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Author: Jörg Vogelmann Publisher: GRIN Verlag ISBN: 3640153006 Category : Literary Collections Languages : en Pages : 14
Book Description
Seminar paper from the year 2006 in the subject American Studies - Linguistics, grade: 1,3, University of Stuttgart (Institut für Literaturwissenschaft: Anglistik/Amerikanistik), course: Literary Studies: Seminar: “Essay Writing and Interpretation of Literary Texts”, language: English, abstract: “The emphasis [of Luis Valdez’s Teatro Campesino lies on] (...) communication to the oppressed, not about them” (Bagby, Valdez 70). This statement of Bagby’s underpins the necessity for literary scholars to pay special analytical attention to the comedic elements in Valdez’s dramas. Indeed, it is the relationship between the playwright and his audience of Chicano workers that especially takes its effectiveness from the techniques and elements of comedy, especially satire. Many critics underline Valdez’s importance both because he denounces the discrimination and exploitation of Chicanos in the United States and his direct address to oppressed Mexican-Americans, e.g., striking campesinos. The communication to his fellow-countrymen has always been essential for Valdez as a political writer. It has been this successful and mass-mobilising (for example in the 1965 Delano Grape Strike) as his actos (short plays dramatizing the oppression of the fieldworkers) are based on comedic and satiric elements. These techniques have been used since archaic or Plato’s times by critical authors to mobilise the hearts and minds of human beings against a political system or to remedy an abuse. The thesis that Valdez’s play Los Vendidos consists of various comedic patterns to enable a thrilling, entertaining and effective communication between the author and his Chicano audience to sustainably deliver Valdez’s political messages can be seen when analyzing his probably most famous acto and the types of comedy he uses. Los Vendidos can be assigned to classifications like low, realistic or satiric comedy. This, indeed, shows how strongly Valdez relies on comedic-satiric techniques to politically communicate with and mobilise his Chicano fellow countrymen.
Author: Jörg Vogelmann Publisher: GRIN Verlag ISBN: 3640153006 Category : Literary Collections Languages : en Pages : 14
Book Description
Seminar paper from the year 2006 in the subject American Studies - Linguistics, grade: 1,3, University of Stuttgart (Institut für Literaturwissenschaft: Anglistik/Amerikanistik), course: Literary Studies: Seminar: “Essay Writing and Interpretation of Literary Texts”, language: English, abstract: “The emphasis [of Luis Valdez’s Teatro Campesino lies on] (...) communication to the oppressed, not about them” (Bagby, Valdez 70). This statement of Bagby’s underpins the necessity for literary scholars to pay special analytical attention to the comedic elements in Valdez’s dramas. Indeed, it is the relationship between the playwright and his audience of Chicano workers that especially takes its effectiveness from the techniques and elements of comedy, especially satire. Many critics underline Valdez’s importance both because he denounces the discrimination and exploitation of Chicanos in the United States and his direct address to oppressed Mexican-Americans, e.g., striking campesinos. The communication to his fellow-countrymen has always been essential for Valdez as a political writer. It has been this successful and mass-mobilising (for example in the 1965 Delano Grape Strike) as his actos (short plays dramatizing the oppression of the fieldworkers) are based on comedic and satiric elements. These techniques have been used since archaic or Plato’s times by critical authors to mobilise the hearts and minds of human beings against a political system or to remedy an abuse. The thesis that Valdez’s play Los Vendidos consists of various comedic patterns to enable a thrilling, entertaining and effective communication between the author and his Chicano audience to sustainably deliver Valdez’s political messages can be seen when analyzing his probably most famous acto and the types of comedy he uses. Los Vendidos can be assigned to classifications like low, realistic or satiric comedy. This, indeed, shows how strongly Valdez relies on comedic-satiric techniques to politically communicate with and mobilise his Chicano fellow countrymen.
