elektramusic electroacoustic & experimental music - issue 01 PDF Download

Author:
Publisher: Elektramusic
ISBN: 2952494304
Category :
Languages : en
Pages : 156

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Author: Laura Emmery
Publisher: Routledge
ISBN: 0429619510
Category : Music
Languages : en
Pages : 267

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Compositional Process in Elliott Carter’s String Quartets is an interdisciplinary study examining the evolution and compositional process in Elliott Carter’s five string quartets. Offering a systematic and logical way of unpacking concepts and processes in these quartets that would otherwise remain opaque, the book’s narrative reveals new aspects of understanding these works and draws novel conclusions on their collective meaning and Carter’s place as the leading American modernist. Each of Carter’s five string quartets is driven by a new idea that Carter was exploring during a particular period, which allows for each quartet to be examined under a unique lens and a deeper understanding of his oeuvre at large. Drawing on key ideas from a variety of subjects including performance studies, philosophy, music cognition, musical meaning and semantics, literary criticism, and critical theory, this is an informative volume for scholars and researchers in the areas of music theory and musicology. Analyses are supplemented with sketch study, correspondence, text manuscripts, and other archival sources from the Paul Sacher Stiftung, the Library of Congress, and the New York Public Library.

Author: Steve Freeman
Publisher:
ISBN:
Category : Electronic music
Languages : en
Pages : 332

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Author: Elliott Carter
Publisher:
ISBN: 9780252044205
Category :
Languages : en
Pages : 240

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Book Description
These previously unpublished lectures by Elliott Carter date to the summer of 1967, when the acclaimed composer taught at the Contemporary Music Workshop held by the University of Minnesota. Leading an introductory course on orchestra repertoire, Carter gave nine hours of lectures covering principal topics like how to live with the musical present and whether the symphony orchestra was a relic of the past or a possible active force for new music. But Carter's observations and prompts by audience questions broadened the discussion into areas ranging from electronic music to analyses of works by other artists and himself. Laura Emmery presents the complete text from each session alongside introductions, commentary, and annotated examples that provide valuable context for readers. Expansive and essential, Elliott Carter Speaks opens up the artist's teaching and introspection to new contemporary perspectives on his thought and art.

Author: Eddie Prévost
Publisher:
ISBN: 9780952549253
Category : Avant-garde (Music)
Languages : en
Pages : 234

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Author: Weiwei Ai
Publisher: Mildred Lane Kemper Art Museum
ISBN: 9780936316468
Category : Art
Languages : en
Pages : 0

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Over the past two decades, the Chinese conceptual artist, activist and exile Ai Weiwei has created art that addresses complex and sensitive themes of political, ethical, and social urgency. His artworks, which call upon both Western and Chinese cultural traditions, are deeply engaged with the history of art, drawing particularly on conceptualism and minimalism. From the start of his multifaceted career in the late 1970s, Ai has envisioned artistic practice as a deeply human, moral, and political endeavour. This volume presents the artist's work in dialogue with theoretical texts by the Italian philosopher Giorgio Agamben and the German-Jewish philosopher Hannah Arendt alongside interpretive essays that illuminate the artist's work on human rights, his engagement with historical Chinese artifacts, and his critical consideration of the effects of globalisation.

Author: Eric F. Clarke
Publisher: Oxford University Press
ISBN: 0199355916
Category : Music
Languages : en
Pages : 385

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Book Description
Creative practice in music, particularly in traditional concert culture, is commonly understood in terms of a rather stark division of labour between composer and performer. But this overlooks the distributed and interactive nature of the creative processes on which so much contemporary music depends. The incorporation of two features-improvisation and collaboration-into much contemporary music suggests that the received view of the relationship between composition and performance requires reassessment. Improvisation and collaborative working practices blur the composition/performance divide and, in doing so, provide important new perspectives on the forms of distributed creativity that play a central part in much contemporary music. Distributed Creativity: Collaboration and Improvisation in Contemporary Music explores the different ways in which collaboration and improvisation enable and constrain creative processes. Thirteen chapters and twelve shorter Interventions offer a range of perspectives on distributed creativity in music, on composer/performer collaborations and on contemporary improvisation practices. The chapters provide substantial discussions of a variety of conceptual frameworks and particular projects, while the Interventions present more informal contributions from a variety of practitioners (performers, composers, improvisers), giving insights into the pleasures and perils of working creatively in collaborative and improvised ways.

