. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: Emil Barth
Publisher: Forgotten Books
ISBN: 9781390911862
Category : Music
Languages : en
Pages : 32

View

Book Description
Excerpt from Elements of Harmony: A Complete Study of the Material Used in Harmony Containing Explanatory Examples and Practical Exercises, to Be Used Independently or in Conjunction With Any of the Standard Treatises on Harmony Chromatic Halfsteps. Ascending and descending. Diatonic Halfsteps Ascending and descending. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: Max Julius Loewengard
Publisher: Forgotten Books
ISBN: 9780364599945
Category : Music
Languages : en
Pages : 114

View

Book Description
Excerpt from Harmony Harmony is the grammar of tone language. The knowledge of Harmony is just as indispensable to anyone studying music, as the knowledge of grammar is to those who wish to gain more than a superficial understanding of a language. Since the exercises in Harmony (from very simple pedagogical grounds) not only can be resolved into their elements, but, for the most part, must be a combination of separate elements, the student can easily see in them the preparation for composing; they are such indeed in no other sense than are the orthographical and grammatical exercises preparatory to writing poetry - not less elementary, not less indispensable. All chords may be divided into two groups: - 1. Triad, or chord with three tones. 2. Sept chord, or chord with four tones. Every triad consists of a fundamental tone, its third and its fifth. Every tone of the scale may be used as the fundamental of such a triad, thus a triad can be formed on any tone of the scale by adding its third and its fifth. If one uses only the tones which belong to a certain scale he will find that part of the triads have a major third and a perfect fifth, while others have a minor third and a perfect fifth. The triad on the VII degree of any scale, as well as on the II degree of the minor scale, always has a minor third and a diminished fifth. The difference between these triads does not concern us at present. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: Siegmund Levarie
Publisher: Forgotten Books
ISBN: 9780331471618
Category : Music
Languages : en
Pages : 164

View

Book Description
Excerpt from Fundamentals of Harmony It may seem presumptuous to add one more textbook on harmony to the numerous existing ones. But each writer is convinced of a special need that he wants to meet; otherwise the subject might justly have been considered exhausted two centuries ago, Upon the publication of the original and funda mental treatises by Rameau and C. P. E. Bach. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: George Coleman Gow
Publisher: Forgotten Books
ISBN: 9780365505051
Category : Music
Languages : en
Pages : 86

View

Book Description
Excerpt from A Text-Book on Harmony Portions only of the (great) staff, namely, five lines of it, are used at a time, temporary additions being made when special notes are required, and signs (called clefs) used to indicate the section of the great staif then occupied. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: William Jones
Publisher: Forgotten Books
ISBN: 9780484132497
Category : Music
Languages : en
Pages : 124

View

Book Description
Excerpt from A Treatise on the Art of Music: In Which the Elements of Harmony and Air Are Practically Considered, and Illustrated by an Hundred and Fifty Examples in Notes Where there is more Learning, there will of courfe be more take and better difcernment: and when aperfon who is prefent at a per formance of Choral Mme has lltill enough to fee the progrcfs of it in a Score book at the fame time, he hears it with as much effefl as if he had more Ears than Nature has given: and indeed (0 he has I for as Learning gives a ficomljfgbr to the mind Of man, fo doth Skill in Muhe improve the Hearing in the fame degree. As we amufe our fclves by reading a Tragedy without fceing it acled on the Stage, fo is it poflible to be entertained by Mufic without hearing it: and at times when Ieonld neither hear Mufic nor play it, I have found fa tisfaction and improvement by calling my Eye over the Score of fome excellent Competition. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.