Author: Jörg Vogelmann Publisher: GRIN Verlag ISBN: 3640154991 Category : Biography & Autobiography Languages : en Pages : 34
Book Description
Seminar paper from the year 2006 in the subject American Studies - Linguistics, grade: 1,3, University of Stuttgart (Institut für Literaturwissenschaft: Anglistik/Amerikanistik), course: Literary Studies: Seminar: "Essay Writing and Interpretation of Literary Texts", 8 entries in the bibliography, language: English, abstract: "The emphasis [of Luis Valdez's Teatro Campesino lies on] (...) communication to the oppressed, not about them" (Bagby, Valdez 70). This statement of Bagby's underpins the necessity for literary scholars to pay special analytical attention to the comedic elements in Valdez's dramas. Indeed, it is the relationship between the playwright and his audience of Chicano workers that especially takes its effectiveness from the techniques and elements of comedy, especially satire. Many critics underline Valdez's importance both because he denounces the discrimination and exploitation of Chicanos in the United States and his direct address to oppressed Mexican-Americans, e.g., striking campesinos. The communication to his fellow-countrymen has always been essential for Valdez as a political writer. It has been this successful and mass-mobilising (for example in the 1965 Delano Grape Strike) as his actos (short plays dramatizing the oppression of the fieldworkers) are based on comedic and satiric elements. These techniques have been used since archaic or Plato's times by critical authors to mobilise the hearts and minds of human beings against a political system or to remedy an abuse. The thesis that Valdez's play Los Vendidos consists of various comedic patterns to enable a thrilling, entertaining and effective communication between the author and his Chicano audience to sustainably deliver Valdez's political messages can be seen when analyzing his probably most famous acto and the types of comedy he uses. Los Vendidos can be assigned to classifications like low, realistic or satiric comedy. This, indeed, shows how strongly Valdez relies on comedic-satiric
Author: Luis Valdez Publisher: Arte Publico Press ISBN: 9781611922127 Category : Drama Languages : es Pages : 214
Book Description
This collection includes one-act plays by the famous farmwork theater, El Teatro Campesino, and its director Luis Valdez; one of the first fully realized, full-length plays by Valdez alone; and an original narrative poem by Luis Valdez.
Author: Aída Hurtado Publisher: University of Texas Press ISBN: 147731959X Category : Social Science Languages : en Pages : 337
Book Description
Collecting the perspectives of scholars who reflect on their own relationships to particular garments, analyze the politics of dress, and examine the role of consumerism and entrepreneurialism in the production of creating and selling a style, meXicana Fashions examines and searches for meaning in these visible, performative aspects of identity. Focusing primarily on Chicanas but also considering trends connected to other Latin American communities, the authors highlight specific constituencies that are defined by region (“Tejana style,” “L.A. style”), age group (“homie,” “chola”), and social class (marked by haute couture labels such as Carolina Herrera and Oscar de la Renta). The essays acknowledge the complex layers of these styles, which are not mutually exclusive but instead reflect a range of intersections in occupation, origin, personality, sexuality, and fads. Other elements include urban indigenous fashion shows, the shifting quinceañera market, “walking altars” on the Days of the Dead, plus-size clothing, huipiles in the workplace, and dressing in drag. Together, these chapters illuminate the full array of messages woven into a vibrant social fabric.
Author: David Kuria Publisher: GRIN Verlag ISBN: 3656747482 Category : Foreign Language Study Languages : en Pages : 10
Book Description
Essay from the year 2012 in the subject Romance Studies - Spanish Studies, grade: A, University of Canberra, language: English, abstract: The play titled Los Vendidos, which when translated into Spanish means “sell outs”, was written in 1967 by Luis Valdez and was first performed according to Baru (2011), in East Los Angeles at the Brown Beret Junta. In the play, the author seeks to display the social disparities between the Latin community and the locals in California. In effect, the role of the various authorizes such as the state, local and federal governments are highlighted to portray certain misconceptions about Americans towards Latinos. Although out the play, it is evident that Luis Valdez adapts to some great extent, character traits innate in the Mexican culture. Generally, the play seeks to inform the larger American audience of the triviality of some of the stereotypes assumed with regard to the Mexicans living in California, and how ridiculous these stereotypes and misconceptions are. In this paper, an in-depth analysis of the emerging themes, motifs and characters in the play will be discussed.