Author: Andrew R. Brown
Publisher:
ISBN: 9781443839129
Category : Music
Languages : en
Pages : 0

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Book Description
Sound Musicianship is a book for music educators and musicians about musicianshipâ "about musical skills, abilities, habits, sensibilities and understandings. Musicianship is explored as a form of craftsmanship. Like most crafts, music requires a balance of theoretical knowledge and practical skills that contribute to a highly tuned ability to appreciate and express music. In particular, the book explores general trends that influence musicianship in the twenty-first century, such as an increased reliance on digital media, greater awareness of the neurological basis for musical behaviour, a renewed interest in connections between bodily movements and musical expression, and increased cultural plurality resulting from more frequent travel, increased levels of migration and ubiquitous telecommunications. The book has a deliberate focus on the developmental aspects of musicianship, which will benefit those hoping to advance their own music learning or that of others. It includes a diverse range of views and perspectives on musicianship and is organised into five sections. The first four sections explore the implications of music understood as sound, experience, motion and culture, respectively. In these sections, leading researchers and thinkers outline important issues and debates that are relevant to developing the crafts of music making and they share insights into recent trends and understandings. The final section of the book looks at educational considerations and provides a series of case studies that document innovative approaches to developing musicianship. Readers will encounter some new, interesting and thought-provoking ideas within these pages. As we move further into the twenty-first centuryâ "with all the opportunities and challenges for music making it bringsâ "the requirement to review our concepts of musicianship training will intensify, and the definition of a â oesound basisâ for a contemporary musicianship will evolve. This book is intended to help stimulate and inform that evolutionary process.

Author: Paul Griffiths
Publisher: Oxford University Press
ISBN: 0199792283
Category : Music
Languages : en
Pages : 475

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Book Description
Over three decades, Paul Griffiths's survey has remained the definitive study of music since the Second World War; this fully revised and updated edition re-establishes Modern Music and After as the preeminent introduction to the music of our time. The disruptions of the war, and the struggles of the ensuing peace, were reflected in the music of the time: in Pierre Boulez's radical reformation of compositional technique and in John Cage's development of zen music; in Milton Babbitt's settling of the serial system and in Dmitry Shostakovich's unsettling symphonies; in Karlheinz Stockhausen's development of electronic music and in Luigi Nono's pursuit of the universally human, in Iannis Xenakis's view of music as sounding mathematics and in Luciano Berio's consideration of it as language. The initiatives of these composers and their contemporaries opened prospects that haven't yet stopped unfolding. This constant expansion of musical thinking since 1945 has left us with no singular history of music; Griffiths's study accordingly follows several different paths, showing how and why they converge and diverge. This new edition of Modern Music and After discusses not only the music of the fifteen years that have passed since the previous edition, but also the recent explosion of scholarly interest in the latter half of the twentieth century. In particular, the book has been expanded to incorporate the variety of responses to the modernist impasse experienced by composers of the 1980s and 1990s. Griffiths then moves the book into the twenty-first century as he examines such highly influential composers as Helmut Lachenmann and Salvatore Sciarrino. For its breadth, wealth of detail, and characteristic wit and clarity, the third edition of Modern Music and After is required reading for the student and the enquiring listener.

Author: Cristina Miranda de Almeida
Publisher: Cambridge Scholars Publishing
ISBN: 1443862010
Category : Art
Languages : en
Pages : 360

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Book Description
Current digital processes of production, reproduction and distribution of information affect the perception of time, space, matter, senses and identity. This book explores the research question: what are the psycho-physiological dimensions of the ways people experience their presence in the world and the world’s presence in them? Because they deal principally with issues of perception and sentience, with a particular emphasis on art, there is in all chapters an invitation to experience a shift of perception. An embodied sensation of the world and a re-sensorialization of the environment are described to complement the visually-biased perspective with a renewed sense of humans’ relationship to their spatial and material surrounding. As such, this book presents the topological reunion of sensation and cognition, of sense and sensibility and of body, self and world. The perception of the “Point of Being”, to which the various chapters of this book invite the reader, proposes an alternative to the “Point of View” inherited from the Renaissance; it offers a way to situate the sense of self through the physical, digital and electronic domains that shape physical, social, cultural, economic and spiritual conditions at the beginning of the twenty-first century. Nine authors explore different ways in which the paradigm of the Point of Being can bridge the interval, the discontinuity, between subjects and objects that began with the diffusion of the phonetic alphabet. The Point of Being is a signpost on that journey.