Author: Luis G. Gómez Publisher: ISBN: Category : Biography & Autobiography Languages : en Pages : 128
Book Description
An English edition of the memoirs of the life of early immigrant and pioneer, Luis G. Gomez, who came to Texas from Mexico in the mid-1800s.
Author: Carl Laurence Duaine Publisher: ISBN: Category : Border Region (Mexico - U.S.) Languages : en Pages : 390
Book Description
Biographical material on maternal ancestors of the author and their contemporaries with hisorical background of the times back to the conquest of Mexico by Cortez. The authors ancestor's were among the founders of Monterrey, Saltillo, and other areas. Duaine's mother was the daughter of Juan Rios and Macadonia Ramirez of Mier, Mexico.
Author: Carlos Bulosan Publisher: Temple University Press ISBN: 9781566393102 Category : Fiction Languages : en Pages : 240
Book Description
A companion volume to The Cry and the Dedication, this is the first extensive collection of Carlos Bulosan's short stories, essays, poetry, and correspondence. Bulosan's writings expound his mission to redefine the Filipino American experience and mark his growth as a writer. The pieces included here reveal how his sensibility, largely shaped by the political circumstances of the 1930s up to the 1950s, articulates the struggles and hopes for equality and justice for Filipinos. He projects a "new world order" liberated from materialist greed, bigoted nativism, racist oppression, and capitalist exploitation. As E. San Juan explains in his Introduction, Bulosan's writings "help us to understand the powerlessness and invisibility of being labeled a Filipino in post Cold War America." Author note: Born in 1911 in the Philippines to a peasant family, Carlos Bulosan was one of the first wave of Filipino immigrants to come to the United States in the 1930s. After several arduous years as a farmworker in California, Bulosan became involved with radical intellectuals and started editing the workers' magazine The New Tide.While hospitalized for three years for tuberculosis and kidney problems, Bulosan began writing poetry and short stories. Despite having little formal education, he saw his talent for writing as a means to give a voice to Filipino struggles, both in the Philippines and in the United States. He went on to publish three volumes of poetry, a best-selling collection of stories, The Laughter of My Father, and America Is in the Heart, the much acclaimed chronicle based on his family's battle to overcome poverty, violence, and racism in the United States. The Cry and the Dedication carries on Bulosan's passionate, satirical style. >P>E. San Juan, Jr. is Fellow of the Center for the Humanities and Visiting Professor of English, Wesleyan University, and Director of the Philippines Cultural Studies Center. He was recently chair of the Department of Comparative American Cultures, Washington University, and Professor of Ethnic Studies at Bowling Green State University, Ohio. He received the 1999 Centennial Award for Literature from the Philippines Cultural Center. His most recent books are Beyond Postcolonial Theory, From Exile to Diaspora, After Postcolonialism, and Racism and Cultural Studies.
Author: Mario Sanginés Publisher: Inter-American Development Bank ISBN: 1597821691 Category : Business & Economics Languages : en Pages : 198
Book Description
The Fiscal Institutions of Tomorrow, the first publication in the series Institutions for People, addresses issues of public management that are key to economic development in Latin America and the Caribbean. It presents the challenges that the countries in the region face to strengthen fiscal institutions with a view to the future and with policy recommendations. This publication serves as reference material for policymakers and economic analysts interested in studying the evolution of fiscal institutions in the region and identifying areas to improve governance.
Author: Jörg Vogelmann
Author: Jörg Vogelmann
Author: Jörg Vogelmann
Author: Luis Valdez
Author: Aída Hurtado
Author: David Kuria
Author: Luis G. Gómez
Author: Luis Valdez
Author: Carl Laurence Duaine
Author: Carlos Bulosan
Author: Mario Sanginés